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Cultural Initiatives

NYU Tulsa Kicks Off with Alternative Spring Break

Posted on , modified on by Maxine P

Select NYU community members became the first to experience the University’s newest global site at NYU Tulsa through the Alternative Breaks program earlier this year.

A group of students and staff smile at a person speaking to them

NYU students and staff learn about Gathering Place before volunteering begins.

NYU Alternative Breaks emphasize exploring the integration of service, education, and reflection to create meaningful change in communities. The Tulsa trip focused on community development and outdoor recreation while providing opportunities for students to learn more about the area’s rich history and culture. 

A group of 12 students as well as two staff advisers spent one week volunteering at Gathering Place, a world-class riverfront park. Like its name suggests, Gathering Place functions as a space for the Tulsa community to experience nature together. Volunteers connected with guests through play, engagement, and surveying; performed horticulture duties; and learned about the park, its vision, and its goals. “It is not your typical park,” says Steinhardt School of Culture, Education, and Human Development sophomore Amanda Wang. “It truly serves as a place for people of all ages, backgrounds, and identities to come together.” For Amanda that often involved using the park’s unique resources to interact with children—playing instruments with them at the outdoor music stage or making arts and crafts in the makerspace.

A person stands in front of a screen with a map and key of Gathering Place and talks to a table of students and staff

A Gathering Place representative introduces the NYU alternative spring break cohort to the geography and offerings of the park.

“By engaging in volunteering, students immerse themselves in a new community, broadening their perspectives,” explains Casey Duffy, the manager for domestic study away career development. Duffy accompanied the students to Tulsa as a staff adviser. “These hands-on experiences offer practical learning outside the classroom, providing them with valuable skills and a deeper understanding of real-world issues.”

Tulsa is an area with rich history, reflected in upcoming classes that focus on Native arts, Black economic freedom, subnational policymaking, and clean energy. During their trip, students got a taste of the city’s complex past and colorful present with excursions to historic sites and cultural centers.

They visited the historic Greenwood District and Black Wall Street, spending hours at the Greenwood Rising history center, which tells the story of the 1921 Tulsa Race Massacre.

The Woody Guthrie Center building with a mural of Woody Guthrie that says, "This Land is Your Land"

The Woody Guthrie Center

Additionally, they traveled to Pawhuska, home to the Osage Nation, one of Oklahoma’s 39 tribes. They rounded out the trip with visits to cultural sites, including the Bob Dylan Center, Woody Guthrie Center, Philbrook Museum of Art, and the Tulsa Artist Fellowship and Arts District. “The arts and writing scene is incredibly rich in Tulsa, and we had the opportunity to see what local artists were working on,” Amanda shares. “Their work has a meaningful purpose, touching upon identity, race, and gender.”

NYU Tulsa officially launches in spring 2025, providing a range of unique opportunities. “No matter what you’re studying, Tulsa can offer so many opportunities for you to dive deeper into your passions and interests. The community there is really what makes the city so special,” Amanda concludes.

Written by Sarah Bender

Exploring Local Culture to Inform a Career

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Julia Antwi-Boasiako poses from rocky terrain in front of a green field of trees with hills in the background

Julia Antwi-Boasiako

For College of Arts and Science student Julia Antwi-Boasiako, the opportunity to study at NYU Accra was a chance to revisit Ghana, the country where she was raised, and explore new possibilities for her future. The senior, who is majoring in Global Public Health and Sociology and minoring in Chemistry, immersed herself in local culture and professional experiences through impactful courses and an intensive internship.

To learn more about the history of Ghana from the 15th century through the rise of slavery in the Americas, Julia signed up for the class The Black Atlantic. Students explored a range of genres, including film, fiction, and formal scholarship, to examine how African communities were shaped during this time. She also took City As Text, which focused on Ghana’s modern society. In this course, Julia had the chance to tour two different areas within Accra, an affluent neighborhood and an impoverished one. She drew on the city as a primary resource for academic research and critical inquiry, completing formal interviews with locals to help her construct her final project.

“I have always dreamed of installing health resources back in Ghana. City As Text gave me an understanding of the needs of the population and resources that can help improve their circumstances,” Julia says. “I hope to further my education in the health and medical field in order to accomplish this objective, and these courses have given me a boost in my motivation.”

