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Fast Facts of the NYU Global Network

While it is impossible to fully capture the breadth of the NYU global network, we rounded up some fast facts about the academic sites and cities where NYU students can study away. Whether they land at one of our three degree-granting campuses in New York City, Abu Dhabi, and Shanghai or at our sites in Accra, Berlin, Buenos Aires, Florence, London, Los Angeles, Madrid, Paris, Prague, Sydney, Tel Aviv, and Washington, DC, NYU students will have a rich academic experience supported by the University. Our newest site, NYU Tulsa, will officially open in spring 2025. Select students went to NYU Tulsa in spring 2024 for Alternative Breaks as well as during the summer for internship experiences.

The following information is accurate at the time of publication in fall 2024, but it is representative of a moment in time, so some information may change. 

NYU Abu Dhabi

students sitting on a bench across the water from the Abu Dhabi skyline

Average number of students studying away here each semester: 123*
Average class size: 16*
Number of courses available: 600+*
Number of residence halls:
Average cost of a cup of coffee: $4.90†
City population: ~600,000‡

NYU Accra

Ghanaians walking in front of the Black Star Gate in Accra

Average number of students studying away here each semester: 14*
Average class size: 5*
Number of courses available: 12*
Number of residence halls:
Average cost of a cup of coffee: $1.90
City population: ~1.9 million

NYU Berlin

Students walk up steps with the Berlin Cathedral in the background

Average number of students studying away here each semester: 77*
Average class size: 11*
Number of courses available: 30*
Number of residence halls:
Average cost of a cup of coffee: $3.06
City population: ~3.5 million

NYU Buenos Aires

Students walking around Buenos Aires. A San Telmo is in the background.

Average number of students studying away here each semester: 47*
Average class size: 7*
Number of courses available: 27*
Number of residence halls: 1, however, most students live in a homestay°
Average cost of a cup of coffee: $1.76
City population: ~13.1 million

NYU Florence

Students stand and chat. The city of Florence is in the background.

Average number of students studying away here each semester: 351*
Average class size: 24*
Number of courses available: 60*
Number of residence halls: 4, plus the option to live in a homestay°
Average cost of a cup of coffee: $1.54
City population: ~350,000

NYU Londonˣ

People in Trafalgar Square with Big Ben visible in the distance

Average number of students studying away here each semester: 495*
Average class size: 22*
Number of courses available: 97*
Number of residence halls:
Average cost of a cup of coffee: $3.36
City population: ~8.9 million

NYU Los Angeles

Students sit on the lawn in front of the Griffith Observatory entrance

Average number of students studying away here each semester: 35*
Average class size: 11*
Number of courses available: 13*
Number of residence halls:
Average cost of a cup of coffee: $4.69
City population: ~3.8 million§

NYU Madrid

Students walk down a cobblestone street

Average number of students studying away here each semester: 284*
Average class size: 23*
Number of courses available: 51*
Number of residence halls:
Average cost of a cup of coffee: $1.92
City population: ~3.2 million

NYU in New York City

Students in autumn walking in Washington Square Park with fountain spray in the background

Average number of students studying away here each semester: 535*
Average class size: <30*
Number of courses available: 2,500+*
Number of residence halls: 11°
Average cost of a cup of coffee: $4.69
City population: ~8.3 million§

NYU Paris

Smiling students with Notre Dame in the background

Average number of students studying away here each semester: 257*
Average class size: 15*
Number of courses available: 68*
Number of residence halls: 3, plus the option to live in a homestay°
Average cost of a cup of coffee: $3.13
City population: ~2.1 million  

NYU Prague

Three students walk down a cobblestone street. A building with spires in the background.

Average number of students studying away here each semester: 88*
Average class size: 8*
Number of courses available: 50*
Number of residence halls:
Average cost of a cup of coffee: $2.46
City population: ~1.1 million

NYU Shanghai

Students walk along the Bund across from the Pearl Tower in Shanghai

Average number of students studying away here each semester: 95*
Average class size: 7*
Number of courses available: 250+*
Number of residence halls:
Average cost of a cup of coffee: $3.95
City population: ~22.3 million

NYU Sydney

Students in front of the Sydney Opera House

Average number of students studying away here each semester: 38*
Average class size: 7*
Number of courses available: 13* (Access to dozens of University of Sydney courses also available through direct enrollment.)
Number of residence halls:
Average cost of a cup of coffee: $3.24
City population: ~4.6 million

NYU Tel Aviv

Students sitting in front of palm trees and a building with a white spire in Tel Aviv

Average number of students studying away here each semester: 16*
Average class size: 7*
Number of courses available: 14*
Number of residence halls:
Average cost of a cup of coffee: $3.82
City population: ~430,000

NYU Washington, DC

Students in autumn walk along a Washington, DC, street

Average number of students studying away here each semester: 68*
Average class size: 17*
Number of courses available: 17*
Number of residence halls:
Average cost of a cup of coffee: $4.69
City population: ~680,000


°Additional student housing facilities are obtained as enrollment demands.

