My (Incomplete) Year in Books: 2023

I know I say this every year but I really didn’t read that much beyond what I needed to for work. Lots of true crime podcasts and cooking shows — that was about all I had bandwidth for. I also don’t think I kept as careful record of what I read this year as I usually do. And I did read poetry, but not a lot of it stuck. What I did read and make note of, though, was:

Because I don’t actually mind being disliked but sometimes it gets to me: The Courage to Be Disliked by Fumitake Koga and Ichiro Kishimi

This was as hard to get into on a reread as I remember it being the first time around: In Cold Blood by Truman Capote

So much better than I remembered, partly because of the new translation, partly because I wasn’t trying to read it in the space of a week for English 129 on top of all my other freshman-year-in-college coursework from that week: The Odyssey by Homer, translated by Emily Wilson

I wanted the narrator to be a little more critical/skeptical: Black Girl from Pyongyang by Monica Macías

As it turns out, Captain Nemo is a better materials scientist and science communicator than the Titanic guy: 20,000 Leagues Under the Sea by Jules Verne, audiobook read by James Frain

I *really* wanted to read this book from a methodological standpoint and still do, but am not currently in a frame of mind to power through all the airline safety issues (DNF for now): My Hijacking by Martha Hodes

Further DNF: Homer and Langley by E.L. Doctorow (was really put off by the self-indulgent teenaged rape-voyeur fantasy in the opening chapters) AND The Running Grave by Robert Galbraith (and since that’s two in a row, I think I’m officially off that series)

Read for Reasons(tm): Cribsheet by Emily Oster

I thought the last one was the last one, but this is really the last one: Riccardino by Andrea Camilleri, translated by Steven Sartarelli, audiobook read by Grover Gardner

I thought being one of four Sarahs inevitably in every room was bad, but: Doppleganger by Naomi Klein

Reread because first time through was on paper and the audiobook is narrated by Kenneth Brannagh: The Man with the Golden Gun by Ian Fleming

Reinforced my belief that poets are the best prose writers: Pulling the Chariot of the Sun by Sean McCrae

I’m sure I read more this year, but maybe not much more, and a lot of it was books ranging from popular biographies to academic monographs about Moses Maimonides for work-related reasons. But I think this is as complete as this year’s list is going to get. 

My Year in Books: 2022

Abridged: The Grand Inquisitor by Dostoyevsky

“I am in the wrong city/speaking the wrong language”: The Italian Professor’s Wife by Ann Pedone

This must have been what Amichai was talking about when he crafted the image of translators’ fleeing a conference where their desks had been set on fire: 19 Ways of Looking at Wang Wei (with more ways) by Eliot Weinberger, + all of Octavio Paz’s interventions within the book + Russel Maeth’s Para leer “Nineteen Ways…”.

Reading the kind of poetry I’d aspire to write one day: Leadbelly by Tyehimba Jess, Blackacre by Monica Youn, Darwin by Ruth Padel; Pictures from Breughel and Other Poems by William Carlos Williams

Learning the craft:  The Art of Daring, by Carl Phillips

The Seamus Heaney Syllabus: All of it. 

But then I also met Jack Spicer, posthumously: After Lorca, The Holy Grail, Golem.

The Sealey Challenge (not all completed in August): Frank O’Hara, Lunch Poems; John Ashbery, Houseboat Days; John Ashbery, Some Trees; Sylvia Plath, The Colossus and Other Poems; Amiri Baraka (LeRoi Jones), Preface to a Twenty-Volume Suicide Note; James Tate, The Lost Pilot; Jorie Graham, Hybrids of Plants and of Ghosts; Sharon Olds, Satan Says; James Schuyler, The Morning of the Poem; Kenneth Koch, Selected Poems; Tracy K. Smith, The Body’s Question ; Richard Siken, Crush; Ada Limón, Lucky Wreck; Shane McCrae, Mule; Eavan Boland, The Historians; Barbara Guest, The Location of Things; Alice Notely, Selected Poems; Chris Abani, Smoking the Bible; Ezequiel Zaidenwerg, Lyric Poetry is Dead; Achy Obejas, Bumerán/Boomerang; Rachel Kaufman, Many to Remember; Molly McCully Brown, The Virginia State Colony for Epileptics and Feebleminded; Eileen Myles, I Must Be Living Twice; Bernadette Mayer, A Bernadette Mayer Reader; Leonard Cohen, Let Us Compare Mythologies; Lisa Richter, Nautilus and Bone; Nathaniel Perry, The Long Rules; Ilya Kaminsky, Dancing in Odessa; Solmaz Sharif, Look; Diane Seuss, frank: sonnets; Jessica Greenbaum, Inventing Difficulty

