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NYU SCHOOL OF PROFESSIONAL STUDIES CENTER FOR PUBLISHING, WRITING, AND MEDIA CONTINUING EDUCATION PROGRAMS (pwmce)

Continuing Education Programs in Publishing, Writing, and Media

News

Rediscovering Art Deco with Anthony W. Robins: A Century of Style in NYC

April 24, 2025 by Elena Xiang

In celebration of World Art Deco Day on April 28th, we’re spotlighting one of New York City’s most passionate advocates for its iconic skyline—Anthony W. Robins, who is going to teach 100 Years of Art Deco New York: How It Happened, And How It Was Reclaimed this summer at the NYU SPS Academy of Lifelong Learning.

Anthony W. Robins is an award-winning writer, historian, lecturer, and guide. He’s led visitors through New York City and lectured for museums, universities, and private groups around the world along with a 20-year career at the New York Landmarks Commission, where he served as Deputy Director of Research and Director of Survey. He is the author of  New York Art Deco: A Guide to Gotham’s Jazz Age Architecture (SUNY Press, 2017) which won a New York City Book Award from the New York Society Library, among other guidebooks. Robins has taught at Williams College, Pratt Institute, and Columbia University, and has been published in The New York Times, New York Magazine, Gourmet, Connoisseur, Architectural Record, and Progressive Architecture.  Most recently, he was interviewed by NY1 and starred in the Daily Mail’s “Obsession to Detail” series in this video highlighting NYC’s iconic buildings.  

Anthony Robins
Anthony Robins

Q: Can you tell us about your background? How did you get involved in this field? 

A: Well, I was an art history major a long time ago, and I went off to graduate school, and my field of study was Italian Renaissance painting. But I got interested in architecture. I was in graduate school at the Courtauld Institute, which focuses on European architecture and art.

But I thought, while in London, let me try a course in architecture. One day, I was in a double-decker bus on the upper level, and that’s relevant because you see different things when you’re in the upper level.

I was going home on a pretty undistinguished street, the Uxbridge Road in West London, and I looked out the window and I started to notice the buildings and all of the details on them like the windows had little columns on them and a pretty little triangle at the top, which I learned later was called a pediment. And I never noticed these things. And it was as though a third eye had opened in my forehead and saw buildings, and saw architecture, and it changed the way I experienced everything, my surroundings.

I came home for winter break, and I went charging around New York. I distinctly remember standing before Carnegie Hall and thinking, so that’s what it looks like. 

Q: What can students expect from your class?

A:  In the course, we’re going to address the origins and characteristics of Art Deco, along with its history, the architects, and its revival. 

It’s about this remarkable style that transformed the city. When it was new, it was the latest and the greatest, and now the major monuments are all 90 years old. They’re historic landmarks. But it’s still magnificent. 

If you’re on a plane coming back from anywhere to New York and you see the Chrysler Building or the Empire State Building, you know you’re home. That’s what these buildings still do for us.

 

Q: How can this class help students at different stages of their lives? 

A: I hope people will come away from it, specifically knowing more about Art Deco than they did when they started, but also with their third eye wide open when walking around the city. The city should look different to you by the time you finish the course, because you’ll see things you didn’t see before. 

We’re all New Yorkers, we’re all too busy to look. We wander, we’re constantly moving around with our faces buried in our phones when we’re on the sidewalk.

My job as a tour guide and teacher, among other things, is to take people by the chin and push their heads up, and say get them to look around! If you look just at the street level, all you see are storefronts, and storefronts are always changing to meet contemporary styles. At street level, the city looks pretty much the same, wherever you are. Once you look up, you’re seeing buildings that have been there for 20 years, 50 years, 100 years, 200 years—from a different and new perspective.

I think this discovery is the same no matter what age you are. My hope is that anyone who takes the class, whether they’re 20 or 80, or anywhere in between, leaves with a keener sense of what it means to look at the city. 

What inspired you to create this course? 