A small group of people standing in front of Black Star Gate in Accra

Black Star Gate in Accra, a photo from Julia’s time there

It took Julia some time to adjust to the culture of the city—though she spent a large portion of her childhood in Ghana, she’s lived in the United States since she was 12. At first, there were times when it was difficult for her to understand the locals’ perspectives. “Despite all this, the culture in Accra was amazing,” Julia remembers. “The locals are very amiable, funny, and always eager to strike a conversation and get to know you. I made many friends with local shop employees and even security personnel.”

In addition to classes and exploring, Julia also interned for the African Social Research Lab, working with the Eban Centre for Human Trafficking Studies. The internship was more research-intensive than she initially expected, but that wasn’t a problem. In fact, it made her realize how much she enjoys doing research, helping her understand her ideal future work environment.

“I wanted to be involved with a human services organization, and the internship made me aware of wanting to be in a field that was more hands-on and interactive,” Julia says. “Being able to listen to the stories of others and try to understand their backgrounds and perspectives was something I really enjoyed doing.”

Repurposed with permission from the NYU Wasserman Center for Career Development’s blog

The Global Liberal Studies Course Taught Around the World

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A group of students smile at the camera on a city sidewalk

Students in Cecilia Palmeiro’s “City as Text” class in Buenos Aires’ La Boca neighborhood. The class studies its traditional tenements—painted in different colors—in reading the history of Buenos Aires through its architecture. Photo credit: Daniel Espinoza

Global Liberal Studies (GLS) majors have the unique opportunity to take the course City As Text during the fall semester at most locations in NYU’s global network. The course, part of the GLS junior-year learning sequence, selects location-specific texts to immerse students in the setting where they’re living and learning. “Across all City As Text courses, emphasis is placed on the importance of primary sources. Students academically investigate their present geographic setting but also experience its profound intricacies on-site. The classroom work, alongside the field trips, is designed to facilitate the framing and contextualization of the study away experience,” says Philip Kain, the director of academic engagement and experiential learning and a clinical professor at Liberal Studies.

For example, at NYU Buenos Aires, readings and lectures are enhanced with visits from local government officials and activists. And, of course, excursions throughout the city to places like the Palace of the Argentine National Congress, Plaza de Mayo, and La Boca neighborhood, an artists’ haven that many 19th- and 20th-century European immigrants called home, provide further insight for students. “We produce a kind of knowledge that fosters reflection and analysis that exceeds the singularity of Buenos Aires and inspires their approach to other places,” says NYU Buenos Aires course instructor Cecelia Palmeiro, an expert on Argentine and Brazilian literature and gender issues, a researcher at the National Scientific and Technical Research Council, and the coordinator of the Interdisciplinary Center for Gender Studies and Policies at the National University of Tres de Febrero. 

A group of students stand in front of a street mural featuring Argentinian soccer player Diego Maradona

Students in Cecilia Palmeiro’s “City as Text” in front of a mural of Argentinian soccer star Diego Maradona in Buenos Aries’ La Boca neighborhood. Photo credit: Daniel Espinoza.

This fall in Palmeiro’s class, students considered the past and present of Buenos Aires through the lenses of immigration, environmental concerns, art and its role in political protest, and reproductive health. “In order to obtain the critical tools necessary to make sense and produce academic knowledge out of this experience, students read ‘Neoliberal Reform and Landscape Change in Buenos Aires, Argentina’ by David Keeling and the classic ‘The Right to the City’ by David Harvey,” explains Palmeiro.

This approach is not singular to NYU Buenos Aires, however, as students at NYU London traveled to the city’s Brixton district to learn about the area’s musical history and shifting racial makeup. And at NYU Accra, students focused on how migration and religion shaped the Ghanaian capital, visiting places of worship to learn in context.

Architect Cecilia Alvis points to a colorful mural

Architect Cecilia Alvis with “City as Text” students in front of a mural on the Nicolás Avellaneda Bridge. Photo credit: Daniel Espinoza

NYU Paris students studied the potential impacts of the 2024 Summer Olympics, learning about the social and environmental impacts of the upcoming event, and in NYU Berlin, students contextualized their learning with the history and landmarks of the Weimar Republic, the Third Reich, and the Cold War. “City As Text has played a significant role in the GLS curriculum since its inception. Our aim was to create a course centered on active engagement at the study away locations with a global perspective as its foundation,” concludes Kain.