Other Brooklyn Poets’ miscellany: Leaves of Grass by Walt Whitman 

Discomfitingly timely: Where the Jews Aren’t by Masha Gessen

Saw the ad for the TV series, wasn’t super interested in watching but did want to read the book it was based on: Tokyo Vice by Josh Adelstein

Kept falling asleep in the middle of chapter five: Silverview by John LeCarré

Surprisingly, as bad as the internet said it was, DNF: The Ink Black Heart by Robert Galbreith

Keep going back to him: A Nest of Vipers by Andrea Camilleri

I know I’ve said it before, but what I like about my current book project is the way it blurs the lines between what I read for pleasure and what I read for work: The Moor’s Last Sigh (for about the sixth time) by Salman Rushdie;  The Last Anglo-Jewish Gentleman by Todd Endelmann.

Philologists behaving badly: The Latinist by Mark Prins, Babel by Rebecca Kuang

My Year in Books: 2021

The idiosyncratically categorized record of my 2021 book reading:

Carried over from last year: Dante’s Inferno

Reading comprehension was never going to be the issue in Project #SarahLearnsItalian, but I’m really proud of myself for this all the same: Se questo è un uomo by Primo Levi

I’m starting to toy more seriously with the idea of doing an MFA, but decided to take some one-off classes before committing to a whole degree; this is what I read there: Just Us by Claudia Rankine; The Source of Self-Regard by Toni Morrison; In The Heart of Texas by Ginger McKnight-Chavers; Appropriate by Paisley Rekdal

And I’ve also been reading more poetry: Invasive Species by Marwa Helal; Hapax by A.E. Stallings; Accepting the Disaster by Joshua Mehigan; Playlist for the Apocalypse by Rita Dove

And especially prose poetry: Mean by Miriam Gurba; The Fire Eater by José Hernández Díaz

…and specifically some models of academics also writing poetry: The Day of Shelley’s Death by Renato Rosaldo; A Tithe of Salt by Ray Ball

I’m not the audience for this: Guide of the Perplexed by Dara Horn

I’m not the audience for this and was pleasantly surprised by how much I liked it and how well I thought it worked: The Unquiet Dead by Ausma Zehanat Khan

And so I continued reading the series: The Language of SecretsAmong the Ruins (I’m listening to the audiobooks and I wasn’t crazy about how the narrator handled all the accents in this one), and A Dangerous Crossing.

Skip it if you listen to the podcast: RedHanded by Suruthi Bala and Hannah Maguire, audiobook read by the authors

People take both Goodreads and Twitter way too seriously: Leaving isn’t the Hardest Thing by Lauren Hough

I needed a break from George Smiley: The Russia House by John LeCarré

And then I went back to George Smiley: The Honourable Schoolboy, Smiley’s People

This wasn’t a book I thought I’d go back and reread, but I did after watching The Unlikely Murderer on Netflix: The Man Who Played With Fire by Jan Stocklassa

Now I want to read everything that the author has written, so I’ll get started on that in the new year: The Netanyahus by Joshua Cohen

Best of the year: The Netanyahus, and Mean

My Year in Books: 2020

This year’s book roundup, with 2020 being the first year in recent memory that I’ve come even vaguely close to doing as much non-work as I would like because the combination of tenure, quarantine, and audiobooks makes for getting through rather a lot of fiction and other miscellaneous reading. I’ve still got more on my to-read list than I’ll get through in a lifetime, though. Next year, more essay collections. I’m excited about the ones I have queued up.

