The Loves of the angels

A Poem. bound with illustrations of the Loves of the angels. engraved by charles heath, from designs by r. westall.  

Thomas Moore
London: Printed for Longman, Hurst, Rees, Orme and Brown, 1823. 

Currently held by Roger Treglown Rare & Antiquarian Books. 

Third edition of poems; First edition of illustrations. Inscribed ‘Eliza Giffard’ on front pastedown. Half light-blue goatskin over marbled paper boards. With ex libris of Beryl Williams on front endpaper. 

Times past, or, Sketches of the manners of mankind in the last century

A romantic melange; in three volumes. 

London: Printed at the Minerva-Press for Lane, Newman, and Co., Leadenhall-Street, 1805. 

Special Collections, University of Nevada, Las Vegas. 

Binding: Blue paper-covered boards; manuscript numbering on spines. “Eliza Giffard Nerquis, Flintshire” on title-pages and front pastedowns. Volumes 1 and 3 only present; volume 2 missing. Acquired as part of the Beverly Rogers Rare Book Collection, 2023. 

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Saul: an oratorio

Composed by mr.handel, for the voice, harpsichord, and violin; with the choruses in score.

George Frideric Handel 

1 vocal score (112 p.) 

London: Printed for Harrison & Co…, [ca. 1785]

Oxford University. Bodleian Library. 

Binding: Half mottled calf with marbled paper boards. Provenance name: Giffard, Eliza. Provenance note: Inscribed: “Eliza Giffard – Nerquis, Flintshire – 1807” 

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The pursuits of literature.

A satirical poem in four dialogues with notes. The 13th edition with the citations translated.

Thomas James Mathias.

London: Printed for T. Becket, 81, Pall Mall., 1805. 

Eton College. 

Ownership inscription on title-page: Maria Eleanora Giffard (Nerquis) 1807. Contemporary light blue paper over stiff card boards; spine covered in cream paper; printed spine label; deckled edges. 

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A set of progressive lessons :

for the harpsichord or the piano forte : expressly calculated for the ease of beginners : book 1[-2] : opera XII.

Samuel Arnold.

Two volumes

[London]: Printed for the author at Mr. Welker’s, [ca. 1777-1779]

Yale University. Music Library Special Collections.

Title page of Book 1, copy 2 signed: “Miss Jeffries, 1790. Title page of Book 1, copy 2 signed: “Eliza Giffard. Nerquis. Flintshire, 1807.” Book 1 only; lacks p. 1-4, 39-40. Bound together with Guida di musica / James Hook.

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[Rosina. Vocal score]

A new edition of rosina, a comic opera, as performed at the theatre royal covent garden. Composed and selected by William Shield.

William Shield

New edition.

London: Longman and Broderip, [approximately 1790].

From the Cobbe Collection at Hatchlands Park. Courtesy of Alec Cobbe. 

Inscribed ‘Eliza Giffard, Nerquis’. Bound oblong folio of printed and manuscript music, without markings or title on boards or spine. Endpapers watermarked ‘1821’. Only ‘Rosina’ inscribed directly with name. Manuscript contents on front endpaper in Giffard’s hand, listing contents of volume, as below:

[Storm, op. 4] Sonata: The storm; for the piano forte only / compos’d by J.D. Benser. London: Longman and Broderip, [approximately 1782]

[Sonatas, keyboard, op. 3. No. 1] Sonata. / By Peter Guglielmi. [Manuscript] [before 1821]

A favourite lesson for the great, or small harp, piano forte, or harpsichord. / By Felicee Fiorini. [London]: sold by J. Blundell, [1781?]

French air, with variations / by Dr. Wainwright. [Manuscript] [before 1821]

[Unidentified work, and Marlborough s’en va-t-en guerre] [Manuscript] [before 1821]

March / by Joseph Mazzinghi. [Manuscript] [before 1821]

La droppa. [Manuscript] [before 1821]

Lesson. [Manuscript] [before 1821]

Cottillons. [Manuscript] [before 1821]

Allemande / Sigr. Nicolai. [Manuscript] [before 1821]

Rondo. [Manuscript] [before 1821]

The peasants dance. [Manuscript] [before 1821]

Minuet / J. Bailey. [Manuscript] [before 1821]

The Highland laddie. / By P. Hayes. Mus. Doc. [Manuscript] [before 1821]

 

 

The Triumphs of Temper

a poem in six cantos.

William Hayley, Esq.

Eighth edition, corrected. 

London: Printed for T. Cadell, jun. and W. Davies, (Successors to Mr. Cadell), in the Strand, MDCCMCV [1795].

New York University, Special Collections. 

Inscribed “Mary Eleanora Giffard, Nerquis, 1807” on title-page. Bound in speckled calf, gilt borders on front and rear boards, marbled endpapers. 

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Title-page of book with ownership inscription
Title-page of “The Triumphs of temper” (1795), showing ownership inscription. Courtesy NYU Special Collections.