Based on coffee prices in each country as of February 6, 2024 (Coffeestics.com)

Based on city population numbers (PopulationStat.com)

ˣNYU London’s average number of students is anticipated to grow next semester due to the global site’s move to a larger academic center in the fall 2024 semester.

Repurposed with permission from NYU Global Notebook

Rogan Kersh Is the New Academic Director of NYU Florence

Portrait of Rogan Kersh

For Professor Rogan Kersh, becoming the academic director of NYU Florence and the vice chancellor for Global Programs is the culmination of a lifelong interest in world cultures—and a full-circle moment in his history with NYU.

From 2006 to 2012, Kersh was the associate dean of the NYU Robert F. Wagner Graduate School of Public Service. There, among his other responsibilities, he was involved in the early planning stages of NYU Abu Dhabi, which fueled his passion for enhancing students’ global outlooks. For the next decade, Kersh served as provost at his alma mater, Wake Forest University, where he helped expand overseas study programs and global cultural opportunities on campus. In the fall of 2022, he spent a semester at DIS Copenhagen, teaching a course and engaging closely with their leadership to better understand the changing state of global education.

Now that he’s back at NYU, Global Dimensions caught up with Kersh to discuss his return to the University and his goals for NYU Florence.

What drew you back to NYU and specifically to NYU Florence?

I’ve remained close to many cherished NYU colleagues, and it will be wonderful to renew those relationships. For an organization this large and multinational, it’s remarkable how important personal connections are. As for NYU Florence: if you’ve visited, you know.

A group of students with their instructor walk through La Piazza della Signorina

In your new role, what are your key goals for the site?

NYU Florence is at once a first-class study away program and a convening site important to NYU and to the city of Florence. Sustaining that balance, attending both to academic excellence and community engagement, feels essential.

I plan on learning as fully as I can about existing curricula, courses, and programs, and hearing from faculty and staff about the opportunities they see to enhance this wonderful site. Then, I will focus on working with them to help realize those opportunities.

What do you recommend students studying away at NYU Florence take advantage of while they are there? 

I’ve always been impressed with how well Florence wears its extraordinary historyso many remarkable figures and movements and moments, most superbly preserved—while remaining a dynamic modern ecosystem that is a global leader in sustainability and has developed a thriving start-up culture. Villa La Pietra

Students can exercise their passion in virtually any direction and take advantage of so much: superb dining, from haute cuisine to street food; natural beauty in an urban setting; engagement with local public service organizations; and cultural treasures both ancient and newly imagined. And of course there are architectural gems everywhere you wander. 

Many NYU Florence students find themselves spending fewer weekends city-hopping and more immersed in their fascinating immediate surroundings, which speaks to the power of the experience they have. 

Written by Kristin Maffei

Global Programs Booklist

Inspired by the first NYU Bookstore display collaboration between the Office of Marketing Communications and the Office of Global Programs, this list of books representing NYU’s global locations promises to broaden your perspective and enrich your knowledge.

NYU Abu Dhabi

Temporary People book cover featuring illustration of a variety of human silhouettes placed over a grid of linesTemporary People
By Deepak Unnikrishnan

The skylines of Abu Dhabi and Dubai are recognizable around the world by their resplendent glittering towers—but how did they get there? Deepak Unnikrishnan, an Indian-born writer raised in the United Arab Emirates and associate arts professor of literature and creative writing at NYU Abu Dhabi, knows the answer: a foreign labor force was brought in to construct them. Using a series of clever and surreal linked stories, Unnikrishnan gives voice to a humanitarian crisis that doesn’t get the attention it deserves. 

NYU Accra

The Hundred Wells of Salaga book cover featuring an illustration with two brown heads with eyes closed among greenery and pink flowersThe Hundred Wells of Salaga
By Ayesha Harruna Attah

Based on a true story, The Hundred Wells of Salaga tells the tale of two women from very different backgrounds whose lives converge in an unexpected way. It’s a novel that will entangle you emotionally, while offering you crucial insight into precolonial Ghana, particularly the slave trade and its impact on a people.

NYU Berlin

No Photos book cover featuring the title in pink over a black backgroundNo Photos on the Dance Floor! Berlin 1989–Today
Edited by Heiko Hoffmann and Felix Hoffmann

History books offer what we think is a full story, but this photography book provides a peek into the city’s after-hours culture through the club scene that blossomed in 1989 after the fall of the Berlin Wall. It’s not only a delightful visual romp but also a history book in its own right, telling the story of a city in transformation, one party at a time.

NYU Buenos Aires

The Aleph and Other Stories book coverThe Aleph and Other Stories
By Jorge Luis Borges

Jorge Luis Borges might seem like an obvious choice for Argentina—for a country that produced so many famous writers, he is arguably the most famous. Still, who can deny this selection? The brilliant, inventive tales of The Aleph and Other Stories will surprise and stimulate, and they are must-reads for diving into Argentine culture. Borges, after all, makes magic happen in the most unexpected ways.

