Tag: matthew chapman

by S. Brent Plate

Before you’ve even heard of this film, Bill Donohue has, once again, given it a ratings boost by rebuffing it on the Catholic League website. In between press releases on “Bishop Blasted over Gay Marriage” and “New York Times is Gay Crazy,” is a little piece blasting Matthew Chapman’s film The Ledge:

People of faith, especially Catholics, are used to being trashed by Hollywood, but they are not accustomed to films that promote atheism. Yes, there was “The Golden Compass,” an atheism-for-kids effort which the Catholic League successfully boycotted (in fairness, it was the book upon which the movie was based that triggered our response, not the screen adaptation). “The Ledge” is different in that its backers are selling themselves as the real pioneers: they expect it to be a ground-breaker.

The allegorical Golden Compass (2007) was derided by the Catholic League and many evangelicals who claimed it to be a pro-atheist stealth campaign. This was just two years after the allegorical Chronicles of Narnia, which upset some secular-minded people for being too heavy-handed in the Christian sub themes. Before that was Gibson’s Passion, then Scorsese’s Last Temptation, and the see-sawing controversy continues. I doubt The Ledge will make as big a splash, not because it doesn’t raise important issues, but because it lacks the big budget funding that really stirs controversy. Continue Reading →

by S. Brent Plate

Before you’ve even heard of this film, Bill Donohue has, once again, given it a ratings boost by rebuffing it on the Catholic League website. In between press releases on “Bishop Blasted over Gay Marriage” and “New York Times is Gay Crazy,” is a little piece blasting Matthew Chapman’s film The Ledge:

People of faith, especially Catholics, are used to being trashed by Hollywood, but they are not accustomed to films that promote atheism. Yes, there was “The Golden Compass,” an atheism-for-kids effort which the Catholic League successfully boycotted (in fairness, it was the book upon which the movie was based that triggered our response, not the screen adaptation). “The Ledge” is different in that its backers are selling themselves as the real pioneers: they expect it to be a ground-breaker.

The allegorical Golden Compass (2007) was derided by the Catholic League and many evangelicals who claimed it to be a pro-atheist stealth campaign. This was just two years after the allegorical Chronicles of Narnia, which upset some secular-minded people for being too heavy-handed in the Christian sub themes. Before that was Gibson’s Passion, then Scorsese’s Last Temptation, and the see-sawing controversy continues. I doubt The Ledge will make as big a splash, not because it doesn’t raise important issues, but because it lacks the big budget funding that really stirs controversy. Continue Reading →