A:  Art Deco today is everybody’s favorite architectural style. It’s the only architectural style that regularly shows up in the New York Times crossword puzzle. I think I’ve seen Bauhaus once. I’ve never seen Renaissance or Baroque, but Art Deco shows up all the time.  And this is a particularly interesting year to be doing the class because this is the 100th anniversary this year,  

It started in skyscrapers, but it evolved to every other building type, from apartments, restaurants, diners, automats, bus terminals, airline terminals, department stores, houses of worship, and even row houses.  

Fifty years ago, Art Deco was looked down on, and now we see its influence everywhere and I think that’s worth exploring!

Q: What kind of classroom environment do you try to create for yourself and your students? 

A: The format is four illustrated lectures – one of which includes audio clips from interviews with architects active during the period, people I was lucky enough to meet 45 years ago – followed by a walking tour so we can experience some of the major monuments in person. I will also include suggested readings and some online resources.

Q: What do you think makes NYU special? 

A: I’ve been teaching here for 30 years. I’ve seen NYU through many transitions. This school is a very specific place. It has non-credit courses, which is what I teach, for people who are out of college and are looking to expand their horizons. But it also has courses for students looking to get into professions and has instructors who work in those industries. The diverse teaching staff is the most interesting.

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Filed Under: Featured Content, News, PALA/CE Faculty News

85-year Harvard study on happiness found the No. 1 retirement challenge

March 13, 2023 by Mormei Zanke

happy retirement

At NYU SPS PALA/CE, we are on the lookout for new studies and commentary that can help us better understand the society we live in and our place in it. From CNBC Make It, authors Robert Waldinger and Marc Schulz take a look at an 85-year Harvard study and what it can tell us about happiness in retirement. 

Read on below for a re-post of the article: “An 85-year Harvard study on happiness found the No. 1 retirement challenge that ‘no one talks about‘”

The following is a re-post from CNBC Make It, written by Robert Waldinger and Marc Schulz. 

In 1938, Harvard researchers embarked on a study that continues to this day to find out: What makes us happy in life?

The researchers gathered health records from 724 people from all over the world, asking detailed questions about their lives at two-year intervals.

As participants entered mid- and late-life, the Harvard Study often asked about retirement. Based on their responses, the No. 1 challenge people faced in retirement was not being able to replace the social connections that had sustained them for so long at work.

Retirees don’t miss working, they miss the people

When it comes to retirement, we often stress about things like financial concerns, health problems and caregiving.

But people who fare the best in retirement find ways to cultivate connections. And yet, almost no one talks about the importance of developing new sources of meaning and purpose.

One participant, when asked what he missed about being a doctor for nearly 50 years, answered: “Absolutely nothing about the work itself. I miss the people and the friendships.”

Leo DeMarco, another participant, had a similar feeling: After he retired as a high school teacher, he found it hard to stay in touch with his colleagues.

“I get spiritual sustenance from talking shop. It’s wonderful to help someone acquire skills,” he said. “Teaching young people was what started my whole process of exploring.”

Taking on hobbies might not be enough

For many of us, work is where we feel that we matter most — to our workmates, customers, communities, and even to our families — because we are providing for them.

Henry Keane was abruptly forced into retirement by changes at his factory. Suddenly he had an abundance of time and energy.

He started volunteering at the American Legion and Veterans of Foreign Wars. He put time into his hobbies — refinishing furniture and cross-country skiing. But something was still missing.

“I need to work!” Keane told the researchers at age 65. “Nothing too substantial, but I’m learning that I just love being around people.”

To retire happy, invest in your relationships now

Keane’s realization teaches us an important lesson not only about retirement, but about work itself: We are often shrouded in financial concerns and the pressure of deadlines, so we don’t notice how significant our work relationships are until they’re gone.