Repurposed from NYU News 

On Art and Diasporic Aesthetics: The Art Scenes of Berlin and New York City

Posted on by Maxine P
Kulturbrauerei complex on a day with blue sky

One of NYU Berlin’s academic centers is located in the Kulturbrauerei complex, pictured here.

Cecilia Bien, a Global Research Initiative Fellow in Berlin, discusses the differences and similarities between two cosmopolitan art scenes, Berlin’s and New York City’s, as well as her thoughts on what makes art considered art with Nina Katchadourian, a clinical professor on the NYU Gallatin School of Individualized Study faculty.

Their conversation has been condensed for clarity.

Cecilia: I’m interested in what is not yet framed as art. I’m interested in attitudes, the impulse. I am thinking about how to show “marginal” work in a contemporary context without the feeling of it being used for representation or shown in a way that has to be overexplained. 

Nina: When you compare Berlin to New York City, what are the differences or similarities you see in fashion, style, or haircuts, for example, or how people walk down the street?

Cecilia: Reference to club culture doesn’t happen the same way in New York City as it does here. Fashion in Berlin subscribes way less to trends in favor of individuality—even if it’s ugly. I find that refreshing because maybe it means that the hierarchy of taste is always being questioned. 

There are different codes here. A lot of the styles in Berlin seem to be more lived. I also see how subcultures can complicate expectations of diasporas. On the flip side, I feel like a lot of what gets absorbed by the cultural industry in Berlin is appropriated from what’s been happening for a while in New York City. 

Nina: We’ve talked in a lot of different contexts about when something from the periphery gets absorbed into the mainstream. I think you have a good antenna for this and that it’s deeply interesting to you. How can you tell when something like this is happening?

Cecilia: Recently, I’ve been focusing on when and why certain tastes change. When an incisive political message gets diluted, the aesthetics attached to it become normalized. I think about what the term “diasporic aesthetics” means to people who understand things through representation. Diaspora is so layered and complex, but it seems to be becoming a euphemism for a certain kind of woke taste different enough from the norm but only with a certain kind of difference being accepted. It cannot feel bourgeois, but it must be digestible though not necessarily understood, and it must be appreciated without being deemed “trashy.” When I hear such aesthetics embraced as “beautiful,” I wonder what makes them so and which cultural tides had to change or switch course for them to be considered that way. 

Nina: I’ve always known you as someone who thinks from two positions: a maker and a critical analyst of systems and institutions. When you think from those two positions, does one enhance the other? I know you’ve recently done some work as a curator. Do you think curating is a type of making? 

Cecilia: I think it can be because it’s a way to conceptualize the making of an idea. I guess curating is also the making of an exhibition or the making of an argument. That said, making an exhibition about a so-called diasporic group does not count, for me, as the making of an argument. For example, I am no longer an Asian American outside of America. At least, this is how I feel I am perceived here. There are countless versions and political positions and reasons why people move from place to place, so how can you group them all by a prescribed cultural background? It’s quite superficial and certainly not enough to base a concept on. 

Nina: What are some examples of an exhibition addressing a “vague diaspora,” and when do you think it works and when do you think it doesn’t? 

Cecilia: A lot of times these exhibitions are accompanied by super research-based texts, which I often have a hard time with even though I also write some myself. Sometimes, I’m not sure what the relationship should be to the artwork, like whether it should exist in parallel as a complementary work or whether it should walk the viewer through, because a lot of times it is hard or impossible to place the work in an art historical context or within a canonical framework, which is what many viewers going to a museum or institution might expect. And still, the curatorial choices for non-Western art are also often from a Western-educated lens.

So these rather heavy-handed texts might be trying to contextualize the works in a new temporality but often come off as dry justifications of why the work is allowed to be there. There’s something slightly insecure in the overcompensation, and it feels a little like it’s not completely sure of what it should be doing. 