Simple tales

Mrs. Opie [Amelia Opie]

In four volumes

First edition

London: Printed for Longman, Hurst, Rees and Orme, Paternoster Row, 1806.

Fales Library. New York University Special Collections. 

Fales Brit copy inscribed ‘Mary Eleanor Giffard (Nerquis) 1807’on title page. In original publishers’ green-blue boards with ms. title, author and volume numbers at head of spine.

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Book spines with handwritten text at top.
Manuscript titling at spine heads on volumes of “Simple tales” (1806). Courtesy NYU Special Collections.
Title-page of book with ownership inscription.
Ownership inscription on title-page of volume 2 of “Simple tales” (1806). Courtesy NYU Special Collections.

Winter evening tales:

collected among the cottagers in the south of Scotland

James Hogg

In two volumes

Edinburgh: Printed for Oliver & Boyd, High Street; and London: G. & W.B. Whittaker, Ave-Maria-Lane, 1820.

New York University, Fales Library & Special Collections

Inscribed, Eliza Giffard Nerquis, Flintshire, on front pastedown and title page. Labeled in manuscript ink ‘Hoggs Tales’ on spine above printed spine label, with volume numbers. In original blue paper covered boards, as issued, edges untrimmed.

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Title-page of book with ownership inscription.
Ownership inscription on title-page of “Winter evening tales”. Courtesy NYU Special Collections. 
Book spines with handwritten text at top.
Handwritten detail on spines of “Winter evening tales”. Courtesy NYU Special Collections. 
Inside cover of book showing ownership inscription.
Ownership inscription on front paste-down of “Winter evening tales”. Courtesy NYU Special Collections.

Poems: tales, odes, sonnets, translations from the British. &c. &c.

Richard Llwyd

In two volumes. Bound in one. 

Chester: Printed by J. Fletcher; and sold in London by E. Williams, no. 11 Strand, bookseller to the Duke and Duchess of York and bookseller of Wales, 1804.

New York University, Fales Library & Special Collections

Fales Brit c.1 inscribed by Eliza Giffard on front pastedown. Bookplate: J.O. Edwards. Bound in original drab paper boards with printed spine, orange colored paper label. Additional ms. markings at head of spines”Poems by Mr. Llwyd” in Giffard’s hand. Publisher’s advertisement–[p.213].

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Book spine with handwritten text at top.
Manuscript title and author at head of spine of Llwyd’s “Poems” (1804). Courtesy NYU Special Collections. 
Inside cover of book showing ownership inscription.
Ownership inscription on front paste-down of “Poems” (1804). Courtesy NYU Special Collections.

Letters for literary ladies: to which is added, An essay on the noble science of self-justification

Maria Edgeworth

2nd edition, corrected and much enlarged.

London: Printed for J. Johnson, in St. Paul’s Church-Yard, 1799.

New York University. Special Collections. Fales Library.

Title page signed “Maria Eleanora Giffard, Nerquis, 1807”. Untrimmed in original pale blue boards, as issued, white paper covering spine (rebacked). Leaves for pages 217 to 240 unopened. 

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Title-page of book with ownership inscription.
Ownership inscription on title-page of “Letters for literary ladies” (1799). Courtesy NYU Special Collections.

Poems on several occasions

Matthew Prior

London: Printed for J. and R. Tonson, W. Johnston, T. Caslon, and G. Robinson and J. Roberts, 1766.

In the collection of Charlotte Priddle.

“Eliza Giffard Nerquis Flintshire 1807” on the title-page, unidentified armorial plate on inner board. Bound in full calf.

The flowers of wit

Or, a choice collection of bon mots, both ancient and modern with biographical and critical remarks

Rev. Henry Kett

In two volumes

London: Printed for Lackington, Allen, and Co., Finsbery-Square; At the Weybridge Press, by S. Hamilton, 1814.

New York University, Fales Library & Special Collections

Inscribed ‘Eliza Giffard Nerquis Flintshire’ on front pastedown and title page. In original publishers boards with paper labels intact. With ms. title & volume number written at head of spine on both volumes.

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Book spines with handwritten text at top.
Spine head detail of both volumes of Kett’s “Flowers of Wit” (1814). Courtesy NYU Special Collections.  
Inside cover of book showing ownership inscription.
Ownership inscription on front paste-down of Kett’s “Flowers of Wit” (1814). 
Title page of 1814 book with ownership inscription
Ownership inscription on title-page of volume one of Kett’s “Flowers of Wit” (1814). Courtesy NYU Special Collections.

Scrapiana, or, Elegant extracts of wit

Being a complete collection of humourous pieces in prose and in verse, on an entire new arrangement: and containing many original anecdotes and poems by eminent men, which have never before been published.

London: T. and J. Allman [etc., etc.], 1818.

Yale University, Beinecke Library

BEIN Har28 Scr16: Advertising matter: 4 p. at end. Autograph of Eliza Gifford [sic]

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