To create more meaningful connections, ask yourself:

  • Who are the people I most enjoy working with, and what makes them valuable to me? Am I appreciating them?
  • What kinds of connections am I missing that I want more of? How can I make them happen?
  • Is there someone I’d like to know better? How can I reach out to them?
  • If I’m having conflict with a coworker, what can I do to alleviate it?
  • Who is different from me in some way (thinks differently, comes from a different background, has a different expertise)? What can I learn from them?

At the end of the day, notice how your experiences might affect your sense of meaning and purpose. It could be that this influence is, on balance, a good one. But if not, are there any small changes you can make?

“When I look back,” Ellen Freund, a former university administrator, told the study in 2006, “I wish I paid more attention to the people and less to the problems. I loved my job. But I think I was a difficult and impatient boss. I guess, now that you mention it, I wish I got to know everyone a little better.”

Every workday is an important part of our personal experience, and the more we enrich it with relationships, the more we benefit. Work, too, is life.

Read the original article on CNBC Make it by Robert Waldinger and Marc Schulz. 

Visit the Academy of Lifelong Learning website to explore all upcoming course offerings in the humanities and global affairs as well as participate in events and clubs. This course may be of particular interest:

“Unretirement” Conversations and Toolkit: A Master Class with Richard Eisenberg

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Filed Under: External News, News Tagged With: aging, cnbc, harvardstudy, retirement

How to Start Drawing: Tips from Meera Thompson

July 20, 2022 by Mormei Zanke

Meera Thompson InterviewSummer offers longer days, warmer weather, and a chance to dedicate more time to a craft that’s calling your name. Have you thought about painting or drawing but are unsure of where to start? We talked to NYU SPS instructor and artist, Meera Thompson, who is currently teaching The Art of Drawing: From Da Vinci to Degas, about her art practice and suggestions she has for beginner artists.

1. Start Simple

You may be tempted to tackle a large-scale drawing or render a subject in extreme detail, but it’s important to start simple. This is particularly true if you are trying en plein air (painting outdoors). Have a minimal setup and loose parameters.

“[Have] a small little sketchbook, some pencils, maybe colored pencils, or some pens,” Thompson advises. If you’re based in New York City, she suggests going to MOMA or the MET to draw or using the city’s landscapes for inspiration.

“Draw in the park,” Thompson says. “I have in the past, drawn on buses, drawn in the subway, drawn in restaurants…” But Thompson also says that you don’t necessarily need a specific environment to start drawing.

“I don’t think you need a particular locale or even a particular subject in order to paint,” she says. Thompson references artists like Albrecht Düre or Cezanne who found subjects at their fingertips. Düre, famously sketched his pillow in various positions. Cezanne, filled his sketchbook with drawings of his thumb or the backs of chairs.

Look for images and vignettes that inspire you, your artwork doesn’t necessarily need to be grandiose.

2. Stay in the Moment

Painting can be a mindful practice, and sometimes the medium demands undivided attention. This can have a calming effect, in which everything but you and your subject fades from view.

“[Think] of watercolor and en plein air painting as a way of being in the moment, of recording, not necessarily rendering,” Thompson says. There is something to be said of capturing something the way you see it, as opposed to the detail of a photograph.

“The [watercolour] paint is very liquid, meaning it moves very fast,” Thompson continues. “Because it is transparent, in other words, anything that’s underneath continues to show… you have to be decisive in watercolor.” The more in the moment you are, the more aware you will be of what is happening to the medium in front of you.

3. Remember It’s About You

Cherish your artistic intuition. You are the only one who can render a subject in your eyes.

“I’ve always said subject matter, whether it’s the ocean or the river or three flowers, is merely a threshold over which you pass. Every drawing, every painting is really about you,” Thompson explains.

One exercise that Thompson sometimes gives her students is to draw the same subject with three different intentions. Take a vase of flowers, for example, and see what happens when you draw it with three different emotions in mind. This could be anything—joy, anxiety, or tragedy. What do you hope the viewer will feel? Can you express that through the flowers?

4. Keep it Joyful

At the end of the day, art is about joy. If painting isn’t bringing you joy, step away. You will likely do your best work when you’re having fun.