Without further ado, a very idiosyncratic list of the books I read outside my own research reading:

***

Least sympathy for a problem the protagonist created for himself and then exacerbated through his solipsistic outlook and life and very ineffective explanations to everyone in spite of situations being totally innocuous : Salvo Montalbano and all the women in his life he freaked out and otherwise upset by cluelessly toting around some suspicious blow-up sex-doll evidence from a crime scene in The Treasure Hunt by Andrea Camilleri, (all Montalbano audiobooks read by Grover Gardner)

Why, yes, I have read Life is a Dream by Pedro Calderón de la Barca: The Game of Mirrors, by Andrea Camilleri

Best typesetting issue: The standard Olivetti in the office when the guys needed a typewriter that could type in Arabic letters, The Snack Thief by Andrea Camilleri

Lawrence of Sicilia: Ngilino “il sheikh” Sinagra in The Excursion to Tindari by Andrea Camilleri

The moment at which I was cautiously (if ultimately incorrectly) hopeful that this wouldn’t be a faux-benevolent Orientalist novel: “Montalbano was certain that the doctor was repeating word for word what he had asked him to say. Though he didn’t know any Arabic, he had the impression he understood a few words. As he was listening he remembered that once upon a time all the fishermen in the Mediterranean spoke a common language, known as ‘Sabir.’ It was anyone’s guess how it had come into being, and it was anyone’s guess how it had died. Nowadays it would have been extremely useful to everyone.” The Other End of the Line by Andrea Camilleri

Lost track of who all was shooting at whom, and honestly didn’t care: The Terra Cotta Dog, by Andrea Camilleri

Because it was time to try something different by Camilleri: The Sacco Gang, audiobook also read by Grover Gardner

The series really declined in the end: The Safety Net by Andrea Camilleri

Kinda can’t quit it, though: The Sicilian Method by Andrea Camilleri

But my God, is Montalbano a jerk to women: The Paper Moon, by Andrea Camilleri, audiobook read by Grover Gardner

Read more detective fiction by women: The Dance of the Seagull by Andrea Camilleri*

Pre-pandemic women-in-translation book club: Space Invaders by Nona Fernández, translated by Natasha Wimmer (and I played nice was wasn’t the person who showed up to the lit-in-translation book club having read it in the original)

No, seriously, read more detective fiction by women: The Mysterious Affair at Styles by Agatha Christie, read by Phoebe Judge

With that said, I do tend to read monographically: A Small Town in Germany, Agent Running in the Field, Tinker, Tailor, Solider, Spy, A Murder of Quality, all by John Le Carré.

Pretty sure I’m rooting for the wrong side: Call for the Dead by John Le Carré

Honest-to-God jaw drop at the end: The Looking Glass War by John Le Carré

Kept losing track of all the different intelligence agents: The Honourable Schoolboy by John Le Carré

Kenneth Branaugh’s American woman accent is awful: Death on the Nile by Agatha Christie, audiobook read disappointingly 

I have been reading the series since the beginning and despite the kerfuffle over the latest entry, I chose to read it *before* deciding that I didn’t like it despite my previous comment about the value of reading more detective fiction by women: Troubled Blood by Robert Galbraith, audiobook read by Robert Glenister

Should have read in Italian but didn’t: Chronicles of a Liquid Society, by Umberto Eco

Am reading in Italian: Inferno, by Dante Alighieri (to be finished next year; am taking a class for intermediate-to-advanced language learners)

This is not how the academy works. Not at all: Camino Island by John Grisham

Honestly, this is a better representation of university life, and it’s a *fantasy* novel: The Ninth House by Leigh Bardugo

Not really that much less prudent than anybody else: The Imprudent King by Geoffrey Parker