At the moment, I work at an archive that is a collection of people globally reacting to and rejecting the canon and art history, a global network which came to be called Fluxus. In Prague Milan Knížák’s Aktual Walk considers everything between how to wear a garment and walk down the street to how to interact provocatively. This kind of work is impossible to pin down as an art object, as something that can be placed in a museum, or something understood purely by looking.

So it’s interesting to try to give these works significance without placing them in categories structured by a hierarchical order. Every day, we deal with questions of how to contextualize collective action outside of art history, how to show what is not necessarily called art, as art, and whether we should do it at all when most of what was created was ephemeral and meant for impermanence. But I still want to curate a show with Knížák’s drawings and sketches and correspondences between the artists in the collection as a way to show the very attitude that we’re talking about right now. 

Repurposed and edited with permission by the NYU Berlin blog

Cecilia Bien in front of a bookshelf

Cecilia Bien

Cecilia Bien writes and organizes programs in Berlin, for artists as well as para-institutions such as SAVVY Contemporary and Archivio Conz, a Fluxus archive. Previously working in applied art and fashion contexts in New York City, she came to Berlin to complete studies in art and cultural theory, recenter her critique of dominant narratives, and understand her own subjectivity outside of an identity politic tied to living in the US. Her current practice concerns diasporic aesthetics and situating play, chance, and community coming from the periphery in the context of art.

Nina Katchadourian

Nina Katchadourian

Nina Katchadourian is an interdisciplinary artist whose work includes video, performance, sound, sculpture, photography and public projects. Her video Accent Elimination was included at the 2015 Venice Biennale in the Armenian pavilion, which won the Golden Lion for Best National Participation. In 2016 Katchadourian created Dust Gathering, an audio tour on the subject of dust, for the Museum of Modern Art. A traveling solo museum survey of her work entitled Curiouser opened in March 2017 at the Blanton Museum of Art and toured to the Cantor Art Center at Stanford University in fall 2017. It will conclude at the BYU Museum in Provo, Utah in March 2018. An accompanying monograph, also entitled Curiouser and edited by curator Veronica Roberts, is available from Tower Books. Katchadourian’s work is public and private collections including The Metropolitan Museum of Art, Blanton Museum of Art, Morgan Library, San Francisco Museum of Modern Art, Margulies Collection, and Saatchi Gallery. She has won grants and awards from the New York Foundation for the Arts, the Anonymous Was a Woman Foundation, the Tiffany Foundation, the American-Scandinavian Foundation, and the Nancy Graves Foundation. Katchadourian lives and works in Brooklyn and she is a clinical professor on the faculty of NYU Gallatin. She is represented by Catharine Clark Gallery, San Francisco, and Pace Gallery, New York.

Akkasah: Illuminating History Through Photography

Posted on by Maxine P

This summer, Akkasah, the photography archive at NYU Abu Dhabi’s al Mawrid Arab Center for the Study of Art, released 1,500 digitized photographs from across the Middle East, with some photographs dating back to the 19th century. Located within the NYU Abu Dhabi Library, this remarkable collection houses a treasure trove of images that chronicle the history, culture, and transformation of the Middle East and beyond.

A black and white image of two woman in the back of a car with a male drive in the front.

An example from the archive: Taken in 1949 by Ibrahim Omara, this image of Egyptian actresses Aziza Helmy and Laily Fawzy in the back of a car is available in the Samir Farid Collection.
Reference ID: ref34_000002

 

Origins of the Archive

This fascinating collection of the photographic heritage of the Middle East was established in 2014 by Professor Shamoon Zamir, who still serves as its director. “When I joined NYU Abu Dhabi, I very much wanted to make some kind of contribution to work in the region,” says Professor Zamir. After noticing a lack of Middle Eastern photography archives, he designed Akkasah to be completely accessible, both online and in person.

 Akkasah acquires photos from donations, family albums, studios, and even flea markets. They also work with people who allow Akkasah to digitally archive their collections while they retain the physical copies of their photographs. 

 Once collected, each photo is individually cataloged with any available metadata, such as the subject matter and location. Although most archives catalog their collections folder by folder, Akkasah catalogs each photograph. It’s a time-consuming process, but the extensive metadata and easy searchability put Akkasah in a class of its own.

