Mixed Music

FOR ACOUSTIC INSTRUMENT(S) + Electroacoustic Sound, Fixed or Interactive

Deviations from a Theme by Brahms (2014/15) live electronics. Collaboration with Andy Kozar. FP: National Opera Center, NYC, December 2014.
Ways to leave your hexachord (2014-15) for trombone and multi-channel sound. Collaboration with Jay Crone. FP version 1: DISIS Concert, December 2014,
The CUBE, Virginia Tech. FP: version 2, for 124 ch, SEAMUS, March 26, 2015
figure-ground (2015) for clarinet and fixed media. Collaboration with Marianne Gythfeldt. FP: SPECTRUM NYC, February 8, 2015.
frôTH (2014), for flute and live electronics. Collaboration with Jane Rigler FP: Third Practice Festival, Richmond, VA, November 8, 2014.
Silky (2014), for fl., cl., vln., and vcl, and live electronic sound. FP: Tenri, April 12, 2014, Washington Sq Contemporary Players.
Langanaich (2008), 12m30s, Irish pipes, and processing. Collaboration with Ivan Goff. Programming by Elizabeth Hoffman. FP: Belfast ICMC 2008.
Katharsiz (2015)string quartet, and 8-ch electroacoustic sound. FP: FLUX Quartet, Skirball Center for the Performing Arts, Feb. 27, 2015.
The Elderberry Goddess (2000), trombone/electroacoustic – Commissioned by Abbie Conant. FP: Vienna, October 6, 2001.
Manhattan Breakdown (2000), for clarinet, cello, percussion, tape, and live electronics. FP: International Computer Music Conference,
Akademie der Kunst, August 29, 2000, Berlin, members of the Kammer-ensemble Neue Musik performing.ICMA Commission.
Numbers (1998), for mezzo-soprano and computer-realized sounds. Published Computer Music Journal CD 22/4, Winter 1998, MIT Press.

Leave a Reply

Your email address will not be published. Required fields are marked *