please see

Hoffman, E. 2017.
What is at Stake in the Politics of Digital Music Archive Access Policies?
(in Array Journal, Fall 2017: 47-52).

Hoffman, E. 2016.
Letter to Editor, for HDLA Forum, Computer Music Journal, Vol 41/1, Spring 2017: 11-12.

Hoffman, E. 2013.
The Music of Ellen C. Covito: an Interview with You Nakai
(in Perspectives of New Music, 51/1, 2013: 5-20).

Hoffman, E. 2013.
On Performing Electroacoustic Musics: a non-idiomatic case study for
Adorno’s theory of musical reproduction
(in Organized Sound journal, Volume 18, April 2013, pp. 60-70) link to article

Hoffman, E. 2012.
I-Tunes: Multiple Subjectivities and Narrative Method in Computer Music
(in Computer Music Journal, 36/4, Winter 2012, pp. 40-58) link to article

Hoffman, E. 2008.
Review of everglade ‘re[mix]’ DVD
(in Computer Music Journal, Summer 2008, 32/2)

Hoffman, E. 2005.
Textural Klangfarben in Dillon’s “La femme invisible”(1989):
an Explanatory Model
(in Perspectives of New Music, 43/1, Winter 2005: 4-33)

Hoffman, E. 2005.
Review of ‘Microsound'(2001) by Curtis Roads.
(in Music Theory Spectrum, Vol. 27, no. 2, Fall 2005: 328-335)

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