“Anything that takes that joy away should be avoided,” Thompson says. “So that means boredom. That means fatigue. That means, criticism, judgment, expectation.”

Thompson has been painting for many years, and she has begun to see the act of drawing as a way of comprehending other artistic forms of expression.

“Drawing is the language in which artists think, whether they’re making figurative work or non-objective work, whether they’re sculptors or photographers or filmmakers,” Thompson concludes. To understand how to draw, is to some extent, to begin to understand all art. Drawing gives you a framework to comprehend the world of art in front of you.

Click here to see all NYU SPS CALA’s art course offerings.

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Filed Under: Featured Content, News, PALA/CE Faculty News Tagged With: #art, #nyuspspalace, #spspalace, drawing, drawingtips, enpleinair, meerathompson, painting, sketchbook, watercolor

Introducing Preserving New York: Interview with Preservationist Kelly Carroll

July 14, 2022 by Mormei Zanke

Kelly Carroll Interview

New York City is home to some of the most iconic landmarks: Grand Central, the Chrysler Building, the Empire State, and the Statue of Liberty— to name a few. What you might not know is the city has the strongest landmark ordinance in the United States. In 1965, the New York City Landmarks Law was passed, which protects historic landmarks and neighborhoods from being altered or destroyed.

“A lot of people, when they come to New York, they come to see the buildings and a lot of the buildings that they come to see whether they know it or not, are designated New York City landmarks,” says Kelly Carroll, preservationist and community outreach specialist, with a decade of experience in the non-profit sector in New York City. Carroll teaches the NYU SPS CALA course, Behind The Scenes In New York: Preserving A City Of Historic Neighborhoods.

The Landmarks Law of 1965 is the basis of the course. Students are asked to identify a historic building or site and make the case for why it should be given landmark status. Carroll began teaching this class in 2020 and has taught it four times since. She will be teaching it again in Fall 2022.

“Every semester I have students that find a building or a spot in the five boroughs that I have never seen or heard of in my life,” Carroll says. She recalls some of the more obscure student work: an abandoned graveyard, the site of an ancient pear tree, and a WPA Depression-era washroom.

Carroll challenges her students to dig deep into the history and advocate for sites they care about. “What makes them significant? Who makes them significant? Who cares about them? Should we care about them?” Carroll asks.

We will be sharing four students’ final papers from the Spring 2022 course. Check back here on our blog to read more from our Preserving New York series. The following sites will be discussed:

Macy’s, Herald Square (Don Cantillo)
Olde Towne of Flushing Burial Ground Conservancy (Janet Caraisco)
The William Sloane YMCA (Kristy Pavlick)
Nom Wah Tea Parlor (Kate Ringo)

“Neighborhoods and buildings are dynamic things, and places [are] constantly changing,” says Carroll. New York City is always evolving and growing, making it all the more important to protect this city’s landmarks. Carroll’s course stresses the importance of maintaining the historic fabric that makes a city unique, while also giving students tangible tools to campaign for landmark designations.

Behind The Scenes In New York: Preserving A City Of Historic Neighborhoods is a continuing education course that any member of the public can register for and is also one of the required courses in the Certificate in Historic Preservation. The course will be running again in the fall, click here to register.

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Filed Under: News, PALA/CE Faculty News, PALACE Student/Alumni News Tagged With: #HistoricPreservation, #NewYork, #preservation, conservation, nyclandmarks, studentwork

CALA Afrofuturism Course Complements Carnegie Hall’s Citywide Festival

November 11, 2021 by Monet Takeda

Explore the aesthetic, historical, and cultural significance of Afrofuturism this spring with a CALA course and a citywide celebration of the genre. Afrofuturism is a cultural aesthetic that combines music, visual art, science fiction and technology, to observe alternate realities and a liberated future through the perspective of Black cultures. Though the genre has a long history, it has recently become an important part of mainstream American popular culture and intellectual debate through the 2018 premiere of the Marvel blockbuster Black Panther. 