The other books I read to prepare to take students to the aforementioned king’s palace at El Escorial because I am Not An Art Historian(tm): El Escorial by Henry Kamen and De El Bosco a Tiziano: Arte y maravilla en El Escorial by Fernando Checa

My own Madrid travel and thwarted travel reading: El anarquista que se llamaba como yo by Pablo Martín Sánchez (to be finished in the coming year — it’s a brick); Pagan Spain by Richard Wright

Further proof that I’m more of a non-fiction girl: The Man Who Played With Fire: Stieg Larsson’s Lost Files and the Hunt for an Assassin by Jan Stocklassa, translated by Tara Chase

Surprise neo-Nazis: See above.

Non-surprise neo-Nazis: Culture Warlords by Talia Lavin

Non-surprise, classic Nazis: Citizen 865 by Debbie Cenziper

Crossover/trade books read with an eye toward writing my own, a list that doesn’t include any of the books I was planning for it to at the start of the year: Jean Genet by Stephen Barber, Petrarch by Christopher S. Celenza, Maimonides by Sherwin Nuland

Haven’t read it since about the third grade and wanted to refresh my memory before watching the movie: Robinson Crusoe by Daniel Defoe, audiobook read by Simon Vance

Palate cleanser after reading and watching Robinson Crusoe: Foe by J.M. Coetzee

Read in memoriam, just weeks after sending him his offprints from my edited volume: Ours: The Making and Unmaking of a Jesuit by Frank Peters  

Because, thank God 2020 is over already: Subtweet by Vivek Shraya; Diary of a Plague Year by Daniel Defoe; Too Much and Never Enough by Mary Trump

*Disclaimer because I know some dude is going to pop up and make sure that i know that Andrea, in Italian, is a man’s name. Yes, yes I do. And that’s rather the point.

My Year in Books: 2019

Welcome to my annual roundup of the books I’ve read for pleasure, categorized idiosyncratically! There’s not always a completely clear line between work and non-work reading; what I’ve chosen to include or exclude here from the latter category is also a part of the idiosyncrasy.

Best bastard/orphan/son of a whore and a Scotsman: Alexander Hamilton by Ron Chernow, audiobook read by Scott Brick.

Second-best bastard/orphan/son of a whore and a Scotsman (more or less): Lisbeth Salander in The Girl with the Dragon Tattoo by Stieg Larsson, audiobook read by Simon Vance.

One doesn’t like to speak ill of a book in which the now-deceased author’s detectivery plays a huge role in resolving a crime, but…: I’ll Be Gone in the Dark by Michelle Macnamara.

Most gratuitous mathematics and violence against women: Preface of The Girl Who Played with Fire by Stieg Larsson, audiobook read by Simon Vance.

Read more detective fiction by women: The Cuckoo’s Calling, The Silkworm, A Career of Evil, and Lethal White, all by Robert Galbraith, audibooks read by Robert Glennister.

… because otherwise, the misogyny rife in the genre makes me think I should start writing my own:  Day after Day by Carlo Lucarelli.

Bologna book: See above.

Not a Bologna book: Piero, by Edmond Baudoin.

The ‘good Italian’ is a myth: The Italian Executioners by Simon Levis Sullam.

Because a friend I loved dearly thought this was a great book for getting over heartbreak, and I needed it again this year: Ivanhoe by Sir Walter Scott.

This year’s hit-too-close-to-home read: Good on Paper by Rachel Cantor.

Venice book: Watermark by Paul Brodsky.

Venice books I’d like to read someday but didn’t read this year: Autumn in Venice by Andrea di Robilant; The Unfinished Palazzo by Judith Mackrell; The Stones of Venice by John Ruskin.

#SarahLearnsItalian: Corto Maltese: Favola di Venezia and Corto Maltese: In nome de Allah, both by Hugo Pratt; Il barrone rampante by Italo Calvino (still in progress; is unexpectedly slow going for a YA novel); very short selections from Miti, Emblemi, Spie by Carlo Ginzburg (which I was reading in English for a review essay I wrote this year, and then tried the Italian original for the sake of the language, although reading comprehension was really never going to be the issue for me).

