Program
On this page:
- All events at a glance (table)
- Main conference program (table)
- Detailed program with paper PDFs (list)
All events at a glance
| Sunday
July 31st |
Monday
Aug. 1st |
Tuesday
Aug. 2nd |
Wednesday
Aug. 3rd |
Thursday
Aug. 4th |
Friday
Aug. 5th |
Saturday
Aug. 6th |
| ISMIR ThinkTank | ISMIR ThinkTank | HAMR | ||||
| HAMR | ||||||
| Sunday
Aug. 7th |
Monday
Aug. 8th |
Tuesday
Aug. 9th |
Wednesday
Aug. 10th |
Thursday
Aug. 11th |
Friday
Aug. 12th |
Saturday
Aug. 13th |
| Tutorials | Scientific Program | Scientific Program | Scientific Program | Scientific Program | CogMIR / DLfM | |
| Reception | ISMIR Jam | ISMIR Banquet | Unconference |
Main conference program
| Sunday
Aug. 7th |
Monday
Aug. 8th |
Tuesday
Aug. 9th |
Wednesday
Aug. 10th |
Thursday
Aug 11th |
|
| 8:30 | Registration | ||||
| 9:00 | Registration | Coffee | Coffee | Coffee | Coffee |
| 9:30 | Welcome | Oral #3: Users | Oral #5: Structure | Oral #7: Deep-Learning | |
| 10:00 | Morning Tutorials @ Columbia | Oral #1: Mixed | |||
| 10:30 | Keynote #1: Barbara Haws | Keynote #2: Beth Logan | Business Meeting + Closing | ||
| 11:00 | |||||
| 11:30 | Posters #1 | Posters #2 | Posters #3 | ||
| 12:00 | |||||
| 12:30 | |||||
| 13:00 | Lunch | Lunch | Lunch | Late Breaking / Demos & MIREX Posters (with lunch) @ MAGNET | |
| 13:30 | |||||
| 14:00 | Afternoon Tutorials @ Columbia | Oral #2: Rhythm | Oral #4: Musicologies | Oral #6: Symbolic | |
| 14:30 | |||||
| 15:00 | Unconference @ MAGNET | ||||
| 15:30 | ISMIR 2017 + Evaluation Town Hall | ||||
| 15:40 | Industry Panel | Women in MIR (WiMIR) | |||
| 16:00 | |||||
| 16:40 | Posters #1 (continued) | Posters #2 (continued) | Posters #3 (continued) | ||
| 17:00 | |||||
| 18:00 | |||||
| 19:00 | Social: Reception @ Houston Hall | Social: ISMIR Banquet @ Brooklyn Bowl | |||
| 20:00 | Social: ISMIR Jam @ DROM | ||||
| 22:00 | |||||
| 23:00 | |||||
| 1:00 |
Detailed program
Oral session 1: MixedWhen: Mon Aug 8, 2016, 10am – 11:20am Where: Eisner & Lubin Auditorium (4th floor), NYU Kimmel Center. Chair: Xiao Hu (The University of Hong Kong). |
|---|
| (OS1-1) SiMPle: Assessing Music Similarity Using Subsequences Joins Diego Silva, Chin-Chia Michael Yeh, Gustavo Batista and Eamonn Keogh |
| (OS1-2) Score-Informed Identification of Missing and Extra Notes in Piano Recordings Sebastian Ewert, Siying Wang, Meinard Mueller and Mark Sandler |
| (OS1-3) Feature Learning for Chord Recognition: The Deep Chroma Extractor Filip Korzeniowski and Gerhard Widmer |
| (OS1-4) Learning to Pinpoint Singing Voice from Weakly Labeled Examples Jan Schlüter |
Poster session 1When: Mon Aug 8, 2016, 11:30am – 1pm & 4:40pm – 6pm Where: Rosenthal Pavilion (10th floor), NYU Kimmel Center |
| (PS1-1) A Corpus of Annotated Irish Traditional Dance Music Recordings: Design and Benchmark Evaluations Pierre Beauguitte, Bryan Duggan and John Kelleher |
| (PS1-2) Adaptive Frequency Neural Networks for Dynamic Pulse and Metre Perception Andrew Lambert, Tillman Weyde and Newton Armstrong |
| (PS1-3) An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis Cárthach Ó Nuanáin, Perfecto Herrera and Sergi Jordà |