NYU Florence

The Monster of Florence book cover featuring a close-up image of Giambologna's The Rape of the Sabine sculptureThe Monster of Florence: A True Story
By Douglas Preston and Mario Spezi
 
The Monster of Florence has developed a bit of a cult following in recent years, and for good reason—it’s a wild ride. American Douglas Preston moved to Florence with his family and quickly discovered that their olive grove was the site of one of Italy’s most infamous double murders. As he works with investigative journalist Mario Spezi, a Florentine, to get closer to the truth, things really begin to spiral. The Monster of Florence is a propulsive thriller that offers valuable, and often shocking, insight into the Italian justice system. 

NYU London

White Teeth book coverWhite Teeth
By Zadie Smith

White Teeth is a rare novel that is entertaining while simultaneously layered with so much richness, one might want to read it all over again as soon as it’s over. Starting with two unlikely friends whose stories blossom into a poignant yet funny family saga, Zadie Smith’s debut novel keenly witnesses the immigrant experience in London, traveling to other continents as well while navigating the relationship between tradition and change.

NYU Los Angeles

Slow Days, Fast Company book cover featuring a distorted image of a womanSlow Days, Fast Company: The World, the Flesh, and L.A.
By Eve Babitz
 
This slim book offers stories as wild and wanton as Los Angeles itself. Unapologetically hedonistic, Slow Days, Fast Company is also a clever, windy ride through the Los Angeles of the 1960s and 1970s. It has all the usual Angeleno archetypes, but Eve Babitz elevates them with her incisive and acerbic insights into life in Hollywood. Isn’t it funny that, decades later, so much has changed but so much remains the same?

NYU Madrid

Ghosts of Spain book cover featuring images of SpainGhosts of Spain: Travels Through Spain and Its Silent Past
By Giles Tremlett
 
Worth a read to understand a post-Franco Spain, Ghosts of Spain is a well-rounded, curious, and admittedly fun romp through the country, albeit prompted by the author’s questions about its devastating civil war. British author Giles Tremlett combines keen cultural reporting with memoir and quirky sidebars that add levity to what begins as a serious interrogation. While it’s intellectually critical, it’s also a love letter to Spain. After all, there’s a reason Spain is Tremlett’s adopted country.

NYU Paris

The Years book cover featuring an image of a woman looking at the viewer with the silhouette of a person looking down a hallwayThe Years
By Annie Ernaux
 
Annie Ernaux’s whole oeuvre is masterful, but many critics cite The Years, first published in 2008, as her magnum opus. In this brilliant collage of a memoir, Nobel Prize winner Ernaux examines her life and the generation that she grew up in, favoring “we” over “I.” The result is a personal history tied to the collective experience of a generation in France during the 20th century. Ernaux weaves her memories into a story that offers cultural notes on topics from consumerism and immigration to unemployment and the threat of nuclear war.

NYU Prague

Havel: A Life book cover featuring an image of Václev Havel with his hand atop his headHavel: A Life
By Michael Žantovský
 
In many ways, Václav Havel’s life mirrors the zeitgeist of Prague: it’s political, literary, antiauthoritarian, surreal, and somehow, even at its most serious moments, darkly humorous. If that sounds like a lot, it’s because Havel, like the city itself, was a complex figure. Michael Žantovský was a trusted friend, so this biography reads as an intimate and true portrait (faults and all) of a man loyal to his people, his values, and his art. Žantovský succeeds in showing the many dimensions of the iconoclast—playwright, political dissident, prisoner, president—who, in the end, was just as human as the rest of us.

NYU Shanghai

Shanghai Future: Modernity Remade book cover featuring the Shanghai skyline at nightShanghai Future: Modernity Remade
By Anna Greenspan

This brilliant book contextualizes China’s largest and most cosmopolitan city through the lens of modernity. Author Anna Greenspan, an associate professor of contemporary global media at NYU Shanghai, reexamines the changing landscape of the city as it steps well into the 21st century and takes its place on the world stage.

NYU Sydney

Mirror Sydney book cover featuring illustrations of Sydney's placesMirror Sydney: An Atlas of Reflections
By Vanessa Berry

A fun and unexpected romp, Mirror Sydney takes us on a tour of the harborside city via engaging essays and clever hand-illustrated maps. Based on a blog Vanessa Berry started more than a decade ago, Mirror Sydney is clearly more than a mere guidebook—it’s too much fun to be that typical. Moreover, it tends to direct the reader to the kinds of places the average tourist wouldn’t care to know about or explore anyway.

