ReSignifications, an exhibition curated by Awam Amkpa and originally produced in 2015 as part of “Black Portraiture[s] II: Imaging the Black Body and Re-Staging Histories” by New York University Florence, Villa La Pietra, opened at the Cooper Gallery, Harvard University.
The is the first 2018 Sunday arvo art event, a a regular program in the space. It features the premiere of a suite of artwork by Tim Ferguson. Tim is a well known Australian comedian and member of the comedy trio Doug Anthony All-Stars. A screenwriter, filmmaker and teacher of comedy screenwriting at NYU Sydney, Tim’s first exhibition of artwork is entitled ‘Gatherings’.
Tim explains, “I’ve nicknamed this genre ‘Disruptive Art’. As Uber is to taxis, disruptive art serves some of art’s functions without adhering to its more common forms. Disruptive art doesn’t wait at the ranks. It’s had no instruction. It borrowed it’s license from it’s sister.
“I deliberately place the joyous alongside the dark, the melancholic by the tortured, the lofty beside the dumb-ass. Each character is a world unto themselves, with no obvious casual link. Such is life.
“I hope the pictures are fun to look at, with fresh discoveries in every viewing. Or at least, an endlessly repeating fresh discovery.”
By Ibrahim Chehade, NYU Abu Dhabi Biology Instructor
NYU Abu Dhabi’s International Genetically Engineered Machine (iGEM) team has received the university’s first gold medal at the Giant Jamboree held in Boston, US. The Giant Jamboree is a synthetic biology competition that hosts student academic scholars from 310 international teams.
The NYUAD team of 12 biology and engineering students were led by seniors Adrienne Chang and Khairunnisa Semesta, supervised by faculty members and instructors, Dr. Kourosh Salehi-Ashtiani, Dr. Yong-Ak Song, Dr. Mazin Magzoub, Ibrahim Chehade, Ashley Isaac, and Mona Kalmouni.
The project, E. coLAMP, was concerned with the development of a portable and affordable device that is capable of amplifying a genetic marker of the Shiga-toxin-producing E. coli in just 20 minutes using a technique called loop-mediated isothermal amplification (LAMP). The engineering team designed and printed a robust, 3D-printed case, which houses the electrical components and the silicone chip for the biological reactions.
The intended usage of the device provides a simple procedure for the end user. A food sample is swabbed and added to a solution, and the solution is transferred into the silicone chip. The chip can then be placed on the heating base of the device, and the reaction can be easily visualized after 20 minutes. The team was successful in developing a proof-of-concept, which cut down the cost of each reaction to only $4 USD. The result: a cost-effective solution to rampant food contamination in various parts of the world.
In the development of E.coLAMP, the team employed a comprehensive design-build-test cycle, integrating feedback from potential users into the design of the device to better meet users’ needs. In the spirit of community service, the NYUAD team also conducted extensive education and engagement programs by inviting 20 Brighton College high school students to NYUAD’s first annual synthetic biology workshop. An outreach program was also conducted in Indonesia to primary school students on food safety and hygienic practices.
Being the only team from the United Arab Emirates, the team hopes to encourage and share their experience with other GCC institutions to help them launch their own iGEM teams in the future. By doing so, they aim to promote the value and importance of interdisciplinary studies in the development of a successful project.
The team offers their gratitude to the Division of Science and the Division of Engineering, as well as the Center for Genomics and Systems Biology for their generous support that helped this program to become a success.
This post comes to us from NYU Abu Dhabi and you can find the original here.
This month, NYU Sydney Lecturer Abidali Mohamedali was featured in Cosmos Magazine. The article focused on Professor Mohamedali’s research and teaching career, describing him as a biologist and entrepreneur who wants to give back.
For Professor Mohamedali, turning scientific discovers into business propositions is about driving understanding and benefiting people rather than acquiring wealth.
To learn more, read the full article here.