| (PS1-4) An Ontology for Audio Features Alo Allik, György Fazekas and Mark Sandler |
| (PS1-5) Analysis and Classification of Phonation Modes In Singing Daniel Stoller and Simon Dixon |
| (PS1-6) Analysis of Vocal Imitations of Pitch Trajectories Jiajie Dai and Simon Dixon |
| (PS1-7) Automatic Music Recommendation Systems: Do Demographic, Profiling, and Contextual Features Improve Their Performance? Gabriel Vigliensoni and Ichiro Fujinaga |
| (PS1-8) Automatic Outlier Detection in Music Genre Datasets Yen-Cheng Lu, Chih-Wei Wu, Alexander Lerch and Chang-Tien Lu |
| (PS1-9) AVA: An Interactive System for Visual and Quantitative Analyses of Vibrato and Portamento Performance Styles Luwei Yang, Khalid Z. Rajab and Elaine Chew |
| (PS1-10) Composer Recognition Based on 2D-Filtered Piano-Rolls Gissel Velarde, Tillman Weyde, Carlos Cancino Chacón, David Meredith and Maarten Grachten |
| (PS1-11) Conversations with Expert Users in Music Retrieval and Research Challenges for Creative MIR Kristina Andersen and Peter Knees |
| (PS1-12) Downbeat Tracking Using Beat Synchronous Features with Recurrent Neural Networks Florian Krebs, Sebastian Böck, Matthias Dorfer and Gerhard Widmer |
| (PS1-13) Enhancing Cover Song Identification with Hierarchical Rank Aggregation Julien Osmalskyj, Marc Van Droogenbroeck and Jean-Jacques Embrechts |
| (PS1-14) Ensemble: A Hybrid Human-Machine System for Generating Melody Scores from Audio Tim Tse, Justin Salamon, Alex Williams, Helga Jiang and Edith Law |
| (PS1-15) Exploring Customer Reviews for Music Genre Classification and Evolutionary Studies Sergio Oramas, Luis Espinosa-Anke, Aonghus Lawlor, Xavier Serra and Horacio Saggion |
| (PS1-16) Further Steps Towards a Standard Testbed for Optical Music Recognition Jan Hajič jr., Jiří Novotný, Pavel Pecina and Jaroslav Pokorný |
| (PS1-17) Improving Voice Separation by Better Connecting Contigs Nicolas Guiomard-Kagan, Mathieu Giraud, Richard Groult and Florence Levé |
| (PS1-18) Integer Programming Formulation of the Problem of Generating Milton Babbitt’s All-Partition Arrays Tsubasa Tanaka, Brian Bemman and David Meredith |
| (PS1-19) Integration and Quality Assessment of Heterogeneous Chord Sequences Using Data Fusion Hendrik Vincent Koops, W. Bas de Haas, Dimitrios Bountouridis and Anja Volk |
| (PS1-20) Landmark-Based Audio Fingerprinting for DJ Mix Monitoring Reinhard Sonnleitner, Andreas Arzt and Gerhard Widmer |
| (PS1-21) Learning and Visualizing Music Specifications Using Pattern Graphs Rafael Valle, Daniel J. Fremont, Ilge Akkaya, Alexandre Donzé, Adrian Freed and Sanjit A. Seshia |
| (PS1-22) Listen To Me – Don’t Listen To Me: What Communities of Critics Tell Us About Music Ben Fields and Christophe Rhodes |
| (PS1-23) Long-Term Reverberation Modeling for Under-Determined Audio Source Separation with Application to Vocal Melody Extraction Romain Hennequin and François Rigaud |
| (PS1-24) Nonnegative Tensor Factorization with Frequency Modulation Cues for Blind Audio Source Separation Elliot Creager, Noah Stein, Roland Badeau and Philippe Depalle |