NYU Tel Aviv

The Bibliomaniacs book cover featuring colorful, balancing rectanglesThe Bibliomaniacs: Tales from a Tel Aviv Bookseller
By J.C. Halper

On Allenby Street in Tel Aviv, J.C. Halper—originally from New Jersey but now an Israeli for four-plus decades—runs the city’s most popular secondhand bookshop, containing a dazzling 60,000 books. And in 2022 he published this book of clever, often funny short stories from the point of view of a shop owner. While the stories are allegedly fiction, one can’t help but wonder if we’re learning more about real locals than the author lets on.

NYU Washington, DC

Lost in The City book cover featuring a black bird silhouetteLost in the City
By Edward P. Jones

It’s a joy to read anything by Edward P. Jones, the gifted, Pulitzer Prize–winning writer. His debut collection of short stories, Lost in the City, is no exception and first cemented his literary reputation. These 14 tales tell the everyday encounters and struggles of Black citizens in Washington, DC. But Jones has a gift for making even the most mundane situation meaningful, and his rich, textured stories give weight to life’s most quotidian moments as viewed through the lens of the Black experience in the nation’s capital.

Written by Marti Trgovich

Homestays as Language Immersion

One of the many benefits students gain from homestays is the opportunity to fully immerse themselves in the local language. Here, a few students share their experiences learning, growing, and perfecting their language skills with their host families.

Fiona sitting on a music box in front of a microphone

Fiona practicing with her host family’s music ensemble

Fiona Cantorna, an Environmental Studies and Spanish dual major at the College of Arts and Science (CAS), chose to live in a homestay because she “wanted to connect more to the Porteño (Buenos Aires, Argentina) community.” That’s exactly what she did: her host family was a part of a weekly music ensemble, and Fiona had the chance to join them in making music. “My homestay was instrumental in improving my Spanish,” she says. “It provided a casual environment to practice my listening and speaking skills, in which I learned lunfardo (Argentine vocabulary) and even picked up the local Rioplatense accent!”

Chloe Bouquet Brown, an NYU Gallatin School of Individualized Study student, lived with host Mina and her son, Xach, in Paris’ 10th Arrondissement during her time studying away. “My French transformed enormously throughout my year with Mina and Xach,” Chloe recalls. “They pushed me to practice French around the house. It was difficult at times, being tired from classes and yearning for home, but in the end, my confidence grew with their positive encouragement in the sanctity of the homestay. I interned at a local art gallery and could ask them about professional terminology and French work customs.”

Justin Strong takes a selfie in front of a boat

Justin visiting Venice while studying at NYU Florence

Justin Strong, a Business major at NYU Stern concentrating in marketing and management, chose to live in a homestay at NYU Florence because he knew the impact it would have on his Italian. “The homestay experience was phenomenal for my Italian,” Justin shares. “I told my host mother that I didn’t know any Italian, but I wanted to speak and learn as much as possible. Throughout the semester, we persisted in Italian, and it really paid off. Soon enough, we were having full conversations. I was really grateful for the homestay experience. By the end of the term, I was chatting with numerous locals without needing to switch to English.” 

Sam Husemann-Erickson, a CAS Politics major, says he decided to live in a homestay “not only because of the lower cost, but also because it was an excellent way to improve my Spanish and get to know Argentine cuisine and culture in depth.” His hosts were a retired couple who helped him navigate Buenos Aires and loved to cook.“My host parents were more than happy to teach me Argentine expressions and more natural ways to express myself, and our discussions over dinner and breakfast were a great way to practice my Spanish throughout my stay.” His host mother even kept track of the recipes he liked and, at the end of the semester, wrote them down so he could take them home.

Two students sitting at a table with their host family for dinner

Sam eating dinner with his housemate and host family

Devyn Costello-Henderson, a Vocal Performance major concentrating in classical voice at NYU Steinhardt, had studied French for years before deciding to study away at NYU Paris. She couldn’t pass up the chance a homestay gave her to improve her language skills. “Staying in a homestay forced me to become comfortable speaking the language,” Devyn continues. “I didn’t feel the need to speak perfectly, but I could communicate well with the family. My host family loved to chat with me, and it was very helpful to listen to their everyday conversations in French. I found I could quickly understand almost everything they said, even if my own vocabulary was not as complete. I had fluid conversations in French without needing to pause often to search for words. I still made mistakes, but I had a higher comfort and confidence level speaking the language.” 

A Confession That Changes History: NYU Florence’s Marcello Simonetta Discovers New Twist in Pazzi Conspiracy

A newly found signed confession alters what historians thought they knew about one of history’s greatest conspiracies

Two men seated

Marcello Simonetta, right, narrates a reenactment of the Pazzi Conspiracy at Florence’s Palazzo Vecchio on April 26, 2023, the 500-year anniversary of the event.

Had Antonio Maffei da Volterra successfully assassinated Lorenzo de’ Medici, the course of Italian history would have been altered immensely. The roots of the infamous Pazzi conspiracy to oust the Medici family as rulers of Florence ran deep—everyone from the pope to the king of Naples had a part in it. The failed conspiracy took place over 500 years ago this spring, and today, few people know more about it than NYU Florence instructor Marcello Simonetta. So when he uncovered a confession letter from Antonio Maffei earlier this year, unearthing details never known before of the attempted assassination, Simonetta was astounded.

