Saul: an oratorio

Composed by mr.handel, for the voice, harpsichord, and violin; with the choruses in score.

George Frideric Handel 

1 vocal score (112 p.) 

London: Printed for Harrison & Co…, [ca. 1785]

Oxford University. Bodleian Library. 

Binding: Half mottled calf with marbled paper boards. Provenance name: Giffard, Eliza. Provenance note: Inscribed: “Eliza Giffard – Nerquis, Flintshire – 1807” 

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A complete account of the settlement of Port Jackson, in New South Wales

Including an accurate description of the situation of the colony; of the natives; and of its natural productions.

Watkins Tench

London: Sold by G. Nicol, Pall-Mall; and J. Sewell, Cornhill, 1793.

Silent World Foundation Library

Subscriber’s copy, inscribed on title-page: “Eliza Giffard Nerquis Flintshire 1807”, and lettered in another hand on the cover “Mrs. Giffard”. Note: subscriber’s list [p.xi] lists both ‘Mrs. Gifford, Nerquis’ and ‘Miss Gifford’. 

 

The pursuits of literature.

A satirical poem in four dialogues with notes. The 13th edition with the citations translated.

Thomas James Mathias.

London: Printed for T. Becket, 81, Pall Mall., 1805. 

Eton College. 

Ownership inscription on title-page: Maria Eleanora Giffard (Nerquis) 1807. Contemporary light blue paper over stiff card boards; spine covered in cream paper; printed spine label; deckled edges. 

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The history of England

David Hume.

In six volumes

London: Printed for A. Millar, 1754-62. 

University of Texas, Austin. Harry Ransom Center. 

HRC cop. 1 [ATR] [STR]: v. 1-2 inscribed: Eliza Giffard, 1807; armorial bookplate of Eliza Giffard [?]; was Aitken: Am/H882/762h/v. 1-2/Stark; v. [3-4] armorial bookplates of Phil: Baker and John George Mogg; v. [4] ms. note relating to Princess Elizabeth’s imprisonment in the Tower (tipped in); was Aitken: Am/H882/759h/v. 1-2/Stark; v. [5-6] inscribed: Eliza Giffard, 1807; armorial bookplate of Eliza Giffard [?]; was Aitken: Am/H882/754h/v. 1-2/Stark.  Cop. 2 imperfect: v. 3 wanting; v. 2: illegible inscription; v. [4]: inscribed: Eliza Giffard; v. 5-6: armorial bookplate of Biddulph, Ledbury; inscribed: N. [?] Biddulph; v. [4] inscribed: Eliza Giffard; armorial bookplate of Eliza Giffard [?]

A set of progressive lessons :

for the harpsichord or the piano forte : expressly calculated for the ease of beginners : book 1[-2] : opera XII.

Samuel Arnold.

Two volumes

[London]: Printed for the author at Mr. Welker’s, [ca. 1777-1779]

Yale University. Music Library Special Collections.

Title page of Book 1, copy 2 signed: “Miss Jeffries, 1790. Title page of Book 1, copy 2 signed: “Eliza Giffard. Nerquis. Flintshire, 1807.” Book 1 only; lacks p. 1-4, 39-40. Bound together with Guida di musica / James Hook.

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Letters on natural history :

exhibiting a view of the power, wisdom, and goodness of the deity, so eminently displayed in the formation of the universe, and various relations of utility which inferior beings have to the human species: calculated particularly for the use of schools and young persons in general of both sexes in order to impress their minds with a just idea of its great author.

John Bigland

London: Printed for Longman, Hurst, Rees and Orme, Paternoster-row; and James Cundee, Ivy-lane, 1806. 

New York University, Special Collections. 

Special Collections copy has inscription: “Eliza Giffard Nerquis, Flintshire 1807” on title-page. 

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Title-page of book with ownership inscription
Ownership inscription on title-page of “Letters of natural history” (1806). Courtesy NYU Special Collections.