| (PS1-25) On Drum Playing Technique Detection in Polyphonic Mixtures Chih-Wei Wu and Alexander Lerch |
| (PS1-26) Predicting Missing Music Components with Bidirectional Long Short-Term Memory Neural Networks I-Ting Liu and Richard Randall |
| (PS1-27) Structural Segmentation and Visualization of Sitar and Sarod Concert Audio Vinutha T. P., Suryanarayana Sankagiri, Kaustuv Kanti Ganguli and Preeti Rao |
| (PS1-28) Template-Based Vibrato Analysis in Complex Music Signals Jonathan Driedger, Stefan Balke, Sebastian Ewert and Meinard Mueller |
| (PS1-29) Towards Evaluating Multiple Predominant Melody Annotations in Jazz Recordings Stefan Balke, Jonathan Driedger, Jakob Abesser, Christian Dittmar and Meinard Mueller |
Oral session 2: RhythmWhen: Mon Aug 8, 2016, 2pm – 3:20pm Where: Eisner & Lubin Auditorium (4th floor), NYU Kimmel Center Chair: Jason Hockman (Birmingham City University) |
| (OS2-1) Joint Beat and Downbeat Tracking with Recurrent Neural Networks Sebastian Böck, Florian Krebs and Gerhard Widmer |
| (OS2-2) Bayesian Meter Tracking on Learned Signal Representations Andre Holzapfel and Thomas Grill |
| (OS2-3) Tempo Estimation for Music Loops and a Simple Confidence Measure Frederic Font and Xavier Serra |
| (OS2-4) Brain Beats: Tempo Extraction from EEG Data Sebastian Stober, Thomas Praetzlich and Meinard Mueller |
Oral session 3: UsersWhen: Tue Aug 9, 2016, 9:30am – 10:30am Where: Eisner & Lubin Auditorium (4th floor), NYU Kimmel Center Chair: Eva Zangerle (University of Innsbruck) |
| (OS3-1) A Plan for Sustainable MIR Evaluation Brian McFee, Eric Humphrey and Julián Urbano |
| (OS3-2) Go with the Flow: When Listeners Use Music as Technology Andrew Demetriou, Martha Larson and Cynthia C. S. Liem |
| (OS3-3) A Look at the Cloud from Both Sides Now: An Analysis of Cloud Music Service Usage Jin Ha Lee, Yea-Seul Kim and Chris Hubbles |
Poster session 2When: Tue Aug 9, 2016, 11:30am – 1pm and 4:40pm – 6pm Where: Rosenthal Pavilion (10th floor), NYU Kimmel Center |
| (PS2-1) A Hierarchical Bayesian Model of Chords, Pitches, and Spectrograms for Multipitch Analysis Yuta Ojima, Eita Nakamura, Katsutoshi Itoyama and Kazuyoshi Yoshii |
| (PS2-2) A Higher-Dimensional Expansion of Affective Norms for English Terms for Music Tagging Michele Buccoli, Massimiliano Zanoni, György Fazekas, Augusto Sarti and Mark Sandler |
| (PS2-3) A Latent Representation of Users, Sessions, and Songs for Listening Behavior Analysis Chia-Hao Chung, Jing-Kai Lou and Homer Chen |
| (PS2-4) A Methodology for Quality Assessment in Collaborative Score Libraries Vincent Besson, Marco Gurrieri, Philippe Rigaux, Alice Tacaille and Virginie Thion |
| (PS2-5) Aligned Hierarchies: A Multi-Scale Structure-Based Representation for Music-Based Data Streams Katherine M. Kinnaird |
| (PS2-6) Analysing Scattering-Based Music Content Analysis Systems: Where’s the Music? Francisco Rodríguez-Algarra, Bob L. Sturm and Hugo Maruri-Aguilar |
| (PS2-7) Beat Tracking with a Cepstroid Invariant Neural Network Anders Elowsson |
| (PS2-8) Bootstrapping a System for Phoneme Recognition and Keyword Spotting in Unaccompanied Singing Anna Kruspe |