“I’ve been around these materials for a long time. I know the story quite well. I even wrote a book about it,” says Simonetta. “This confession wasn’t supposed to exist, but it does, and it’s amazing.” Simonetta laughs when he says this, but then notes that distrust is the most important part of being a successful historian. He explains that you have to believe there is more to every story—that the historians who came before you didn’t finish the job and left something more to discover—even when you don’t know what that something is. And in this case, it is a confession letter written and signed by Antonio Maffei shortly before his death.

“It’s the last thing he wrote, because soon after writing the confession, he died,” says Simonetta, who found the confession at the Archivio di Stato di Firenze in a file of poems, wills, and other completely unrelated documents. “Archives are the treasures of our past. If you look close enough, you’ll find things that are unbelievable but true.”

In the confession Maffei shares a timeline for the planned assassination of the Medici brothers (Lorenzo, who was injured, and Guiliano, who did not survive). Unaware of his specific role in the assassination until the day before it happened, he wrote that he arrived in Florence months before April 26, 1478—the day the plot was to be enacted. This information contradicts what writer and philosopher Niccolò Machiavelli wrote in Florentine Histories, which is considered one of the most accurate accounts of the conspiracy. But just the existence of the confession—that Maffei even had time to write it—debunks the idea that he was beaten and hanged immediately after the attack.

“There are a lot of details about the preparation of the conspiracy, which we didn’t know before,” explains Simonetta. “But the bottom line is we had no idea that Antonio arrived seven months ahead of time. These are all incredible details that make it very real and very human. The failure of the conspiracy is astounding, but also the conspiracy itself, as Machiavelli points out among other things, is extraordinary.”

Simonetta is an expert on Machiavelli and teaches a class about him at NYU Florence. As a matter of fact, Simonetta made the discovery at the same time the class was reading Machiavelli’s On Conspiracies, specifically the section about the Pazzi conspiracy.

Handwritten Italian text on a piece of paper

Antonio Maffei’s confession of the attempted assassination

“The students had read the materials, but they didn’t know there was this new element that had just surfaced from the dust of the past, so I used it in the class,” Simonetta notes. “When I can, I love to use firsthand documents because it makes history so much more alive. And that’s what history is all about. It’s about imagination; without imagination it’s just data. It’s raw data, so who cares? But when history becomes living history, which is a pun—lethal history more than living in this case—it comes alive.”

Simonetta says that having the opportunity to bring history to life for his students has been one of his favorite parts about teaching at NYU Florence. Teaching in the city where these events took place, he adds, brings a dynamic to the classroom experience that is unobtainable anywhere else in the world.

“I’ve taught classes about Machiavelli in the United States, but it’s not the same as going to the Basilica di Santa Croce and seeing his tomb. Or going to the villa where he wrote The Prince,” Simonetta concludes. “It becomes so real: you can touch it, you can feel it exactly as it is. So being here, in Florence, is an enormous plus for my students and for me.”

Written by Kelly McHugh-Stewart

A Universal Language at Every Age

Through internships, volunteer opportunities, and class projects, NYU study away students can make a positive impact on the children in their local communities while also gaining valuable, real-world experience they can apply to their future careers.

While studying at NYU Prague last spring, Joey Duke, a junior majoring in Music Education at the NYU Steinhardt School of Culture, Education, and Human Development, found there is more to his field of study than he could have imagined. Through the class Foundations of Music Education led by Professor Klára Boudalová, he had the opportunity to work with the Prague Symphony Orchestra to help make classical music accessible to children in the Czech Republic.

Seven people pose for a camera on the orchestra stage

Concert planners and participants pose for a photo onstage at Smetana Hall after the orchestra performance. Pictured from left to right are: Jaime Patterson, Jair Gonzales, director Klara Boudalova, Joey Duke, actress Veronika Kubarova, Jahnvi Seshadri, and conductor Jan Kucera.

“We worked on the Orchestr na dotek, which means ‘the orchestra to listen,’” Joey says. After a semester of learning from the orchestra, the class’ final project was to organize an orchestra completely on their own. “It’s their program created just for young audiences, and it was a game changer for me. It showed me there’s a lot more you can do with music education.”

Joey and his classmates “took a part in everything” when it came to creating the orchestra. They chose composers, selected and cut the music, wrote a storyline, and worked with the musicians and performers to ensure the performance went off without a hitch. 

“We knew we would be these kids’ first impressions of the composers, and we wanted to make sure we selected the right pieces and cuts,” explains Joey. Their orchestra focused on the works of Claude Debussy and Maurice Ravel, which they intertwined with a story about pirates. “The music really couldn’t be more than three minutes at a time, so we had to select the most important parts. That took a lot of score reading and musical knowledge. Then for the story, Debussy features a lot of ocean music and Ravel features a lot of Spanish music, so we were like, ‘We’ve got it! We’re getting on a ship, we’re venturing across the sea, we’re going to islands.’ It was this big, fantastical process, and once we got past the blank canvas, the possibilities were endless.”