Led by instructor Smaran Dayal, our CALA course will consider what sets Afrofuturistic works apart from other American science fiction as well as the roots of its popularity and power in the 21st century. The reading list includes many essential works of the genre, including Black Panther, Jordan Peele’s Get Out and Us, Spike Lee’s See You Yesterday, Misha Green’s Lovecraft Country TV series, and short stories by literary giants Octavia Butler and Samuel Delany. 

The course is a timely complement to Carnegie Hall’s 2022 citywide festival on Afrofuturism created by the Weill Music Institute. Starting in February, Carnegie Hall and other leading cultural institutions across the city will present multidisciplinary programming including jazz, funk, R&B, Afrobeat, and hip-hop performances, as well as film screenings, exhibitions, and talks. Pair this festival with our course for a complete, immersive celebration.

Classes will be held on Zoom from 1:00PM to 2:40PM on Mondays, March 28th to April 25th. Click here to enroll now!

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Filed Under: News, PALA/CE Events, PALA/CE Faculty News

CALA Launches New Certificate in Multimedia and Podcasting

September 15, 2021 by Monet Takeda

Everyone has a story, but not everyone has the skills to tell theirs. CALA’s new Certificate in Multimedia and Podcasting aims to provide an introduction to the necessary skills, both creative and technical, to expand students’ view of the many career paths available to them working as independent content creators, freelancers, or in-house experts.

As we become more globally connected, more people have the opportunity to tell stories through digital and social media. According to the U.S. Bureau of Labor, demand for people with expertise in media and communication is increasing, and employment occupations are projected to grow 14% from 2020 to 2030, faster than the average for all occupations. Job opportunities range from the creative aspects of storytelling, the technical aspects of post-production, to the more business-oriented aspects of the industry.

The certificate prepares students to produce, edit, and post compelling human stories using a range of visual and audio digital content that can be applied across professions. “Students will walk away with a good handle on the editorial process and how to properly get their ideas out and into the world,” says Jeanne Lucar, instructor for the Post-Production Overview course. “They’ll have a tangible product and will be able to take their projects to the next level as well as be able to work across different media.”

Students enrolled in the Certificate in Multimedia and Podcasting take five required courses before choosing an advanced workshop elective in their chosen track of either Multimedia or Podcasting. One course, Multimedia Storytelling, is “first, a course about good stories,” says Hany Hawasly, the instructor. “Students learn over 8 weeks what makes a good story, how to identify one, and how to develop it into a compelling multimedia presentation that speaks to a selected audience. It allows professional students from a range of professional backgrounds and creative aspirations to craft stories using a fusion of writing, photographs, voices, and moving images.” The Certificate in Multimedia and Podcasting is offered fully online and can be completed in as little as a year and a half.

Courses for the Certificate in Multimedia and Podcasting begin in Fall 2021 and are now open for registration. To learn more and sign up, click here.

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New Writing Workshop Series on Articles and Essays Coming This Fall

August 26, 2021 by Monet Takeda

The pandemic has been a time of reflection for many, taking stock of our own lives as well as our place in history. Here at CALA, we have seen robust enrollment in our courses on personal essays and op-eds over the past few semesters. This fall, popular CALA instructor Estelle Erasmus will lead The Writer’s Craft Workshop Series: Articles and Essays for those interested in developing reported articles and personal essays and pitching them for publication. “I am excited to work on a group and one-on-one basis with students on their writing, developing ideas, and teaching the editing tips and tricks I’ve accumulated after over 25 years working in publishing as both a magazine editor, journalist, essayist, teacher and writing coach,” says Erasmus.

These affordable workshops of one session each are designed to be accessible to both experienced and novice writers. “I’m excited to take another class with Estelle,” says Juli Fraga, a successful freelancer. “It gives structure and thinking time and a way to stay fresh and keep myself accountable in this industry.”

