This excerpt of the reading mainly introduces the three characteristics of the sound: variety, complexity, and balance. The author mainly focuses on complexity. “In the listen-
ing-in-search mode, the ear is alert to every possible subtlety of information in the environment, and in the listening-in-readiness mode, the auditory system scans all incoming sounds to obtain a match to one that is familiar and recognizable.” This tells me that listeners themselves have their mode to process the sound they heard and then acquire the information that you want to deliver or other things they interpret it to be. “The complexities involved in ascribing meaning to such sound sequences suggests that environmental sound can function as a ’language‘ within a soundscape.” However, the language is what uses a fixed encoding method to let the audience get the exact meaning that the speaker would like to deliver, while soundscapes are what depended on the listeners’ own encoder, for example, how they translate the certain “sound symbol”. In my opinion, besides some basic, or to say, common symbols, such as the sound of rain, some “sound symbols” can lead to misunderstanding. There is no absolute evidence to ensure that all the listeners can acquire the same thing as what the producer is trying to deliver. However, I do think this is also where the charm of the soundscapes lie.