Similarly, at NYU Florence, Anika Istok, a junior majoring in Psychology at the College of Arts and Science and minoring in both Italian Studies and Child and Adolescent Mental Health Studies (CAMS), had the chance to connect with children through music. 

“Music is so important for kids,” says Anika who spent the fall of 2022 volunteering with NPM Bambini in Movimento, an organization that provides support, therapy, and inclusive recreational activities for children, adolescents, and their families to help improve their health and wellness. “It’s an important way for kids to express themselves, especially if they’re nonverbal, shy, or don’t initiate interactions. It’s amazing because, through something simple like playing our community drum together, they were able to bond in a way that, even with words, you can’t accomplish.”

Photo of Anika wearing an NPM Bambini in Movimento polo shirt

Anika Istok in her NPM Bambini in Movimento shirt

Volunteering with NPM Bambini in Movimento was fulfilling for Anika on multiple levels. It not only advanced her work in psychology and CAMS but also helped her become fluent in Italian. She noted volunteering as part of the culture at NYU Florence, so she knew she would get involved somewhere. Still, it was important for her to find an organization where she could really make an impact, and at NPM Bambini in Movimento, she was able to do just that. 

“We weren’t necessarily teaching music; rather, we were experiencing music together,” Anika adds. Anika helped teach two after-school classes, one for children between 2 and 5 and one for children between 6 and 8 years old. “A lot of the kids we worked with had either a disability or some sort of special need, and a lot of them were too young to be in school full time or had some trouble in school. Connecting with them outside of their normal educational environment was really important.”

Both Joey and Anika returned to New York City after their semesters away with newfound knowledge and appreciation for their selected fields of study. “This opportunity showed me that I could not only aspire to do something like this but do it. And then we watched it happen,” says Joey. “At the end of the day, music is who we are as a people. It carries all of our cultural meaning, it carries a message, and for kids to understand the music from where they are is for them to participate in their communities. For me, I realized there’s so much more we can do. That semester really opened my eyes to the impact we can make through music.”

Written by Kelly McHugh-Stewart

Faculty Spotlight: Justin Randolph Thompson

Three students of color talking with the Florence Duomo in the distance.

NYU Florence students enjoying the view of the Duomo from Piazzale Michelangelo

One marker of success when spending extended time in a new place (especially as a student) is how comprehensively one engages with the local culture. At NYU Florence, students are immersed in Italian and, specifically, Florentine culture through a range of courses and activities. And for over six years, Global Lecturer Justin Randolph Thompson has worked to ensure that experience includes the rich history of Black people in Italy.

In addition to his role as a lecturer at NYU Florence, Thompson, an artist, cultural facilitator, and educator, is the cofounder and director of Black History Month Florence, a multifaceted exploration of Black histories and cultures in the context of Italy. He also works with faculty and students to provide support for study abroad programs, offer internships and workshops, and share a space to connect with Black culture abroad. As a young man living in Italy, Thompson, who has lived between the United States and Italy since 1999, found that his relationship to Blackness was very much shaped by his environment.

Black History Month Florence

The first Black History Month Florence was created in 2016 to inspire much-needed connection—as a way to link Thompson’s projects to institutions in Florence and elevate his message. “Blackness extends into antiquity; there has never been a time in Italian history when there were not Black people here. But the country needed a framework to engage in more expansive conversations about Blackness.” Therefore, Thompson and cofounder Andre Thomas Halyard worked to build a network of like-minded people, artists, and writers to engage people with this history.

“In 1926 historian Carter G. Woodson established Black History Month because there was a need to tell a more complete story about the United States. And 90 years later, there was a need to tell a more complete story about Italy,” Thompson explains. This year’s celebration, which began on February 1, has expanded to include about 50 events, and its network now stretches across Italy and beyond. “It’s a huge cultural moment,” Thompson says. “Every single time we’re able to pull this together thanks to a range of partners, it is an incredible demonstration of what’s possible.”

The Recovery Plan

Now that Thompson’s work has grown, Black History Month Florence is but one piece of a much more comprehensive puzzle. The Recovery Plan, which developed from the success of Black History Month Florence, is a Black cultural center that examines the history and contemporary legacy of Blackness in a global context. The center hosts a range of exhibitions, performances, lectures, seminars, workshops, and residencies designed to reflect upon Italy as a historic site for cultural exchange.

The Recovery Plan collaborates with organizations and institutions throughout and beyond Italy, supporting young Black Italian artists. The center also nourishes an archive and library for the study of Afrodescendent cultures while helping to provide training and support to its partners.

“This is the work that really needs to happen in order to safeguard layers of history that have been consistently excluded,” Thompson says. “These absences impact all of society.”