 Scholarly Impact

With its diverse collection of roughly 40,000 images spanning the late 1800s to the present, Akkasah provides a unique window into the past. Anthropologists, historians, and social scientists from around the world have access to this invaluable resource, offering insights into education, religion, fashion, and more.

 “There are both amazing surprises and expected things in there,” says Professor Zamir. Some subjects provoke questions, for instance, two women kissing in a Cairo photobooth in the 1940s.

 Beyond its role as a scholarly resource, Akkasah opens its doors to students and the wider community by hosting exhibitions, seminars, and lectures. They have taught workshops on skills such as archiving and constructing photo books. And anyone can browse the archive in person or online. 

 “Anyone, academic or nonacademic, can make an appointment and see whatever they want to see,” says Professor Zamir. “In fact, we very much welcome it.”

 Professional Development Opportunities

For students who want to learn even more about archiving, Akkasah offers paid internships. Undergraduates can gain valuable experience in photography, digitization, and curation.

A studio portrait of a seated woman wearing a dark dress

An example from the archive: This studio portrait of a seated woman comes from the Kadikoy Foto Aile in Turkey and is available in the Ozge Calafato Collection.
Reference ID: ref263

Emily Broad, a Raleigh, North Carolina, native who graduated from NYU Abu Dhabi in 2022 with a degree in Art and Art History, is one former intern. “Akkasah is one of the reasons why I applied to NYU Abu Dhabi,” says Emily. “I was able to develop my interest in photography not only as a practice but also as an academic discipline.”

 As part of a summer research project, she cataloged a collection from the granddaughter of Butti Bin Bishr who worked closely with Sheikh Zayed, the United Arab Emirates’ founder. “I spent the whole summer talking with her and going through each image, dating them and writing descriptions. That was a unique experience because I got to work with someone who was high-level in the UAE as well as form a relationship with her through the archival work.”

 Building on the skills she learned, Emily went on to do an internship at the Metropolitan Museum of Art and is now pursuing her PhD in Visual and Cultural Studies at the University of Rochester.

 A Cultural Reservoir

Perhaps one of the archive’s most important roles is the preservation of cultural heritage. It documents traditions, customs, and art forms, helping safeguard the rich cultural tapestry of the Middle East. Anyone can stop in to reconstruct narratives, explore societal changes, and gain insights into the past.

Emily encourages students to take advantage of the unique resource. “Akkasah gives you a different look at the region than what people are used to, especially if you’re an American student,” she says. “I feel like we have preconceived notions about the Arab world that working with Akkasah really changed for me.”

Written by Kelsey Rexroat

Homestays as Language Immersion

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One of the many benefits students gain from homestays is the opportunity to fully immerse themselves in the local language. Here, a few students share their experiences learning, growing, and perfecting their language skills with their host families.

Fiona sitting on a music box in front of a microphone

Fiona practicing with her host family’s music ensemble

Fiona Cantorna, an Environmental Studies and Spanish dual major at the College of Arts and Science (CAS), chose to live in a homestay because she “wanted to connect more to the Porteño (Buenos Aires, Argentina) community.” That’s exactly what she did: her host family was a part of a weekly music ensemble, and Fiona had the chance to join them in making music. “My homestay was instrumental in improving my Spanish,” she says. “It provided a casual environment to practice my listening and speaking skills, in which I learned lunfardo (Argentine vocabulary) and even picked up the local Rioplatense accent!”

Chloe Bouquet Brown, an NYU Gallatin School of Individualized Study student, lived with host Mina and her son, Xach, in Paris’ 10th Arrondissement during her time studying away. “My French transformed enormously throughout my year with Mina and Xach,” Chloe recalls. “They pushed me to practice French around the house. It was difficult at times, being tired from classes and yearning for home, but in the end, my confidence grew with their positive encouragement in the sanctity of the homestay. I interned at a local art gallery and could ask them about professional terminology and French work customs.”

Justin Strong takes a selfie in front of a boat

Justin visiting Venice while studying at NYU Florence

Justin Strong, a Business major at NYU Stern concentrating in marketing and management, chose to live in a homestay at NYU Florence because he knew the impact it would have on his Italian. “The homestay experience was phenomenal for my Italian,” Justin shares. “I told my host mother that I didn’t know any Italian, but I wanted to speak and learn as much as possible. Throughout the semester, we persisted in Italian, and it really paid off. Soon enough, we were having full conversations. I was really grateful for the homestay experience. By the end of the term, I was chatting with numerous locals without needing to switch to English.” 