Erasmus will lead students through four workshop sessions, open for registration as individual courses. The first of these, Writing Your Life, will focus on the process of finding and developing ideas drawn from personal experience. The next two sessions, Writing a Strong Introduction to an Article or Essay and Writing a Strong Ending to an Article or Essay, will provide students with tips and methods to use in order to create more engaging pieces of writing. In the final session, Editing Articles and Essays to Submit for Publication, Erasmus will give students an editor’s view of the process of readying essays and articles for submission based on her years of industry experience. In each session, students will be invited to apply what they have learned and workshop ideas with their peers and the instructor.

Estelle Erasmus is an award-winning journalist and writing coach with a knack for helping her students place their work for publication. She writes the “All About the Pitch” column for Writer’s Digest Magazine, has written for The New York Times, The Washington Post, Salon, WIRED, The Independent, Parents, GH, Vox Family Circle Magazine, Your Teen for Parents, Vox and more, and has been editor-in-chief of five national consumer publications. Follow her on Twitter and Instagram.

Each workshop in the Writer’s Craft series will run from 7:00 – 9:30pm on Tuesdays in October via Zoom. Click here to enroll now!

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New Workshop Series Builds Skills for Job Seekers and Those Curious About Freelancing

April 26, 2021 by Zoya Hasan

Are you looking to change careers, find a new position, or explore the world of freelancing in the wake of COVID? CALA has developed a new workshop series, Repositioning Yourself in the Post-Pandemic Workforce, to help give you the boost you need to seek new opportunities and present yourself in the best light. 

The fallout from the COVID-19 pandemic has led many professionals to reconfigure their work lives and has led to substantial layoffs across industries. The professional lives of women have been particularly disrupted, with approximately 3 million women leaving the workforce since March 2020. On a recent episode of the podcast America Dissected: Coronavirus with Abdul El-Sayed, former U.S. Department of Labor official Jane Oates attributed this statistic to the following factors: the tendency of women to serve as primary caregivers of young children and senior citizens; the challenges faced by the hospitality industry during the pandemic; and the disproportionate effects of closures on women-owned businesses. 

Our workshops, while open to participants of any gender identity, were inspired by the hardships outlined in the many articles on this phenomenon over the course of the pandemic. The workshops are offered on a flexible hybrid model appropriate for those juggling work and personal responsibilities. To ensure accessibility, each workshop is offered at a 20% discount to participants who are not currently employed.    

As vaccines become widely available and the job market opens up, the time may be right to make your next professional move. Our affordable, week-long hybrid workshops will help you to chart your course in an informed and strategic way, guided by coaching and feedback from our expert faculty. Each week, you will gain key insights and competencies that will build your personal brand and your sense of professional direction. 

The series includes the following workshops:

Learning to Navigate the Freelance World:

Over one short week, this online course will help you to weigh the pros and cons of a freelancing career while offering a practical guide to finding work in the gig economy. Participants will hone their networking skills and define their freelancing goals through online exercises and an interactive Zoom session. We will discuss tips on résumé writing to pursue a freelance career. This course begins June 1.

Leveraging Your Social Networks for Professional Success:

Establishing and using well-placed social contacts within your field can make all the difference in discovering new professional paths, building your reputation, and finding a job. Participants in this week-long online workshop will learn to identify key contacts and develop social relationships that will support career advancement. This course begins June 7. 

Building Persuasive Writing Skills to Achieve Your Career Goals:

A convincing persuasive argument uses a combination of research and careful word choice to influence the reader. The ability to persuade is essential when composing a compelling cover letter, a résumé, or even an everyday professional email. Participants in this class will learn how to develop a strong opening statement to draw the reader’s attention, express thoughts strategically, and conclude with the all-important ask or action step. This course begins June 14. 

Developing Effective Presentation Skills for Professional Success:

Participants in this workshop will practice the preparation and delivery of different kinds of presentations, with an emphasis on learning to speak succinctly, clarify key messages, and keep conversations engaging. In addition, this class will cover key presentation techniques for job interviewing. Students will be encouraged to find their own speaking style so that they remain authentic as well as persuasive. This course begins June 21.

