The NYUAD Art Gallery’s new multimedia installation, Amar Kanwar’s The Sovereign Forest opens 22 January 2020, the last day of the Winter Institute in Digital Humanities. The gallery opening takes place at 6pm.
The Sovereign Forest at The NYUAD Art Gallery is an ongoing multimedia installation that is a creative response to crime, politics, human rights, and ecological crisis. It evolved out of the political and environmental conflict in the resource-rich, and largely tribal Indian state of Odisha. Kanwar has been observing and documenting the industrial interventions that have irrevocably altered Odisha’s landscape for more than a decade. The Sovereign Forest is a long-term commitment of the artist with media activist Sudhir Pattnaik, and designer and filmmaker Sherna Dastur.
The Sovereign Forest is inspired by a search for the possible answers to the following questions: How to understand crime and the conflict around us? Who defines evidence? Can “poetry” be used as “evidence” in a trial? How do we see, know, understand, and remember disappearances? How to look again?
Multiple works make up The Sovereign Forest, which has appeared in different iterations. At its core are two films: The Scene of the Crime (2011), a film that documents landscapes selected for industrial development prior to their obliteration, and A Love Story (2010), about the experience of that loss. The installation will include three large handmade books, The Counting Sisters and Other Stories (2011), The Prediction (1991–2012), and The Constitution (2012) with their own films projected on its pages. Containing local fables, stories of the incarcerated, and pieces of “evidence” such as a fishing net, a cloth garment, rice seeds, a betel leaf, and newspaper embedded inside the paper, visitors are encouraged to turn the pages and read these stories. In an adjacent gallery, an edition of The Listening Bench (2013) will also be presented, where visitors can hear an audio track from the project. In many ways, The Sovereign Forest expands upon a theme that has become central to The NYUAD Art Gallery’s program offering: that of landscape as a frame for reflection and examination of where we are, both culturally and physically.
See the Art Gallery’s page for more information.
