Technological Beauty

Kevin Kelly raises a number of interesting and well thought out points throughout his book, What Technology Wants, but as my brain is want to do, I have become fixated on one specific section. In the chapter named “Technology’s Trajectory,” Kelly answers the titularly begged question with 13 things that technology wants (270). The one that I am stuck on, though, is beauty.

First off, let’s take a quick step back from the text and examine that statement. “Technology wants to become more beautiful.” It’s a complicated statement that implies a lot of things that are dealt with elsewhere in the book, but deserve independent consideration in this context. When Kelly says that technology wants complexity or evolvability, he is referring to an, at least somewhat, intuitive notion of purpose. Technology exists to serve a purpose, and thus naturally tends to build off of what came before in ways that allow further building, etc. But beauty is not even remotely similar to “efficiency.” In fact, in a world predicted by much new media, a world of pure objectivity and function, beauty is meaningless.

Beauty exists only within the hands of those who can perceive it, and it is a wholly subjective idea. What is beautiful to one is not necessarily beautiful to another, and vice versa. Additionally, and claims made universally about beauty must be accompanied by disclaimers that that these notions were created within a specific context of time period and general aesthetic. You can’t say something is true about beauty in all cases because beauty is not a universal or objective idea.

Now let’s actually get to the text.

Immediately, Kelly dodges the issue of subjectivity by implying that beauty is that which is viewed as beautiful by a majority of people who view it. He raises this implication by speaking about what is successful in Hollywood film and what cities people have classically described as “eye sores” (318). This definition of beauty is inherently problematic, as it ignores the exception that I raised earlier. Everyone who has ever made a claim about what they find beautiful has been influenced by their context. When a large number of people claim that something is beautiful, all that tells us is that there is some confluence of contextual factors that have made this a common idea. In fact, the more widespread a shared idea of beauty is, the more likely it is to be exclusively a result of some specific cultural factor.

The easiest example to give for this is fashion in present day America. Fashion is one of the most common places that you will hear the word “beautiful,” but the entire industry exists not to serve anyone’s notion of beauty, but to serve capitalism. Capitalism dictates that clothing be perceived as beautiful, and thus it is made so. To make claims that fashion wants to be beautiful and that is why it has become more beautiful as time goes on would be ignoring the entire context in which fashion was created. Similarly, I think Kelly is missing these nuances in what makes technology beautiful.

He then speaks about tools and how craftspeople and workers love their tools. Again, I hesitate to refer to this as beauty over functionality. I fear he is conflating similar terms to make a grander point than he has. Eventually, Kelly wanders off to a discussion of his perception of the internet as beautiful (322). He, as a person who uses the internet as his tool, has lost himself in the internet in the way he has lost himself in beautiful art. But, here, again, he has forfeited his meaning of the concept of beauty. He is relating a secondary sensation caused by his notion of beauty and declaring their causes one and the same.

Maybe I am being too harsh. His arguments seem sound and, while I have issues with them, they serve well as functional norms to ascribe to, even if doing so with a grain of salt. And maybe some of my issues are purely semantic. I could be spending more time thinking about the specific language than the purpose of the language, but my cognitive dissonance needed to be addressed nonetheless.

Regardless, my question is this: What makes new media beautiful? Why do we perceive certain qualities of media more or less beautiful, especially as they do not relate to efficiency? We find beauty mostly outside of realms of functional production, so how can we relate those “unproductive” notions of beauty to aspects of new media?

‘What Technology Wants’ Reflection

I overall really enjoyed Kelly’s What Technology Wants, especially how he structured his argument within the construct of the over-arching theme of the technium. At first, when you read the first two sections of the book, Origins and Imperatives, you get a large degree of insight into Kelly’s personality and overall view of technology as being intertwined and stemming from biological evolution. It is in these two sections that he lays down the foundation of his argument, barely even touching on the book title’s question. This all changes though in the last two parts of the book where Kelly really synthesizes his argument and attacks a lot of notions that I myself had previously believed as right.

One  of these notions is tackled by Kelly in the Choices section of What Technology Wants, which is outlined by the Precautionary Principle approach. After taking Environmental Science last year, I felt very strongly that the Precautionary Principle approach to new technologies was the most effective and ethical way about going about the introduction of new technology into society. For instance, in Environmental Science, we studied the entire DDT “disaster” as the event that birthed the modern environmental activism movement. The take away from the entire disaster was that the Precautionary Principle approach, which was implemented in part because of what happened, was the “right” and “safest” way to go about the introduction of technology. Kelly counters this belief though when he disputes that DDT’s positive effects out weight its negative effects by stating the following:

“They were relying on the precautionary principle: DDT was probably bad; better safe than sorry. In fact DDT had never been shown to hurt humans, and the environmental harm from the miniscule amounts of DDT applied in homes had not been measured. (Kelly 321).