| (PS2-9) Can Microblogs Predict Music Charts? An Analysis of the Relationship Between #Nowplaying Tweets and Music Charts Eva Zangerle, Martin Pichl, Benedikt Hupfauf and Günther Specht |
| (PS2-10) Cross Task Study on MIREX Recent Results: An Index for Evolution Measurement and Some Stagnation Hypotheses Ricardo Scholz, Geber Ramalho and Giordano Cabral |
| (PS2-11) Cross-Collection Evaluation for Music Classification Tasks Dmitry Bogdanov, Alastair Porter, Perfecto Herrera and Xavier Serra |
| (PS2-12) Downbeat Detection with Conditional Random Fields and Deep Learned Features Simon Durand and Slim Essid |
| (PS2-13) Exploiting Frequency, Periodicity and Harmonicity Using Advanced Time-Frequency Concentration Techniques for Multipitch Estimation of Choir and Symphony Li Su, Tsung-Ying Chuang and Yi-Hsuan Yang |
| (PS2-14) Genre Ontology Learning: Comparing Curated with Crowd-Sourced Ontologies Hendrik Schreiber |
| (PS2-15) Genre Specific Dictionaries for Harmonic/Percussive Source Separation Clément Laroche, Hélène Papadopoulos, Matthieu Kowalski and Gaël Richard |
| (PS2-16) Good-sounds.org: A Framework to Explore Goodness in Instrumental Sounds Giuseppe Bandiera, Oriol Romani Picas and Xavier Serra |
| (PS2-17) Improving Predictions of Derived Viewpoints in Multiple Viewpoints Systems Thomas Hedges and Geraint Wiggins |
| (PS2-18) Known Artist Live Song ID: A Hashprint Approach TJ Tsai, Thomas Praetzlich and Meinard Mueller |
| (PS2-19) Learning Temporal Features Using a Deep Neural Network and its Application to Music Genre Classification Il-Young Jeong and Kyogu Lee |
| (PS2-20) Meter Detection in Symbolic Music Using Inner Metric Analysis W. Bas de Haas and Anja Volk |
| (PS2-21) Minimax Viterbi Algorithm for HMM-Based Guitar Fingering Decision Gen Hori and Shigeki Sagayama |
| (PS2-22) Mixtape: Direction-Based Navigation in Large Media Collections Joao Paulo V. Cardoso, Luciana Fujii Pontello, Pedro H. F. Holanda, Bruno Guilherme, Olga Goussevskaia and Ana Paula Couto da Silva |
| (PS2-23) Musical Note Estimation for F0 Trajectories of Singing Voices Based on a Bayesian Semi-Beat-Synchronous HMM Ryo Nishikimi, Eita Nakamura, Katsutoshi Itoyama and Kazuyoshi Yoshii |
| (PS2-24) On the Evaluation of Rhythmic and Melodic Descriptors for Music Similarity Maria Panteli and Simon Dixon |
| (PS2-25) On the Potential of Simple Framewise Approaches to Piano Transcription Rainer Kelz, Matthias Dorfer, Filip Korzeniowski, Sebastian Böck, Andreas Arzt and Gerhard Widmer |
| (PS2-26) Phrase-Level Audio Segmentation of Jazz Improvisations Informed by Symbolic Data Jeff Gregorio and Youngmoo Kim |
| (PS2-27) Revisiting Priorities: Improving MIR Evaluation Practices Bob L. Sturm |
| (PS2-28) Simultaneous Separation and Segmentation in Layered Music Prem Seetharaman and Bryan Pardo |
| (PS2-29) Towards Modeling and Decomposing Loop-Based Electronic Music Patricio López-Serrano, Christian Dittmar, Jonathan Driedger and Meinard Mueller |
| (PS2-30) Two (Note) Heads Are Better Than One: Pen-Based Multimodal Interaction with Music Scores Jorge Calvo-Zaragoza, David Rizo and Jose M. Iñesta |