Donald Montieth, the handsomest man of the age: a novel.

Selina Davenport

In five volumes.

London: Printed at the Minerva Press for A.K. Newman and Co., Leadenhall-Street, 1815. 

University of Illinois, Urbana-Champaign. Rare Book & Manuscript Library. 

Inscribed “Eliza Giffard Nerquis” [typographic mistake in record states ‘Nervis’] on front paste-downs. Inscribed “Eliza Giffard” on title pages of  volumes 3 and 5. Retains original paper publishers’ bindings. Publisher’s advertisements in volume 2, page [230] and volume 3, page [252]. 

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The physiognomist: a novel

By the author of “The bachelor and the married man…” [Mrs. Ross] 

In three volumes.

London: Printed for Longman, Hurst, Rees, Orme, and Browne, 1818.

University of Illinois, Urbana-Champaign. Rare Book & Manuscript Library. 

Inscribed “Eliza Giffard” on front paste-downs of volume 1 and 2, and “Eliza Giffard Nerquis Flintshire” on front paste-down of volume 3 and title pages of all volumes. Retains original paper publishers’ bindings. Advertisements after page 266 in volume 1, and page [184] in volume 3. 

Note in record that source of acquisition was 7 Gables Bookshop. . 

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The whole art of husbandry; or, The way of managing and improving of land.

being a complet collection of what has been written on the subject, either by ancient or modern authors: with many additions of new experiments and improvements not treated of by others. Also giving an account of the particular sorts of husbandry used in several counties, with proposals for its further improvement. to which is added, the country-man’s kalendar, directing what he is to do every month of the year. 

J. (John) Mortimer

The 6th edition, with large additions, left by the author in manuscript, and other improvements. The whole revised and carefully corrected by the editor, Tho. Mortimer.

In two volumes. 

London: Printed for D. Browne, A. Millar, R. Griffiths, and S. Hooper…, 1761. 

University of Texas, Austin. Harry Ransome Center. 

Unidentified armorial bookplates; vols. inscribed: Eliza Giffard Narquis Flintshire, 1807″. (Note: Narquis likely a typographic error from bibliographic record.)

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[Rosina. Vocal score]

A new edition of rosina, a comic opera, as performed at the theatre royal covent garden. Composed and selected by William Shield.

William Shield

New edition.

London: Longman and Broderip, [approximately 1790].

From the Cobbe Collection at Hatchlands Park. Courtesy of Alec Cobbe. 

Inscribed ‘Eliza Giffard, Nerquis’. Bound oblong folio of printed and manuscript music, without markings or title on boards or spine. Endpapers watermarked ‘1821’. Only ‘Rosina’ inscribed directly with name. Manuscript contents on front endpaper in Giffard’s hand, listing contents of volume, as below:

[Storm, op. 4] Sonata: The storm; for the piano forte only / compos’d by J.D. Benser. London: Longman and Broderip, [approximately 1782]

[Sonatas, keyboard, op. 3. No. 1] Sonata. / By Peter Guglielmi. [Manuscript] [before 1821]

A favourite lesson for the great, or small harp, piano forte, or harpsichord. / By Felicee Fiorini. [London]: sold by J. Blundell, [1781?]

French air, with variations / by Dr. Wainwright. [Manuscript] [before 1821]

[Unidentified work, and Marlborough s’en va-t-en guerre] [Manuscript] [before 1821]

March / by Joseph Mazzinghi. [Manuscript] [before 1821]

La droppa. [Manuscript] [before 1821]

Lesson. [Manuscript] [before 1821]

Cottillons. [Manuscript] [before 1821]

Allemande / Sigr. Nicolai. [Manuscript] [before 1821]

Rondo. [Manuscript] [before 1821]

The peasants dance. [Manuscript] [before 1821]

Minuet / J. Bailey. [Manuscript] [before 1821]

The Highland laddie. / By P. Hayes. Mus. Doc. [Manuscript] [before 1821]