This except really woke me up to Kelly’s proposed idea that in order to make an accurate risk assessment one must investigate thoroughly both the positive and negative effects in order to come to a proper conclusion.

One point that I did not fully agree with of Kelly’s was his assessment of technology as being more of a creation of God that say a being that is biological in nature. This view of Kelly’s is reflected best when he states,

“For the latter, every species can be read as a four-billion-year-long encounter with God. Yet we can see more of God in a cell phone than in a tree frog. The phone extends the frog’s four billion years of learning and adds the open-ended investigations of six billion human minds. Someday we may believe the most convivial technology we can make is not a testament to human ingenuity but a testimony of the holy.”(Kelly 460)

I think that the statement that “the most convivial technology we can make is not a testament of human ingenuity” is a extremely bold claim that downplays the importance and power of “human ingenuity”. I think that technology is  a prime example of “human ingenuity” and not as Kelly puts it “a testimony of the holy” because I don’t believe that technology can ever be a product of the divine even if you argue its transitive connection to it as Kelly does throughout the book. I’m not very religious, but I still believe that if anything is divine it is life because at the end of the day you can’t breath life or a true conscience into technology no matter how hard humans try. The final result will always be artificial.

With that said, my question for the class is as follows: Do you think that it is possible for technology, or a machine for that matter,  to be considered divine or holy?

Kelly, Kevin. What Technology Wants. New York: Viking, 2010. Print.

 

What Technology Wants Reflection and Discussion Question

In Kevin Kelly’s book What Technology Wants, Kelly raises the interesting point of the power balance we face between technologies. This is something that I had never thought about, the “enormity and cleverness of our creation [to overwhelm our] ability to control or guide [the technium]” (239). From his descriptions of this potential future world, as humans we are capable of creating a technology that will then takes its own course posing the question if “the human mind [will be able to] master what the human mind has made?” (239). This idea that technology can take a mind of itself bares a very strong resemblance to the world that was described in E.M Forester’s The Machine Stops. Interestingly, technology will take on its own course regardless of human interaction especially “in [our] deeply connected world, [with] the accelerated pace of technological succession” (243). Due to this quicker pace of technological advancement, Kelly’s question of whether or not humans will be able to comprehend what technology will turn into is almost impossible to answer as “projecting what harm may come from technology before it ‘is’ is almost impossible” (244). The idea of creating a piece of technology, giving it to the public and watching it advance and develop into a piece more advanced than ever imagined is frightening but also holds many excitements for the future. These advancements in technology may not always be for the worst and just as technology evolves, humans evolve slowly as well. A problematic point I found with Kelly’s writings was his inclusion of The Precautionary Principle. I was questioning his choice of elaborating on this principle as it seemed counter to his previous points and it did not seem to be the most reliable principle. The principle states that “a technology must be shown to do no harm before it is embraced” however with Kelly’s theories on inevitability and his previous description of how technology is advancing at a rapid pace this seems to be an impossible feat (246). In addition, Kelly adds that “the predictivity of most things, [technology], is exceedingly low” therefor making it even more difficult to prove a piece of technology can do no harm before it is embraced. Kelly explains how many inventions were created without the intention of what its primary use would be today, such as the inventor of gunpowder not predicting the gun or its presence in our society today (245). This principle seems to contradict all of Kelly’s latter theories and explanations of technology and its life force.

 

My question for discussion is, to what extent can inventors of a product foresee its use in the future and how would an inventor foresee what the future use of his/her product will be?