Oral session 4: MusicologiesWhen: Tue Aug 9, 2016, 2pm – 3:20pm Where: Eisner & Lubin Auditorium (4th floor), NYU Kimmel Center Chair: Anja Volk (Utrecht University) |
| (OS4-1) Analyzing Measure Annotations for Western Classical Music Recordings Christof Weiß, Vlora Arifi-Müller, Thomas Prätzlich, Rainer Kleinertz and Meinard Mueller |
| (OS4-2) Instrumental Idiom in the 16th Century: Embellishment Patterns in Arrangements of Vocal Music David Lewis, Tim Crawford and Daniel Müllensiefen |
| (OS4-3) The Sousta Corpus: Beat-Informed Automatic Transcription of Traditional Dance Tunes Andre Holzapfel and Emmanouil Benetos |
| (OS4-4) Learning a Feature Space for Similarity in World Music Maria Panteli, Emmanouil Benetos and Simon Dixon |
Oral session 5: StructureWhen: Wed Aug 10, 2016, 9:30am – 10:30am Where: Eisner & Lubin Auditorium (4th floor), NYU Kimmel Center Chair: J. Ashley Burgoyne (University of Amsterdam) |
| (OS5-1) Systematic Exploration of Computational Music Structure Research Oriol Nieto and Juan Pablo Bello |
| (OS5-2) Using Priors to Improve Estimates of Music Structure Jordan Smith and Masataka Goto |
| (OS5-3) Music Structural Segmentation Across Genres with Gammatone Features Mi Tian and Mark Sandler |
Poster session 3When: Wed Aug 10, 2016, 11:30am – 1pm and 4:40pm – 6pm Where: Rosenthal Pavilion (10th floor), NYU Kimmel Center |
| (PS3-1) A Comparison of Melody Extraction Methods Based on Source-Filter Modelling Juan J. Bosch, Rachel M. Bittner, Justin Salamon and Emilia Gómez |
| (PS3-2) An Analysis of Agreement in Classical Music Perception and its Relationship to Listener Characteristics Markus Schedl, Hamid Eghbal-Zadeh, Emilia Gómez and Marko Tkalcic |
| (PS3-3) An Attack/Decay Model for Piano Transcription Tian Cheng, Matthias Mauch, Emmanouil Benetos and Simon Dixon |
| (PS3-4) Automatic Drum Transcription Using Bi-Directional Recurrent Neural Networks Carl Southall, Ryan Stables and Jason Hockman |
| (PS3-5) Automatic Practice Logging: Introduction, Dataset & Preliminary Study R. Michael Winters, Siddharth Gururani and Alexander Lerch |
| (PS3-6) Data-Driven Exploration of Melodic Structure in Hindustani Music Kaustuv Kanti Ganguli, Sankalp Gulati, Xavier Serra and Preeti Rao |
| (PS3-7) Deep Convolutional Networks on the Pitch Spiral For Music Instrument Recognition Vincent Lostanlen and Carmine Emanuele Cella |
| (PS3-8) DTV-Based Melody Cutting for DTW-Based Melody Search and Indexing in QbH Systems Bartlomiej Stasiak |
| (PS3-9) Elucidating User Behavior in Music Services Through Persona and Gender John Fuller, Lauren Hubener, Yea-Seul Kim and Jin Ha Lee |
| (PS3-10) Exploring the Latent Structure of Collaborations in Music Recordings: A Case Study in Jazz Nazareno Andrade and Flavio Figueiredo |
| (PS3-11) Global Properties of Expert and Algorithmic Hierarchical Music Analyses Phillip Kirlin |
| (PS3-12) Human-Interactive Optical Music Recognition Liang Chen, Erik Stolterman and Christopher Raphael |
| (PS3-13) I Said it First: Topological Analysis of Lyrical Influence Networks Jack Atherton and Blair Kaneshiro |
| (PS3-14) Impact of Music on Decision Making in Quantitative Tasks Elad Liebman, Peter Stone and Corey White |