The year in diglossia: A Death at Sea, The Voice of the Violin, and A Track in the Sand, all by Andrea Camilleri and all in translation, audiobooks read by Stephen Sartarelli.

The year in diglossia, manageable only in small pieces and only after listening to the English translation: La morte in mare aperto by Andrea Camilleri, purchased at the Palermo airport.

Weirdly academic reading choices before a completely non-academic trip to Sicily: Arabic Administration in Norman Sicily  by Jeremy Johns and Where Three Worlds Met by Sarah Davis Secord.

Normal-person reading choices before a completely normal-person trip to Sicily: The Leopard by Guiseppe di Lampedusa.

Opening that put me off continuing to read before traveling to Sicily: “You have to get yourself a window seat and arrive on a clear, sunny day. These occur even winter, because the city is always anxious to look good, whatever the season. As the aircraft begins its descent, you can see from the window and the red rocks of Terrasini, and the sea aquamarine and blue, with no way of telling where the blue ends and the aquamarine begins…The airport at Punta Raisi is built upon a narrow strip of land separating the sea from the mountain; indeed, before now, one plane has fetched up against the mountain (5 May 1972) and another in the sea (23 December 1978). That’s the city airport for you. That’s the city for you.” Palermo, by Robert Alajmo.

Unexpected read on translation writ small and large: Undocumeted by Dan-El Padilla Peralta.

Reading The Library Book last year made me want to read: Farenheit 451 by Ray Bradbury, and The Orchid Thief by Susan Orlean.

Ann Arbor books that I didn’t read because I left the first one in the series at my partner’s house to read at a later date, got dumped, couldn’t recover the book, and therefore also didn’t read the second one in the series (or, life interferes with reading): Very Bad Men and Bad Things Happen by Harry Dolan.

Books I Kon-Mari-ed before returning to New York from Ann Arbor:

Books I Kon-Mari-ed once I got home:

What I like about my current book project is the very blurry line between reading for work and reading for pleasure: An Egyptian Novel by Orly Castel-Bloom.

Best non-fiction about Egypt: The Caliph’s Lost Maps by Yoseph Rappoport and Emilie Smith-Savage.

Best fiction about Egypt: The City of Brass by S.A. Chakraborty, audiobook read by Soneela Nankani.

Fuck cancer: Dear Zealots by Amos Oz.

Israel book: Holy Lands by Amanda Sthers.

The Medieval Manuscript in the 21st Century: Algorithms of Oppression by Safiya Umoja Noble; Scraped, Stroked, and Bound, edited by J. Wilcox; and Printing the Middle Ages by Sian Echard; Feminist in a Software Lab by Tara McPherson.

My year in terrible books: The Invention of Race in the European Middle Ages by Geraldine Heng; The Myth of the Andalusian Paradise by Darío Fernández-Morera; Complaint by Avital Ronell; The Basic Eight by Daniel Handler; The Flight to Lucifer by Harold Bloom.

2019 summarized in one book: Complaint, above.

This year’s faves: City of Brass and The Caliph’s Lost Maps.

My Year in Books: 2018

Best passing material-book/scribal culture remark: “‘I can read the first few lines and these in the middle of the second page, and one or two at the end. Those are as clear as print,’ said he, ‘but the writing in between is very bad, and there are three places where I cannot read it at all.'” — “The Adventure of the Norwood Builder,” Sir Arthur Conan Doyle, The Complete Sherlock Holmes

Fictional shacks that are larger than my bedroom: Black Peter’s cabin in “The Adventure of Black Peter,” Sir Arthur Conan Doyle, The Complete Sherlock Holmes

Something I’d like to go back and tally: The number of bicycles in the second half of The Complete Sherlock Holmes

Don’t ever tell me my line of work is too obscure if a prize-winning, best-selling novel can just casually quote the Mozarab jarchas: Señales de humo by Rafael Reig

Of course a literary manual for cannibals is going to be a two-parter: La cadena trófica also by Rafael Reig

Madrid books: See above — they’ve got a super sense of place.

