LEX

GAF 2023 Student Leadership Team  Artists Events Installation Views
A black and white still image from a video, of a figure moving around fluidly in front of a building.
the altar of resources, 2022, LEX (BA ’24)

ARTIST STATEMENT

the altar of resources—a poem and video—analyzes the interpretation of racialized and gendered bodies in visual culture by critiquing the body as a marker of identity. This work explores possibilities of escaping narrative frameworks where historical stereotypes are inscribed upon Black female bodies. By evoking traditions of Black female and queer entertainers, the altar of resources simultaneously reproduces and resists objectification by highlighting themes of fetishization, surveillance, self-sexualization, and history production.

I am not
an identity artist
just because I am
a Black artist with multiple selves.
I am grappling with
safety and futurity.
We look.
We capture.
We watch.
We worship
Our altar of resources,
Who happen to be rich and white.

And, who are we?
We are culture.

We violate.
We condemn.
We remember.

We alter,

According to 

memory’s needs.

Who,
What,
When,
Where,
But never why,
Or even how…

Why do we need safety?

Why should we secure futurity?

Why do we worship this altar of resources?

How do I find safety?
How do I secure futurity?
How do I protest
Your altar of resources?Besieged with
the legacy of
Performing the Other,
Where will I find refuge?My body is
Judge,
Jury, and
Prosecutor
Of my realness.Three strikes.
Woman.
Black.
Queer.

Three strikes
And I’m out.

Exposed.
Exploited.
Consumed.

I am not asking
Who I am.

I am transcending.
I am becoming.
I am longing.

I am escaping
To the land of NOPE,
In the in-betweens
Of a glitched landscape.

Expose me.
Exploit me.
Consume me.

Love me.
Absorb me.
Worship me.In the fantasy
Of an individual.I think…
I think of…
I think of this..
I think of this in order to…Remember.

To remember
Is an ethical act.
To make peace
Is to forget.

But, I must forget.
To transcend.
To become.
To belong.

To confront reality.

I must forget
In my remembering.

The status of reality
Remains contested
In performance.

Who are we?
Who are you?
Who am I?

I am
an identity artist
because I am
a Black artist
with multiple selves.

BIO

LEX

LEX (she/they) currently attends NYU Gallatin, examining the relationship between Black performative acts of identity and ideological beliefs about Black womanhood. They investigate the historical consciousness of gender and race in the United States through the intersections of Black cultural studies, performance studies, queer theory, environmental studies, and contemporary art. In their artistic practice, they use a variety of media to explore the meanings of authenticity, femininity, self, and Blackness.