| (PS3-15) Interactive Scores in Classical Music Production Simon Waloschek, Axel Berndt, Benjamin W. Bohl and Aristotelis Hadjakos |
| (PS3-16) Jazz Ensemble Expressive Performance Modeling Helena Bantulà, Sergio Giraldo and Rafael Ramírez |
| (PS3-17) Mining Musical Traits of Social Functions in Native American Music Daniel Shanahan, Kerstin Neubarth and Darrell Conklin |
| (PS3-18) Mining Online Music Listening Trajectories Flavio Figueiredo, Bruno Ribeiro, Christos Faloutsos, Nazareno Andrade and Jussara M. Almeida |
| (PS3-19) Musical Typicality: How Many Similar Songs Exist? Tomoyasu Nakano, Daichi Mochihashi, Kazuyoshi Yoshii and Masataka Goto |
| (PS3-20) MusicDB: A Platform for Longitudinal Music Analytics Jeremy Hyrkas and Bill Howe |
| (PS3-21) Noise Robust Music Artist Recognition Using I-Vector Features Hamid Eghbal-zadeh and Gerhard Widmer |
| (PS3-22) On the Use of Note Onsets for Improved Lyrics-To-Audio Alignment in Turkish Makam Music Georgi Dzhambazov, Ajay Srinivasamurthy, Sertan Sentürk and Xavier Serra |
| (PS3-23) Querying XML Score Databases: XQuery is not Enough! Raphael Fournier-S’niehotta, Philippe Rigaux and Nicolas Travers |
| (PS3-24) Recurrent Neural Networks for Drum Transcription Richard Vogl, Matthias Dorfer and Peter Knees |
| (PS3-25) Singing Voice Melody Transcription Using Deep Neural Networks François Rigaud and Mathieu Radenen |
| (PS3-26) Sparse Coding Based Music Genre Classification Using Spectro-Temporal Modulations Kai-Chun Hsu, Chih-Shan Lin and Tai-Shih Chi |
| (PS3-27) Time-Delayed Melody Surfaces for Rāga Recognition Sankalp Gulati, Joan Serrà, Kaustuv Kanti Ganguli, Sertan Şentürk and Xavier Serra |
| (PS3-28) Transcribing Human Piano Performances into Music Notation Andrea Cogliati, David Temperley and Zhiyao Duan |
| (PS3-29) WiMIR: An Informetric Study On Women Authors In ISMIR Xiao Hu, Kahyun Choi, Jin Ha Lee, Audrey Laplante, Yun Hao, Sally Jo Cunningham and J. Stephen Downie |
Oral session 6: SymbolicWhen: Wed Aug 10, 2016, 2pm – 3:20pm Where: Eisner & Lubin Auditorium (4th floor), NYU Kimmel Center Chair: M. Mary Farbood (New York University) |
| (OS6-1) Automatic Melodic Reduction Using a Supervised Probabilistic Context-Free Grammar Ryan Groves |
| (OS6-2) A Neural Greedy Model for Voice Separation in Symbolic Music Patrick Gray and Razvan Bunescu |
| (OS6-3) Towards Score Following In Sheet Music Images Matthias Dorfer, Andreas Arzt and Gerhard Widmer |
| (OS6-4) Extracting Ground-Truth Information from MIDI Files: A MIDIfesto Colin Raffel and Daniel Ellis |
Oral session 7: Deep-learningWhen: Thu Aug 11, 2016, 9:30am – 10:30am Where: Eisner & Lubin Auditorium (4th floor), NYU Kimmel Center Chair: Erik Schmidt (Pandora) |
| (OS71-1) Automatic Tagging Using Deep Convolutional Neural Networks Keunwoo Choi, György Fazekas and Mark Sandler |
| (OS71-2) A Hybrid Gaussian-HMM-Deep Learning Approach for Automatic Chord Estimation with Very Large Vocabulary Junqi Deng and Yu-Kwong Kwok |
| (OS71-3) Melody Extraction on Vocal Segments Using Multi-Column Deep Neural Networks Sangeun Kum, Changheun Oh and Juhan Nam |