• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

ESFERAS

  • Home
  • ABOUT/SUBMISSIONS
  • Current Issue
  • Past Issues
  • Senior Honors Thesis-2025

Madrid Stories-Baile y política

La revolución que baila

A film by Jessie Hinson (Esferas 15 Editorial Committee Member); Sofia Shah; Odalis Ramirez
[click on title to view]
Artist Statement by Jessie HInson:
On my first day in Madrid I stumbled, jet lagged and overwhelmed, into the Librería Mujeres. I was struck by how safe the space felt and all of the stories contained within its walls. I came into the Madrid Stories class wanting to do something that captured the magic of the Librería Mujeres and all the women it represented. As our group began the process of creating La revolución que baila, we began to develop relationships with the women who shape the space and ethos of the bookstore. Learning to make a film in a space inhabited by storytellers was a wonderful experience. Everyone we met understood what it was like to use art to uplift women’s voices and share someone’s story. I feel like our journey as filmmakers coincided perfectly with the space we were trying to highlight. I always felt that we were shining a light on people who typically operate behind the scenes of a movement. Filming Mamen became an exercise in humanizing feminism, in showing the regular people behind the movement. We wanted to create a portrait of someone who doesn’t seem like your archetypal activist, someone who was putting in the work to build the movement day by day. “This idea that the fight for equality is continuous, that feminism is intergenerational, and that everyone has their own, personal doorway to feminism” were perfectly encapsulated in Mamen’s story. Mamen makes you reconsider what your true passions are and how you can use them to contribute to the causes that are most important to you. I wanted this film, at the end of the day, to highlight the joy in this pursuit. One line that has stuck with me since the beginning of this process is: “no es mi revolución si no puedo bailar.”  The fight for women’s rights, and for equality in general, is a marathon not a sprint. We have to celebrate how far we’ve come and maintain joy in order to keep going. 

 

María la cordobesa

A film by Adeline Ferolo, Manaal Shareh, Malika Singh & Natasha Cornelissen
[click on title to view]
Synopsis: An exploration of the universality of flamenco as a dance form, María La Cordobesa follows the creative journey of an Argentinian flamenco dancer whose self-informed perceptions of the art form led her to Madrid through a desire to nurture and share her passion.

Artist Statements:

Malika Singh:
We intended to produce something that was both thematically powerful as well as aesthetically pleasing, and Maria’s unique take on Flamenco’s evolution combined with her elegance both as a performer and a teacher helped us achieve just that. Maria makes for such a powerful character, with a layered personal story and a strong yet humble association with the art form, she was a treat to have as a subject.
Manaal Shareh:
This film seeks to honor flamenco—in both a global and traditional sense—as well as the give-and-take of teaching a dance so historic and culturally important. From the moment we met Maria, she articulated how much she learns from her students as well as how important her own teacher was in her decision to plant herself in Madrid. With such a diverse group of dancers and a prestigious, knowledgeable teacher, she takes lessons from her own cultural identity as an Argentinian, her students from around the world, and the Spanish traditions surrounding the art of flamenco, which is something we attempted dutifully to convey to our audience.
Adeline Ferolo:
While making this film we truly embraced the creative process, as we were always tweaking and rewriting in attempt to convey Maria as authentically as possible. At its core, this film invites people to consider the cultural importance of dance in both the context of its Spanish origin and its international influence.
 

Primary Sidebar

Quechua Rap: Reimagining Indigeneity and Resisting State Violence in Peru

The Persistence of Truth in the Face of National Denial

Diego S. Medina

Pictures from a Non-Vanishing Guigu Bi’cu’nisa

Destiny Iheakanwa

Jimena Llamas

Marketplace / Mercado / Kayb’al

Un trabajo bien hecho

Adentro! Entrevista con Diana Szeinblum

Comunidad y baile: “Concrete City” y Krump en NYC

Footer

For all inquiries and submissions, please email esferas.submissions@gmail.com.

Accessibility

Esferas Facebook

Copyright © 2025 · Simply Pro by Bloom Blog Shop.