Sam Husemann-Erickson, a CAS Politics major, says he decided to live in a homestay “not only because of the lower cost, but also because it was an excellent way to improve my Spanish and get to know Argentine cuisine and culture in depth.” His hosts were a retired couple who helped him navigate Buenos Aires and loved to cook.“My host parents were more than happy to teach me Argentine expressions and more natural ways to express myself, and our discussions over dinner and breakfast were a great way to practice my Spanish throughout my stay.” His host mother even kept track of the recipes he liked and, at the end of the semester, wrote them down so he could take them home.

Two students sitting at a table with their host family for dinner

Sam eating dinner with his housemate and host family

Devyn Costello-Henderson, a Vocal Performance major concentrating in classical voice at NYU Steinhardt, had studied French for years before deciding to study away at NYU Paris. She couldn’t pass up the chance a homestay gave her to improve her language skills. “Staying in a homestay forced me to become comfortable speaking the language,” Devyn continues. “I didn’t feel the need to speak perfectly, but I could communicate well with the family. My host family loved to chat with me, and it was very helpful to listen to their everyday conversations in French. I found I could quickly understand almost everything they said, even if my own vocabulary was not as complete. I had fluid conversations in French without needing to pause often to search for words. I still made mistakes, but I had a higher comfort and confidence level speaking the language.” 

Diversity and Inclusion in the NYU Global Network: Chijioke Obasi Named Director for Global Programs Inclusive Engagement

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When Chijioke Obasi joined NYU earlier this year as director for global programs inclusive engagement, she brought a wealth of experience to the role. Dr. Obasi, who is based in London, began her higher education career as a communication support worker for deaf students who use sign language. Since then, she’s held various faculty and administrative roles in both social work and diversity, equity, and inclusion (DEI). And she’s found that the two areas are more connected than one might think at first. “Valuing lived experience and cultural humility is transferable across both areas,” she says. “Working with difference and developing good intercultural communication skills are essential to both.”

Portrait of Dr. Chijioke Obasi

Dr. Chijioke Obasi

Dr. Obasi’s doctoral research at the University of Central Lancashire centered the experiences of Black women and culturally Deaf women at work in the UK. She notes that her previous experience and research are directly applicable to her new role. “My work for the Office of Global Programs has made me think about how accessible our study away programs are for students from many different backgrounds,” she says. “It would be great to increase access for students with physical disabilities, for example, but this would need to be done in a way that promotes a truly inclusive environment, where students feel a true sense of belonging. I am keen to work with students and other colleagues to look at how we might best do this.”

Given how different DEI is across the world, it’s no small feat to ensure students from all backgrounds feel this sense of belonging and are able to realize their full potential while studying away. “Because of all the wide-ranging histories, legislation, and cultural practices across the world, we are not looking for a one-size-fits-all approach,” says Dr. Obasi. 

It takes time to adjust to the culture, language, and even climate in a new country. Dr. Obasi offers students opportunities to tap into all the resources they have available for intercultural learning and communication. “From their predeparture to their return and beyond, our office ensures that all students have the chance to engage with their personal issues of identity and self-awareness as well as wider issues of global inclusion.”

To further their mission, Dr. Obasi and the Office of Global Programs now hold an online mixer where students from across the NYU global network can build community and discuss DEI issues. She also hopes to work closely with students currently studying away to make a series of videos about the global sites and student experiences within particular affinity groups. In addition, her plans to work closely with NYU staff and develop intercultural competence extend the scope of the typical global programs audience. The hope is that every community member can help make the NYU global network an even more diverse, welcoming, and vibrant place than it is already.

Written by Kristin Maffei

NYU Buenos Aires: A Day in the Life

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Jida, a College of Arts and Science sophomore, shares what a typical day is like for her at NYU Buenos Aires, offering insights on her experiences volunteering, living with her host mother, and soaking up the opportunity to live and study at the NYU global network’s southernmost site.