Italy  books: Venice: Pure City by Peter Ackroyd; Venice, an Interior by Javier Marías (which was originally a longish newspaper essay and was only ever published in chapbook form in English and Italian translations); Day after Day by Carlo Lucarelli, translated by Una Stransky, audiobook read by Daniel Philpott

Cambridge/Granchester book: Sidney Chambers and the Shadow of Death by James Runcie

Israel books: The Mandelbaum Gate by Muriel Sparks; Someone to Run With by David Grossman; Volverse Palestina by Lina Meruane

(Bonus shocker of the year: Nick Hornby was totally right about Muriel Sparks!)

More Cuba books, because I am still haunted: Caviar with Rum, eds. Jacqueline Loss and José Manuel Prieto; Cuba in the Special Period, ed. Ariana Hernández Reguant; Dreaming in Russian by Jacqueline Loss

Michigan books: All-American Yemeni Girls by Loukia Sarroub

Because moving to Ann Arbor marked the first time I had to wrangle my cat onto an airplane: Catwings by Ursula K. LeGuin

Thought I would be okay taking these books on a trip and leaving them behind but definitely wasn’t: The Cooking Gene by Michael Twitty; The Library Book by Susan Orlean

Was completely fine leaving this on the airplane when I finished it: Kitchens of the Great Midwest by J. Ryan Stradal

Have we met?: The Pedant in the Kitchen by Julian Barnes

Hit too close to home to finish: Iphigenia in Forest Hills by Janet Malcolm

Much too much to distill into one pithy comment: Barracoon by Zora Neale Hurston

Best babushka: Ali’s Russian mother in Ali and His Russian Mother by Alexandra Chetriteh, translated by Michelle Hartman

Ironically, didn’t tell me much I didn’t already know: The Death of Expertise by Tom Nichols

And perhaps less ironically, White Fragility by Robin DiAngelo, which seems to have been written for people who just haven’t been paying any attention at all

Ironically, written at a pace that made me more anxious: Notes on a Nervous Planet by Matt Haig

Because apparently being in a relationship means attempting to share in your partner’s interests, even when those interests are Melville: Billy Budd and Other Stories by Herman Melville

Because it’s hard to be patient when learning a language in which one has much better reading comprehension than ability to generate verbal forms: In Other Words by Jhumpa Lahiri

Because, 2018: Not All Dead White Men by Donna Zuckerberg; Infidel by Pornsak Pichenshote; Holocaust Tips for Kids by Shalom Auslander

***

2018 favorites: The Mandelbaum Gate, Billy Budd, Barracoon, The Library Book

***

I have a huge fantasy that I’ll read about six more books before the end of the year, but if it happens, those’ll have to go onto next year’s roundup because reading for pleasure shouldn’t have high-pressure deadlines. Happy reading, all!

My Year in Books: 2017 (Part 2)

Normally I don’t include my academic reading in my year-end roundup, but I wanted to keep track of what I accomplished on my sabbatical so I have a running list already prepared. I didn’t end up reading exactly what I expected. I thought that I would sit and read a lot of Arabic text since I had time to work without interruption. However, I found that just coming off of finishing the book that has had me tied to my desk chair since 2011-12, I didn’t just didn’t want to sit at my desk. It wasn’t that I didn’t want to work or to read, but I wanted to not be in a desk chair at a desk. I read out of doors and, since the weather was mostly disgusting in the summer and then, suddenly, freezing, with very little in between, on my couch in my living room. The little table-sitting that I did was devoted to working on a translation project that is ongoing. I didn’t have the wherewithal for another semester of all-day desk-sitting, so I translated in the morning and read, took notes, and wrote while sitting on the couch in the afternoons. Like translating, reading medieval Arabic text is a desk activity, and so it just didn’t happen that much; it was one or the other in terms of desk time and I wanted to make some progress on that project, which had stalled while I finished my book. Realistically, I was also just mentally exhausted from finishing the book and tenure, and reading text is a taxing activity; certainly far moreso than reading scholarship.  In a certain respect, keeping this list has gotten me to think about habits of reading and the physicality that governs them. I thought that the long stretch of time would be good for reading text, but it was actually better for reading scholarship precisely because of how I was prepared to sit or not sit after years of a very specific kind of sitting. I’m hoping that now that I’m back to teaching, where I’ll have blocks of time where I’m on my feet, blocks of time where I’m prepping classes (which I can do anywhere), and blocks of time in meetings — that is, I’ll have lots of different physical modes of being at work — that I’ll be able to put in an extra hour or two of desk time, both physically and mentally. (I’m also hoping this doesn’t sound completely bonkers.)