Increasing competencies with Diversity and Equity has been on the key goals this year at NYU Sydney. This led to a series of Diversity and Equity meetings and a training session conducted by Dr Tim Marsh (NYU Sydney Lecturer: Social Psychology) and Dr Suraj Samtani (NYU Sydney Lecturer: Multicultural Counselling). Both academic staff and administrative staff participated in this training and meetings this year to increase awareness and skills with diversity. We hope to lead by example and put our skills into practice every day. Here are some nerdy highlights:
What do we know from psychology about biases?
The training session discussed how biases play a role in everyday interactions. The research from Social Psychology is that we have two distinct systems that influence biased thinking and behavior: System 1 (automatic, fast, not conscious) and System 2 (effortful, slow, conscious). We generally operate using System 1 which results in quick judgements and reactions that we are not necessarily aware of. It is only by being aware of our quick judgements that we can bring our behavior into consciousness and therefore, give it a different direction. Our System 1 typically reflects the biases inherent to the culture we live in and the media we consume, even if our System 2 would consciously reject them.
How can we know our own biases?
Instead of self-report measures (which assume conscious awareness), the staff were encouraged to find out their own biases using Harvard University’s Project Implicit. This involves a sorting task, where you must categorize both photos of people and either positive or negative adjectives. The website analyzes differences in reaction times in milliseconds and lets you know if you have biases and how strong they are. Staff were surprised to find the biases they held against those with different skin colors, sexual orientations and genders. Find out your own implicit biases here: https://implicit.harvard.edu/implicit/
How can we change our biases?
In our increasing ‘curated’ online world, our sources of knowledge are funneled to match our existing preferences. Finding out where are biases lie is the most important step. Making changes to diversify the shows we watch, the websites we read, and the people we interact with, gradually adjusts our preferences in System 1, changing even our most subtle and unintentional behaviors and reactions over time.
How can we change our approach in class and in our teaching?
The syllabus is one of the key areas where we can change what we do. The training highlighted steps like representing cross-cultural sources of information in the syllabus. The staff shared ideas such as marking using student numbers instead of names, including photos of professionals who come from diverse backgrounds, managing which groups of students we stand closer to while teaching, and balancing out the amount of time given to male vs. female students when answering questions in the classroom.
Our challenge to you
Find out your own biases using the Harvard implicit project test, check your syllabus for cross-cultural references and investigate your non-verbal reactions in the classroom.
9 November, 2017 was not a typical day for the European Parliament. That day, the Parliament’s Anti-Racism and Diversity Intergroup hosted NYU’s third conference on Race, Racism, and Xenophobia in a Global Context. Members of Parliament and the public heard from NYU faculty and students considering these issues through scholarly discussion and artistic expression.
This conference grew out of NYU’s unique willingness to allow students to grapple with the complicated issues they confront when studying away. The first conference, structured as an All-Campus Teach-In at NYU Florence on March 24, 2016, was developed by a student committee convened by NYU Florence Director Ellyn Toscano. As students observed the ongoing debate about “European identity” and migration, racism and Islamophobia, and as they also saw increasingly public racial violence in the US and student protests in response, they wanted to consider theses issues in a meaningful and informative way.
As the planning for the conference evolved, Ellyn explained the premise became that “the scope of this discussion on racism and intolerance be transnational and comparative. Racism must be understood as it operates in different historical and geographical contexts, reflecting local tensions and prejudices and intersecting with other important issues of class, gender, religion, nationality, marginality, citizenship, globalization and globalization.” The questions posed for the first conference included:
How does racism and discrimination operate in different geographical contexts, reflecting local tensions and prejudices and intersecting with issues of nationality, class, gender, religion, marginality, citizenship, and globalization? How does location affect the way in which we think about the social constructions of race and race relations? What role do historical experiences of slavery, discrimination and colonialism play? How does the current migration crisis in Europe and mounting Islamophobia help us better understand the similarities and differences between the U.S. and Europe?