A Universal Language at Every Age

Posted on by Maxine P

Through internships, volunteer opportunities, and class projects, NYU study away students can make a positive impact on the children in their local communities while also gaining valuable, real-world experience they can apply to their future careers.

While studying at NYU Prague last spring, Joey Duke, a junior majoring in Music Education at the NYU Steinhardt School of Culture, Education, and Human Development, found there is more to his field of study than he could have imagined. Through the class Foundations of Music Education led by Professor Klára Boudalová, he had the opportunity to work with the Prague Symphony Orchestra to help make classical music accessible to children in the Czech Republic.

Seven people pose for a camera on the orchestra stage

Concert planners and participants pose for a photo onstage at Smetana Hall after the orchestra performance. Pictured from left to right are: Jaime Patterson, Jair Gonzales, director Klara Boudalova, Joey Duke, actress Veronika Kubarova, Jahnvi Seshadri, and conductor Jan Kucera.

“We worked on the Orchestr na dotek, which means ‘the orchestra to listen,’” Joey says. After a semester of learning from the orchestra, the class’ final project was to organize an orchestra completely on their own. “It’s their program created just for young audiences, and it was a game changer for me. It showed me there’s a lot more you can do with music education.”

Joey and his classmates “took a part in everything” when it came to creating the orchestra. They chose composers, selected and cut the music, wrote a storyline, and worked with the musicians and performers to ensure the performance went off without a hitch. 

“We knew we would be these kids’ first impressions of the composers, and we wanted to make sure we selected the right pieces and cuts,” explains Joey. Their orchestra focused on the works of Claude Debussy and Maurice Ravel, which they intertwined with a story about pirates. “The music really couldn’t be more than three minutes at a time, so we had to select the most important parts. That took a lot of score reading and musical knowledge. Then for the story, Debussy features a lot of ocean music and Ravel features a lot of Spanish music, so we were like, ‘We’ve got it! We’re getting on a ship, we’re venturing across the sea, we’re going to islands.’ It was this big, fantastical process, and once we got past the blank canvas, the possibilities were endless.”

Similarly, at NYU Florence, Anika Istok, a junior majoring in Psychology at the College of Arts and Science and minoring in both Italian Studies and Child and Adolescent Mental Health Studies (CAMS), had the chance to connect with children through music. 

“Music is so important for kids,” says Anika who spent the fall of 2022 volunteering with NPM Bambini in Movimento, an organization that provides support, therapy, and inclusive recreational activities for children, adolescents, and their families to help improve their health and wellness. “It’s an important way for kids to express themselves, especially if they’re nonverbal, shy, or don’t initiate interactions. It’s amazing because, through something simple like playing our community drum together, they were able to bond in a way that, even with words, you can’t accomplish.”

Photo of Anika wearing an NPM Bambini in Movimento polo shirt

Anika Istok in her NPM Bambini in Movimento shirt

Volunteering with NPM Bambini in Movimento was fulfilling for Anika on multiple levels. It not only advanced her work in psychology and CAMS but also helped her become fluent in Italian. She noted volunteering as part of the culture at NYU Florence, so she knew she would get involved somewhere. Still, it was important for her to find an organization where she could really make an impact, and at NPM Bambini in Movimento, she was able to do just that. 

“We weren’t necessarily teaching music; rather, we were experiencing music together,” Anika adds. Anika helped teach two after-school classes, one for children between 2 and 5 and one for children between 6 and 8 years old. “A lot of the kids we worked with had either a disability or some sort of special need, and a lot of them were too young to be in school full time or had some trouble in school. Connecting with them outside of their normal educational environment was really important.”

Both Joey and Anika returned to New York City after their semesters away with newfound knowledge and appreciation for their selected fields of study. “This opportunity showed me that I could not only aspire to do something like this but do it. And then we watched it happen,” says Joey. “At the end of the day, music is who we are as a people. It carries all of our cultural meaning, it carries a message, and for kids to understand the music from where they are is for them to participate in their communities. For me, I realized there’s so much more we can do. That semester really opened my eyes to the impact we can make through music.”

Written by Kelly McHugh-Stewart

NYU Affiliations Around the World: A Robust Network for Research and Study

Posted on by Maxine P

Students not only gain perspective and knowledge from time spent away from their home campus but also benefit from NYU partnerships with local institutions in the University’s global network. With one partnership that began before the global site itself was founded and another established over 50 years ago, it’s clear these relationships are invaluable to NYU research, scholarship, and community.