Contact eve.mayer@nyu.edu with any questions about the series or visit the series page to register.

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Women’s History Month Might Be Coming to an End, But the Fight for Equity Shouldn’t

March 31, 2021 by Zoya Hasan

Women's History Month

Happy Women’s History Month! Each year, the month of March is dedicated to celebrating the contributions of women both past and present, recognizing the struggles and challenges behind their victories, and strengthening the continued fight for equity. 

But what happens when March comes to an end? After all, one month hardly seems long enough to honor the social, cultural, and professional contributions of so many trailblazers. While there are a variety of ways to continue celebrating women all year round, learning about the legacies of revolutionary women is the one we know best here at CALA. 

This summer, we’re offering courses that aim to share the stories of women who’ve changed the world and provide an outlet for confronting the norms and stereotypes that shape our daily lives. Here are some of our favorites:

“WOMEN OF MYSTERY”: CHRISTIE, SAYERS, HIGHSMITH, AND FRENCH

Read novels by three women who are in the mystery writers’ hall of fame and a current author who has been praised as “one of the greatest crime novelists writing today” in this exciting course beginning July 8.

IT COULDN’T HAVE HAPPENED WITHOUT THEM: WOMEN WHO SHAPED THE COURSE OF MODERN ART

This course invites you to delve into the remarkable lives of exceptional women who have exerted an enormous influence on the course of modern art, from Katherine Dreier, artist and co-founder (with Man Ray and Marcel Duchamp) of Société Anonyme, to art historian and curator Marcia Tucker, founder of the New Museum of Contemporary Art, to Gertrude Stein, writer and patron of the arts.  

THE GOTHIC HEROINE

Classic gothic heroines like Catherine Earnshaw or Mina Harker are among the most widely recognized and frequently adapted literary characters of all time. Analyze these thrilling, infuriating, irresistible portrayals, and explore whether heroines from the past two centuries can show us — to paraphrase Jane Austen — how to be the heroes of our own lives.

THE ART OF PRESENTATION: PORTRAITS OF (FAMOUS) WOMEN

Creating the likeness of women has intrigued artists and fascinated art lovers for centuries. How to depict a woman? In this course, we will look at the wide range of possibilities, from the most famous portrait—Leonardo da Vinci’s Mona Lisa— to ultra-contemporary photography, including self-portraits, mythological portraits, portraits in disguise, heroic and state portraits, famous sitters, mistresses, queens, and notorious ladies. 

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CALA’s Estelle Erasmus is Adding a Modern Twist to Her Zoom Classes 

February 12, 2021 by Zoya Hasan

CALA writing instructor Estelle Erasmus recently wrote about her teaching process in WIRED — and it’s far from what you’d expect. 
 
In her article for the magazine, Erasmus talks about her journalism class for high school students — conducted virtually through the NYU SPS High School Academy — and what steps she takes to make sure Gen Z is paying her attention. Some of her strategies include, but are not limited: Kahoot, virtual field trips and scavenger hunts.
 
“I had to step up my game to keep Gen Z engaged and challenged,” Erasmus writes. “There are huge social benefits to gamification for learning for high school students.”
 
Interactivity and competition, Erasmus writes, are the best ways to encourage problem solving. She uses ‘scavenger hunts’ to have her students dig up sources for articles, competitive sites like Kahoot for quizzing on class content and may even take an educational trip to Youtube every now and then. Her lectures, too, have been cut short since gamification has proved fruitful. 
 
“Right away it was more interactive than five days of straight lecturing, and going through that process helps us to learn about the real industry of publishing,” said Carley Doktorski, Erasmus’ former student at the Academy, who’s now NYU-bound and planning to major in journalism. 

Read more about Erasmus’ gamification process here, and sign up for her Spring 2021 CALA course, “Writing Parenthood,” here.

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