Cesco’s Kelly Provocation

According to Kevin Kelly, the most important feature of technology and the technium as a whole is its ability to create new choices and opportunities. While we may be a bit disconcerted by the notion of an unstoppable driving force causing certain technological concepts to be inevitable, Kelly reminds and reassures us that a large part of the process is malleable and very influenced by us, Sapiens. Through analysis and constant regulation, we can learn to harness these technologies and appropriate them to more useful tasks if they seem ineffective or wrong in their current use. Kelly strays into some murky waters when he begins to analyze the Unabomber’s anti-civilization manifesto and agrees with portions of the logic. However, he ultimately uses the Unabomber’s and the Amish’s somewhat hypocritical beliefs to further prove his point about the necessity of new technology. Rather than living off the land, the Unabomber’s shack in the woods was chock-full of products purchased from Wal-Mart and other department stores. The Amish, similarly, wouldn’t be able to maintain their lifestyle of selective technological use were it not for the modern civilization right outside their towns. Kelly describes how increased technology in mega-cities like NYC, Shanghai, Mumbai, etc., attracts millions of people yearly from the countryside. Increased technology and civilization offers a plethora of choices and opportunities not present outside of it. The well-researched example of Amish life, though, gives the reader some useful insight; the idea that technology can be selected carefully and methodically on the individual level so that we aren’t overwhelmed. Kelly doesn’t want to decrease technological progress, though, claiming that, “To maximize our own contentment, we seek the minimum amount of technology in our lives. Yet to maximize the contentment of others, we must maximize the amount of technology in the world. Indeed, we can only find our own minimal tools if others have created a sufficient maximum pool of options we can choose from.” (238) In our search for conviviality with the technology we create, and our correlated investigation into the possible harms deriving from it, Kelly believes that it’s near impossible to calculate these harms, but that this shouldn’t stop us from still creating and implementing them. He believes that the best method for testing a technology is by rendering it ubiquitous; by suggesting this he also rejects the Precautionary Principle (which I was taught in AP Enviro. and didn’t question until this book). Another key tool that we have in affecting technology is deciding which direction it’ll go in in terms of transparency and decentralization. While it’s true that technology decreases privacy, we can structure it so that it increases government and corporate transparency. We can hold active roles in the modification of the new tech because of how it is structured, therefore decentralizing the power that one owner/director/company might have.  Kelly believes that an innate search for complexity, diversity, specialization, ubiquity, freedom, mutualism, beauty, sentience, structure and evolvability details the path that technology will take in the coming years. Ultimately, Kelly asserts that technology “brings to us individually of finding out who we are, and more important, who we might be.” (349) We are the curators of the art which is technology. We (NYU kids specifically) are the “haves” that can perfect, reduce the cost of and share the technology needed to expand the lives of the “have-laters.” We have the opportunity to play the infinite game where we play with boundaries rather than play within them. (353) While the negative consequences of our industrialization and construction of ridiculous amount of technology are very apparent, we must not forget that we are lucky to live in this era of choice and opportunity, and that there is the possibility to do all of this on a much cleaner/greener platform.

My provocation question is: What do you think about Kelly’s eventual reflection on religion? He almost gives the possibility that these scientific laws we’ve discovered, which drive evolution and technology, are made by a God. Or that this increasing complexity is God organizing and building himself. Or that we must be modeled after a great creator because we have created this child which is technology. This book was a mind trip but I loved it and I’m looking forward to hearing all of your insights in the next class discussion.

Book Traces alternate assignment

Today I visited the Bobst library in search of literature that was published before 1923. Ideally, I went in looking for a book during the Romantic age which peaked between 1800 and 1850. Although the scavenger hunt started out slow because I mainly looked through English literature, I began to broaden my search. Finding a book written in the English language that was published before 1923 proved to be a challenge. I then remembered that the Romantic era encompassed a myriad of European countries that underwent the same literary trends. I eventually landed on this one series of books.

 

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This book was one of many in a collection. It was called Revue Des Langues Romances. It was book 1-2 and was located in the Italian Romantic Literature section. My initial approach to finding these old books was to look through all the bindings. Each binding had a library code as well as the year it was published/written. This proved to be an arduous and inefficient approach to my problem. Eventually I decided to use a simpler method: look for the books with the most wear and tear.

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As you can see, just from the outside of the book there are clear signs of age and damage. As I opened up the book, I found out that it was published in 1870. Strangely, there was no year for publication printed directly from the book. Instead someone wrote it in. I also found a few indecipherable notes after the cover page. Perhaps they were just further clarifications of the book’s identity. It is unclear exactly what the person wrote down but those were the only real signs of annotation. All the other parts of the book were clean.

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The first thing I wanted to find out was what kind of literature I was dealing with. While I cannot read Italian, I can make assumptions based on how the book was organized. The pages with standard paragraph formatting and separation could be indicative of many different forms of writing. However, as I began to explore the pages, I found what appears to be poem-like structures in the text.

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With the poems being separated by blocks of text, this leads me to believe that this series is a collection of poems with commentary. It would have been great to see more annotations, but sadly there none within the main body of the book. Perhaps this is done to preserve the book as it is the oldest one I found during my search.