NYU Berlin

The Wilhelm von Humboldt Memorial in front of Humboldt University

Humboldt University in Berlin

NYU Berlin’s first agreement with Humboldt-Universität zu Berlin was in 1995, and the partnership remains as strong as ever. Today, students can enroll in courses at Humboldt and access its library. In addition to its partnership with Humboldt-Universität, NYU Berlin has an impressive record of establishing—and continuing—student and faculty exchange programs with other German universities. For example, in 1995 NYU established an agreement with the Freie Universität Berlin. Over 20 years later, in 2019, Freie Universität hosted Radha S. Hegde, NYU professor of media, culture, and communication, as the Dahlem International Network Professor in Gender Studies to teach two seminars. 

 

NYU London

Before NYU London was established in 1999, the University held a partnership with the Royal Academy of Dramatic Art (RADA) for NYU Tisch School of the Arts students. Even as course offerings and programming expanded into the NYU London we know today, that relationship has remained steadfast for over 20 years. Each semester, a small group of NYU students audition for placement in RADA’s Shakespeare in Performance program. Students learn all aspects of performing Shakespeare as they work with a variety of RADA instructors. The intensive program culminates with the performance of one of Shakespeare’s plays. A more recent partnership with the National Film and Television School was established in 2018, with the first NYU students taking Directing the Actor: London in 2019. At the end of the course, students shoot and direct professional actors on a soundstage.

NYU Paris

A young woman on a laptop sits on the steps to the Sorbonne, a building with large columns.

The Sorbonne building houses various Parisian universities including the Université Paris 1 Panthéon-Sorbonne

Over the years, NYU Paris has established a number of agreements with local universities, including Université Paris 1 Panthéon-Sorbonne, Université Paris Cité, Université Sorbonne Nouvelle, and Université Paris Sciences et Lettres. These agreements allow NYU Paris students to take courses at these institutions, while Paris-based students have the opportunity to study at NYU’s campus in New York City. The relationship between NYU and Université Paris 1 Panthéon-Sorbonne dates back to the founding of NYU Paris in 1969. Currently, the agreement allows NYU Paris students with advanced proficiency in French to take Paris 1 Panthéon-Sorbonne classes in subjects ranging from art and history to philosophy and mathematics. In addition, the University’s partnership with Université Sorbonne Nouvelle dates back almost as long—to 1975. Eligible NYU Paris students can take courses there in literature, cinema, theatre, and media studies. 

NYU Sydney

A building in the Victorian Academic Gothic Revival style in front of a green manicured lawn

A view from inside the University of Sydney Quadrangle

In November 2021 NYU established a new partnership with the oldest university in Australia, the University of Sydney (USYD). Through the partnership, NYU Sydney students have all the benefits of being a full-time USYD student: living on campus, enrolling in USYD courses, and participating in the Industry and Community Projects Units (ICPUs). ICPUs pair students with an industry partner and academic lead to work on real issues that industry, community, and government organizations encounter. And the partnership benefits are reciprocal—USYD students have the opportunity to enroll in Sydney-based courses taught by NYU instructors or spend a semester abroad at NYU’s campus in New York City or one of NYU’s global academic sites.

 

NYU Tel Aviv

A partnership with Tel Aviv University (TAU) further enriches students taking science courses at NYU Tel Aviv. TAU, Israel’s largest university, is just a short distance from the NYU global academic center. While NYU Tel Aviv offers science courses, including Organic Chemistry II and General Physics II, TAU offers the lab sections for those courses.

Three people in white lab coats and safety glasses in a chemistry lab

NYU Tel Aviv students take a chemistry course at Tel Aviv University’s labs.

In addition, undergraduate students can intern in a research lab through NYU Tel Aviv’s biology internships at TAU. Depending on the type of research conducted at each lab, students may learn different techniques like cell culture, gel electrophoresis, and microscopy. During the internship, students take part in the experimentation, research, and writing processes with at least one PhD student. What’s more, TAU students can also take advantage of NYU’s resources in return by enrolling at one of the University’s global academic sites for a semester.