With that said, here’s the mostly-complete list of what I read this semester with an eye toward reading widely and starting to think about the intellectual setting and framework for my next book:

Altschul, Nadia and Kathleen Davis, ed. Medievalisms in the Postcolonial World: The Idea of “The Middle Ages” Outside Europe. Baltimore: The Johns Hopkins University Press, 2009.

Benor, Sarah Bunin. “Jewish English,” in A Handbook of Jewish Languages, ed. Lily Khan. Leiden: Brill, 2016. 130-7.

—. “Do American Jews Speak a ‘Jewish Language’?: A Model of Jewish Linguistic Distinctiveness,” Jewish Quarterly Review 99:2 (2009): 230-69.

Bishop, Chris. Medievalist Comics and the American Century. Jackson: The University Press of Mississippi, 2016.

Calderwood, Eric. “Franco’s Hajj: Moroccan Pilgrims, Spanish Fascism, and the Unexpected Journey of Modern Arabic Literature,” PMLA 135:5 (2017): 1097-1116.

Coope, Jessica. The Most Noble of People. Ann Arbor: University of Michigan, 2017.

Dangler, Jean. Edging Toward Iberia. Toronto: University of Toronto Press, 2017.

Derrida, Jacques. “Like the Sound of the Sea Deep Within a Shell: Paul de Man’s War,” Critical Inquiry 14:3 (1988): 590-652.

Dockray-Miller, Mary. Public Medievalism, Racism, and Suffrage in the American Women’s Colleges. New York: Palgrave Macmillan, 2017.

Efron, John M. German Jewry and the Allure of the Sephardic. Princeton: UP, 2016.

—. “Scientific Racism and the Mystique of Sephardic Racial Superiority,” The Leo Baeck Institute Year Book 38:1 (1993): 75-96.

Guichard, Pierre. Los reinos de taifas: Fragmentación política y esplendor cultural. Málaga: Editorial Sarriá, 2005.

Hernández Cruz, Victor. In the Shadow of al-Andalus. Minneapolis: Coffee House Books, 2011.

Herman, David. “Narrative Worldmaking in Graphic Life Writing,” in Graphic Subjects: Critical Essays on Autobiography and Graphic Novels, ed. Michael Chaney. Madison: University of Wisconsin Press, 2011. 231-43.

Hever, Hanan. Suddenly, the Sight of War. Stanford: UP, YEAR.

Horn, Dara. “The Future of Yiddish in English,” Jewish Quarterly Review 96 (2006): 471-80.

Judt, Tony. A Grand Illusion?: An Essay on Europe. New York: UP, 2011.

León, María Teresa. Doña Jimena Díaz de Vivar: Gran señora de todos los deberes. Madrid: Castalia, 2004 reprint.

—. La Historia tiene la palabra: Noticia sobre el salvamiento del Tesoro artístico de España. Madrid: Endymion, 2009.

Marx, Karl. “On the Jewish Question,” in The Early Writings. New York: Penguin.

Moretti, Franco. Distant Reading. New York: Verso Books, 2013.

Muñoz Molina, Antonio. Córdoba de los omeyas. Madrid: Seix Barral, 1991.