Asking those questions lead to a continuing dialogue and a second conference in New York on October 28, 2016. A diverse group of students has been involved in all three conferences, starting as freshman and sophomores in Florence, they presented and performed in Brussels as juniors and seniors. The students introduced and moderated conference panels in addition to providing live performances – song, poetry, monologue. A short student film was also shown. With faculty from both New York and Florence present, it was, according to NYU’s Senior Vice President for University Relations and Public Affairs Lynne Brown, a “unique opportunity to showcase students and faculty” which is at the core of NYU’s mission.
A number of NYU faculty have also been involved in all three conferences, including members of the faculty committee Deb Willis and Dipti Desai, Awam Amkpa, Jason King, Pamela Newkirk, Paulette Caldwell, and Ann Morning. NYU Florence faculty included Deborah Spini and Alessandra Di Maio. In opening the conference, NYU Steinhardt Professor Dipti Desai noted that the motivation for all participating is furthering the conversations necessary to create “a world that is more just and equal.”
Italian Member of the European Parliament Cécile Kyenge participated in the first Race, Racism, and Xenophobia conference in Florence and the second in New York. A member of the Anti-Racism and Diversity Intergroup, Ms. Kyenge was so impressed that she invited NYU to organize a conference for the European Parliament and the public in Brussels. During her opening remarks on November 9, Ms. Kyenge praised NYU’s interdisciplinary efforts, noting that the university does not “stop at scholarly discussion, but also takes a creative approach.”
That is in part what the students found inspiring. Helen You, a CAS senior who has participated in all three conferences, described the vibrancy of the event. “As someone who is both an IR major and potentially going to law school, but who danced and played music throughout my life, I really appreciate just how diverse we have made this conversation. I mean, we have everyone from the Law School to Tisch siting in this room to talk about issues that span across all departments and that is just amazing.” She and other students expressed their gratitude for the professors and administrators helped to make the conferences happen. Helen also especially thanked NYU Florence Director Ellyn Toscano on behalf of the students, saying, “So often, students have a passion and an idea in their heads, but they don’t have the opportunity to explore it and create something meaningful. You gave us the confidence and the voice to share our stories and make this conference a platform for change and we never thought that something like this could happen. Thank you so much for everything you have done for us and your support.”
The conference was well-received in Brussels, with Parliamentarians and other participants very engaged. Even if you missed the opportunity to participate in Brussels, New York, or Florence, this is not the end of these conversations at NYU. According to student participant Eilish Anderson, “I sincerely hope that we were able to inspire the people watching the conference to take action in fighting against hate in the world, particularly through policy change. Even after the third edition of this conference, it’s still just the beginning. Where will we go next?”
On November 9, NYU Paris will host a conference entitled Rouch in the USA. This year marks the centenary of the birth of the French ethnographic filmmaker, Jean Rouch. Founder of the cinéma-vérité movement and pioneer of techniques such as “shared anthropology” and “ethno-fiction,” Rouch not only re-defined the landscape of anthropology and cinema in France during the 1950s and sixties, he helped transform Post-Independence African cinema and documentary film practice, writ large. Having made upwards of one hundred films with countless collaborators over the course of a career that spanned six decades and several continents, the story of his complex legacy is just beginning to unfold.
Rouch in the USA aims to trace the contours of Rouch’s influence on American thinkers and filmmakers. Whether through his work with students and faculty at summer workshops on the East Coast (where he taught alongside such pioneering figures as Ricky Leacock and John Marshall), his invaluable presence at the now legendary Flaherty Seminars, or his lasting impact on scholars and artists working in the U.S., it has long been recognized that Rouch’s work has been embraced and taken up in the American context in ways that are wholly unique.
An integral part of the centenary edition of the annual Festival International Jean Rouch, the event is co-sponsored by the Comité du Film Ethnographique and has been made possible by the generous support of the Office of the Provost’s Global Research Initiatives at New York University, NYU Paris, the NYU Center for the Humanities, The Gallatin School of Individualized Study, and the Center for Media, Culture and History at NYU. Rouch in the USA will also coincide with several centenary events taking place in Paris this fall, including two major Rouch exhibits at the Musée de l’Homme and the Bibliothèque Nationale de Paris.