The Work Together Is the Reward

Thompson has exhibited and performed at institutions all over the world, including the Contemporary at Blue Star art institution in San Antonio, Texas; Villa Romana in Florence, Italy; the Whitney Museum of American Art in New York, New York; and the Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain. He has also won a number of awards, including a 2022 Creative Capital Award, a 2020 Italian Council Research Fellowship, and a Louis Comfort Tiffany Foundation Biennial Competition award.

These awards have given Thompson the freedom to experiment and push the boundaries of his work, beginning projects and bringing on new partners even if he doesn’t know the outcome from the start. As an educator, he follows a similar philosophy: “My teaching—and the way I live my life—is about developing a relationship where we can question everything and exchange what it is that we do know,” he says. “Together, we create a more complete picture. Every one of us can contribute such important things to this world.”

Written by Sarah Bender

Opportunities for Immersion: Experiential Learning Across the World

One of the many benefits of studying abroad is students learning from world-class faculty while also gaining a new perspective on the world around them. The space where learning happens isn’t limited to the classroom, but expanded to a specific site, with courses planned to both inform and immerse.

As they connect their learning to the places where they study and vice versa, students are equipped with the tools to approach knowledge with curiosity, exploration, and context. Here are some recent courses that capitalize on the locations where they take place.

Cultures and Context: The Black Atlantic

At NYU Accra, Professor Kofi Baku teaches this wide-ranging history course to explore the concept of the Black Atlantic as a sociocultural and economic space. The course covers the 15th-century capture of Africans and their arrival in the New World, the rise of slavery and the eventual emancipation in the Americas, and decolonization and the Black struggle for liberation, equality, and Pan-Africanism.

A large group of students in front of a white set of stairs and building

NYU Accra students on a trip to Elmina Castle.

To complement the historical moments covered in the course, Professor Baku organizes field trips to key sites in Ghana. These trips include a tour of the Cape Coast and Elmina Castle, where African captives were held before they were sent to the Americas. They also visit Osu Castle to learn about the legacies of the Danish slave trade on the Gold Coast. And finally, they visit a plantation in Sesemi to learn about the Gold Coast’s development after the abolition of the slave trade. As students visit these sites, they write personal, interdisciplinary reflections based on their experiences.

Culture of the City: Italian Urban Life

At NYU Florence, Professor Davide Lombardo thinks of the city on two levels: historical and theoretical. From ancient times to modernity, students get a historical and spatial overview of the evolution of Florence’s urban environment.

Aurora Russell, a junior double majoring in Psychology and Journalism with a minor in Anthropology comments on the importance of immersion, “We spend the field-based classes completely in the location, whether it’s out in the city, in a museum, or at a church. Immersing yourself in an environment while you’re discussing that place is a really good way to learn about and understand it.”

Students wearing white gloves look through large books

NYU Florence students immerse themselves in the Acton Art Collection.

Shaping an Educational Landscape: Museum Island

At NYU Berlin, Professor Annette Loeseke organizes a thematic exploration of museums in her course, a mixture of classroom discussions and field trips to the cultural institutions on Museumsinsel. Home to Berlin’s complex of five world-famous museums, students explore the role of the museum in modern times covering topics like feminist and LGBTQ+ perspectives on art collections, digital museum tools and the politics of code, and postcolonial museums in diverse societies.

Throughout the semester, the class meets at the Altes Museum, Neues Museum, Alte Nationalgalerie, Pergamon Museum and Panorama, Bode-Museum, and Hamburger Bahnhof Museum for Contemporary Art (which is not on Museuminsel), to explore the intersection of museums, history, culture, and politics.

A group of people stand in a circle in front of greenery.

Annette Loeske introduces a museum visit to her Museum Island class at NYU Berlin.

Repurposed with permission from Meet NYU.

Fall 2022 Orientation Week in Images

Orientation Week at NYU global locations introduces students to the history and culture of their new home through exciting programming. Additionally, students receive important academic information to set them up for success during their time away. 

NYU Abu Dhabi

A student surfing down a hill of sand as other students wait for their turn.

NYU Abu Dhabi welcomes more than 120 study away students from New York City and Shanghai. Staff members love to introduce them to the Emirates with a weekend trip to Dubai and a cultural day in Abu Dhabi.

NYU Florence

Students sitting in the amphitheater as they learn from an authority figure.

New students at NYU Florence attend a session about community values in the amphitheater on the beautiful 57-acre estate of Villa La Pietra.

NYU Madrid

A group of students gathering with a professor on the street in Madrid.

NYU Madrid orientation week features great academic activities like Mapping Madrid, a series of five tours in five city locations led by five NYU Madrid professors. This location is Tetuán, a barrio of contrasts where many cultures mix.

NYU Paris

Four students posing for the camera with the Eiffel Tower visible in the background.

Fall 2022 students enjoy Paris on a boat cruise along the Seine during Welcome Week.