Nirenberg, David. Anti-Judaism.

Ozick, Cynthia. “America: Toward Yavneh,” in What is Jewish Literature?, ed. Hana Wirth-Nesher. Philadelphia: Jewish Publication Society, 1994. 20-35.

Rashid, Hussein, “Truth, Justice, and the Spiritual Way: Imam Ali as Superhero,” in Muslim Superheroes: Comics, Islam, and Representation, ed. A. David Lewis and Martin Lund. Boston: Harvard University Press, 2017.

Ravitzky, Aviezer. The Roots of Kahanism: Consciousness and Political Reality. Jerusalem: The Hebrew University of Jerusalem, 1986.

REDACTED, Prof. Dr. REDACTED. REDACTED: A book I reviewed in manuscript, confidentially, for a press. REDACTED: REDACTED Press. Forthcoming, inshallah, 2018.

Rein, Raanan. “Echoes of the Spanish Civil War in Palestine: Zionists, Communists, and the Contemporary Press,” Journal of Contemporary History 43:1 (2008) 9-23.

Rennger, N.J. “The neo-medieval global polity,” in International Relations: Theory and the Politics of European Integration, ed. Morten Kelstrup and Michael Williams. New York: Routledge, 2000. 57-71.

Rodríguez, Ana A. “Mapping Islam in the Philippines: Moro Anxieties of the Spanish Empire in the Pacific,” in The Dialectics of Orientalism in Early Modern Europe, eds. Keller, Marcus and Javiero Irigoyen García. New York: Palgrave Macmillan, 2017. 85-100.

Rosser-Owen. Maryam. Islamic Arts from Spain. London: V&A Publishing. YEAR?

Roth, Laurence. “Innovation and Orthodox Comic Books: The Case of Mahrwood Press,” Multi-Ethnic Literature of the United States 37:2 (2012): 131-56.

Salgado, Minoli. “The Politics of Palimpsest in The Moor’s Last Sigh,” in The Cambridge Companion to Salman Rushdie, ed. Abdulrazak Gurnah. Cambridge: UP, 2007. 153-68.

Schirmann, Jefim. “Samuel Hanagid: The Man, the Soldier, the Politician,” Jewish Social Studies 13:2 (1951): 99-126.

—. “The Wars of Samuel Ha-Nagid,” Zion

Schorsch, Ismar. “The Myth of Sephardic Supremacy,” The Leo Baeck Institute Yearbook 34:1 (1989): 47-66.

Stein, Sarah Abrevaya. “Sephardi and Middle Eastern Jewries Since 1492,” in The Oxford Handbook of Jewish Studies, ed. Martin Goodman, et al. Oxford: UP: 2002. ##.

Tabachnick, Steven E, ed. The Cambridge Companion to the Graphic Novel. Cambridge: UP, 2017.

—. The Quest for Jewish Belief and Identity in the Graphic Novel. Tuscaloosa: The University of Alabama Press, 2014.

El-Tayyib, Fatima. European Others: Queering Ethnicity in Postnational Europe. Minneapolis: University of Minnesota Press, 2011.

Unamuno, Miguel de. Gramática y glosario del Poema del Cid. Madrid: Espasa-Calpe, 1977.

Viguera Molins, María Jesús. “El Cid en las fuentes árabes,” in Actas del Congreso Internacional El Cid, Poema e Historia, ed. César Hernández Alonso. Burgos: Ayuntamineto de Burgos, 2000.

Wilson, G. Willow. “Machina ex Deus: Perennialism in Comics,” in Graven Images: Religion in Comic Books and Graphic Novels, ed. A. David Lewis. New York: Continuum Publishing, 2010. 249-56.

Zihri, Oumelbanine. “A Capitve Library Between Spain and Morocco,” in The Dialectics of Orientalism in Early Modern Europe, eds. Keller, Marcus and Javiero Irigoyen García. New York: Palgrave Macmillan, 2017. 17-31