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Visual Metaphor Proposal

  1. Project Title: (TBA)             
  2. Team Members: Santiago, Karla, Alaric 
  3. Concept | Storyline: 

 We wish to juxtapose two characters, with one embodying the first monologue and the other embodying the second one. 

What is the piece (article, poem, story) for the narrative voice over?  Or who are you going to interview?:

Luthen’s speech from Andor and an excerpt from The Book of Disquiet by Fernando Pessoa read by either Karla or Alaric

What’s the story about?:

We are juxtaposing the monologues because they mirror each other in context. In addition, our group feels like we strongly relate to the contents of both pieces given that we are all super seniors. Hearing both of the audios will give you a better sense of what I mean when I say they are like two sides of a coin. 

Which part of the story are you going to focus on?:

Both of these excerpts are centered around dreams; in Luthen’s monologue, he details how he must sacrifice his life and his values, for the sake of a dream that he will never see come to fruition,  a fact that he is keenly aware of,  yet is still unwavering in his resolve. Conversely, Bernardo exists in a state of perpetual daydreaming, yet struggles to ground himself in reality. One character sacrifices everything for a goal he won’t see accomplished, while the other relishes in a dream he can’t seem to work towards.

 What kind of style/aesthetics are you going to pursue?

Dark, fruitless, forlorn. Maybe in the style of a Music video

Execution Plan: 

What equipment are you going to use when shooting the movie? (cell phone, DSLR camera, sound recorder, stabilizer..):

Cell Phone and stabilizer because we feel the video quality is strong enough without the need to use a camera and its equipment. Some audio equipment for Al’s voiceover

Which locations will it be shot at? When is it? Day time/night/unknown? Why?:

At night and after sunset in Xuhui, preferably in older, darker areas to really set the scene to match with the audios.

What are some challenges you might encounter and how will you prepare?:

Troubleshooting in terms of filming techniques. None of us have any experience working behind a camera so I think that will probably be the toughest hurdle. 

How will you collaborate? How will you divide work? (Gantt Chart below*):

Storyboard Draft (subject to change):

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DCIMI

Project 2

For this second project, I had a hard time figuring out exactly what I wanted to make with the new Rhino techniques I had learned. Fortunately for me, I had just finished a painting and I remembered an issue I had.

I’ve never understood why paintbrushes are so skinny. I’m not sure if it’s to cut production costs or if it’s just traditional, but I noticed that I could create a solution. I thought back to when I was in elementary school when the most random things would become trendy. There was a period when pencil grips were all the hype around the schoolyard, and it hit me. I can recreate the concept, but with paintbrushes in mind instead of pencils.

I started with utilizing what we learned in week 8. I figured that for something like a small grip, the best way to make different iterations of the same object would be to adjust the main grip substructure, while keeping the texture more or less the same. In my experience, there was always a variety of shapes in those pencil grips I remembered, so that is the basis I was working towards. The graph mapper served the best in this capacity.

The main challenge for me was probably just making it hollow. Although in hindsight, there was a very simple solution to making it hollow with the shape cutter function.

 

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Species Juxtaposition

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Reverse Storyboard

Samurai Champloo Storyboard

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DCIMI

Bites and Blooms

What I have decided to work on for my final project is a set of flowers. It is mostly common knowledge that roses have thorns, and they are not the only example of a plant with self defense. Nevertheless, we consider flowers to be beautiful. So, to juxtapose this, the data I wish to embed into these flowers are venomous snakebite data. I personally love snakes; I see beauty in their evolution and design as well as in their danger. However, I am in the minority when it comes to this, so displaying data about snakes on something that is more universally loved may help in understanding snakes to be more than what they are feared for. You might say that using bite data is not exactly the best way to do this since that is exactly what everyone fears. I think, however, that it suits the flower concept perfectly. You shouldn’t manhandle flowers or you ruin them. You also shouldn’t touch them if they are dangerous. But they are still beautiful when observed from a distance, regardless of if they are dangerous or not. Snakes to me are very similar. You would never see me handling a cobra, but I still admire their nature. If we looked at snakes the way we looked at flowers with thorns, then maybe we would see a lighter more gracious side to them.

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DCIMI

Grasshopper Exercises – Nov 14

The exercise was pretty easy to follow and we learned another method to making textured surfaces via grasshopper. By using the circle packing function, we can add to an otherwise boring texture.

Following along with the video was mostly easy. The guys in these videos can be a little fast, though. They run through these tutorials as if they are teaching people who are already proficient and completely familiar with the software. Besides that minor thing, it was a useful tutorial.

I can see how this can be applied to a data-displaying object. Imagine different data being represented by different textures, for example. Using this function, you can great gradual and minute changes in surface that are different than if you were to use something like the other functions we have worked with so far in the course. 

This has given me a new angle with which to look at my potential project. As an artist, I am a huge fan of applying texture to augment a piece. With this, I can create something that integrates data through texture.

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Comm Lab

The Five Obstructions

I think the biggest takeaway from this film is what we are capable of achieving creatively when we are forced to push the boundary of the status quo. When we are pushed to do the unconventional we can create marvels. 

I think this is the case in everything related to art or anything we as humans create. For example, when I am working on any art piece, I ask myself, “How can I make this in such a way that nobody can ever replicate it?” Inspiration from others is important, but individuality and your mark are critical to anything we create. 

These mind bending situations also allow us to explore techniques that we wouldn’t have thought to use otherwise. In many cases, achieving the unique requires using unique methods. Your tools may be different than others’, the temperature could affect your work, the sun could be shining at a different angle; all these things and more are factors that contribute to creating not only a unique work, but a masterpiece you can be proud to put your name on.

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Soundscape – Lifedrive