Organized by Beth Epstein (NYU Paris), Faye Ginsburg (Department of Anthropology, NYU), & Jamie Berthe (The Gallatin School, NYU).
On October 3, 2017, Professor Giampiero M. Gallo was appointed to the Italian Corte dei Conti by the President of the Republic, following a proposal by the Prime Minister. This Court of Auditors is a constitutional body supervising public expenditure both ex ante and ex post. Professor Gallo will join the Regional Budgetary Control Committee in Milan to supervise regional laws and report on yearly budgets from both the regional and the municipal administrations. He will be applying econometric methods to estimate effectiveness and efficacy benchmarks of public spending to evaluate individual administration performances. As the new position as a Judge is incompatible with other forms of public employment, he will resign from his position at a local university. Professor Gallo will continue conducting research and and will continue to teach at NYU Florence.
Last week, NYU Sydney instructor Dr. Andy West was invited to be a judge of the National Finals 2017 Australian Leadership and Excellence Awards (ALEAs), Australia’s peak awards ceremony recognizing and celebrating Australia’s most outstanding leaders. This is organized by the Institute of Managers and Leaders, which was previously the Australian Institute of Management. In addition to teaching at NYU Sydney, Andy is the Executive Dean at UBSS, an MBA Business School. He also lectures in the Department of Marketing at the University of Technology Sydney. He provides consulting services to the finance, professional services, ICT, higher education, and health industries. His research has focused on e-business adaption, marketing high technology, and marketing strategy. His recent research is into the early career success of marketing graduates, with a focus on the success factors of workplace integrated learning from simulation to industry collaboration projects with internships.
NYU Shanghai Professor Barbara Edelstein has been proudly dubbed a “daughter-in-law” of Shanghai for her contributions to the city’s flourishing art scene. Now, the NYU Shanghai art professor’s story has been featured in a new volume of Americans in Shanghai, a series celebrating the stories of US citizens who have made their lives in the city.
The book explores Edelstein’s life and work, starting with her upbringing in Los Angeles, where Asian culture strongly influenced her development as a young artist in love with water and the medium of ink.
After graduating with a Master of Fine Arts from Claremont Graduate University, Edelstein moved to New York, where she met her future husband—Zhang Jian-Jun, then a visiting artist from China.
Now both professors at NYU Shanghai, Edelstein and Zhang continue to connect China and the world through the language of art. Combining East and West influences, their works encompass various forms, including sculpture, photography, video, installation, and ink painting.
“It was during the World Expo time, in 2010. A special curatorial committee, partly government and partly art critics and curators, selected the works. I designed a five-meter high sculpture in bronze and copper that rains water into a round pool. It’s again based on what I saw there. The bronze part is an abstracted willow leaf that I found when I visited the site. The copper is like a vine ball of the wisteria that was there. It’s a beautiful park.”
Some of the works were temporary, but Barbara’s was permanent. It’s still there. Whenever Barbara is in the park, the guard there will point out to visitors that she is the artist who made the sculpture.
When the work was installed and the fence and the frame around the sculpture were removed, neighbors of the park gathered round. “This is China: there are always people out and about,” Barbara said. “They use the park for dancing and walking their dogs. When we were there to get the water working, there was a crowd of people. They were really excited and cheered. They came up to me and told me they liked my work. They were very pleased it got established in ‘their’ park. As an artist, you want to make the world more beautiful. That was so nice for me to hear that they appreciated and enjoyed it.”
Barbara is concerned with how city dwellers lose track of nature, in large metropolises especially: “By using natural imagery, such as vines, trees, leaves, water—whatever is there—and abstracting it into a sculptural form; and by using man-made materials such as copper tubing, and adding the element of water, I try to bridge the industrial world we live in with the essence of nature.”
This post comes to us from NYU Shanghai. You can read the original here.