NYU Prague

A trio of students surveying the front of the Municipal House.

Students admire the Municipal House, where the independent Czechoslovakia was established in 1918. During orientation at NYU Prague, they walk around the historical center of Prague while asking questions about Czech history.

NYU Sydney

A student role playing at parliament, while other students are sitting in rows behind them.

At NYU Sydney, students visit the New South Wales Parliament House, the oldest house of parliament in Australia. Students role play as speaker of the house, government members, or opposition members.

NYU Tel Aviv

Students and faculty members gathering in the NYU Tel Aviv courtyard for an orientation event.

Students, staff, and faculty convene at the traditional faculty panel and welcome dinner during orientation week at NYU Tel Aviv.

NYU Washington, D.C.

A professor lecturing in front of a projection screen.

Professor Vicky Kiechel leads a Washington 101 session for students during orientation week at NYU Washington, DC.

NYU Florence Embraces a History of Sustainability

NYU Florence does not offer your typical college experience. Located on the stunning Villa La Pietra estate, the 550-year-old, 57-acre academic center includes five historic villas, a world-famous art collection, Renaissance gardens, and lush olive groves. Prior to NYU inheriting it, the estate served as a retreat for its owners’ families. Today, it’s home to the NYU Florence community, connecting students and staff to the past—and to the world around them.

That’s why NYU Florence is committed to ongoing sustainability efforts, including growing their own food for the dining hall, launching a community farm, and optimizing museum operations for environmental sustainability, through the Terra Firma Firenze program. “The uniqueness of the center lies in its location in a well-preserved green area of the city; the buildings, the formal gardens, and the landscapes are visually and physically connected,” explains Francesca Baldry, Villa La Pietra’s collection manager. “When our students arrive, they become aware of how their well-being connects with the natural world.”

A Legacy of Self-Sufficiency

Three students holding bins filled with green vegetables smiling at the camera

NYU Florence students harvesting vegetables in the pomario.

For hundreds of years, a variety of wealthy Florentine families called Villa La Pietra’s five villas home. During that time, Tuscany’s economy was agriculturally based, and the estate was largely self-sufficient, growing its own food, monitoring the soil, and carefully preserving water. “It’s important to remember that, though a villa always produces food, it is not a farm. Its overriding purpose is the well-being of the folk who live on the estate. Here, that’s the NYU Florence students,” says Nick Dakin-Elliot, a horticultural associate at NYU Florence. “At Villa La Pietra, for most of history, its agriculture has been largely self-sufficient, with a proven record of sustainability. And soon we’ll officially launch our community farm, marking a move to return to sustainable, healthy food production at Villa La Pietra.”

To this day, the estate features olive groves, vegetable gardens, and a pomario (a walled kitchen garden), which includes over 100 lemon and orange trees in individual terra-cotta pots. When students broached the subject of how they could eat the bounty of food grown on the grounds, staff began pondering the possibilities. “Students are always the focus of all of our efforts, and we always take their voices into consideration,” affirms Baldry.

Building a Hyper-Local Food System

Starting this spring, NYU Florence’s dining hall will serve food grown on the estate. First, students will have the opportunity to sow, water, and harvest crops at the community farm. Then, they can taste the fruits of their labor in their next meal. Cristina Fantacci Cellini, NYU Florence visit and event coordinator, adds, “Having a hands-on approach in the vegetable garden is a unique experience, which teaches students the value of fresh and organic produce and the importance of composting.”

Two students crouch next to vegetable beds

NYU Florence students working in the no-dig vegetable garden.

In addition, the NYU Florence community can access a range of virtual and in-person lectures, workshops, and discussions to augment their connection to the center and the environment. Offerings include a discussion about caring for your veggies over coffee; a cooking lesson with black cabbage (also known as Tuscan kale), traditionally the only green vegetable available during late winter in Tuscany; and a foraging trip around the olive groves.

Green Initiatives Beyond the Garden

In addition to growing their own food, NYU Florence emphasizes sustainability in residence halls, classrooms, and the museum. In fact, Baldry recently shared NYU Florence’s efforts in relation to greening the museum and grounds as part of the Historic House Museums for a Sustainable World: Challenges and Opportunities conference organized by the International Council of Museums and DEMHIST. “In 2013 I read a book called The Green Museum, and I found it so inspiring!” says Baldry. “Is it possible, I asked myself, to spend less energy while still preserving artworks in a good museum environment?”

At Villa La Pietra, she’s doing just that. Museum staff aim to reduce energy usage and waste, consume less water, utilize eco-friendly supplies, and increase public participation in sustainability efforts. Furthermore, the whole community has drastically reduced its use of printed materials, banned single-use water bottles, and committed to using all recyclable products in the dining hall and at events. “We explore the concept of sustainability from many different angles,” concludes NYU Florence student Juancarlos (JC) Navarro. “It’s left us all with a refreshed perspective on our relationship to Tuscany’s beauty.”

Written by Dana Guterman