Week 1: Response to “The Machine Stops” – Jikai Zheng

“The Machine Stops,” the dystopic, futuristic story by E. M. Foster wrangles my mind into a knot. On one hand, this fictional piece has many unrealistic qualities, such as human’s incapability to live on the surface of earth. However, in contrast, the underlying concept of a machine that occupies human worship is far too real. The machine, to some extent, resembles our humanity’s addiction to technology. Indeed, the two main characters of this story, Vashti and her son, Kuno, have differing opinions on the necessity, power, and appliance of the machine. While Vashti views the machine as a flawless piece of man’s invention, Kuno is more suspicious of its facilities, stating, “its hum penetrates our blood, and may even guide our thoughts” (13).

I was reminded of the climatic statement, “The Machine stops” (same as the title) in section 3. In the denouement of this story, I begin to realize that Foster may have intended readers to leave with the same sense of suspicion to technology as Kuno had, or at least a measured amount of caution towards channels of communication that diminish the human experience.

The Machine Stops by E.M. Forster- Evan Xie

After thoroughly reading “The Machine Stops” by E.M. Forster, I immediately thought of a recurring topic that the short story directly related to Communication Lab: the existence of technology overpowering the existence of humans. Kuno struggled to maintain a human relationship with his mother Vashti simply as a result of the Machine becoming something that people rely on in all aspects of their lives. I felt that the way the author described the relationship between Kuno and Vashti was incredibly mindful as they used realistic human scenarios connecting to the dangers of technology. While I originally thought that the Machine sounded like an incredible benefit to humans, I quickly realized the author’s intention to show the Machine as a God-like figure that had replaced true human ways of life. By choosing to capitalize “Machine,” I personally viewed the Machine itself as more of a religious or sacred object rather than an actual Machine. Despite the purpose of the Machine to make human functions such as communication easier, when reading through the story, I feel that Vashti and Kuno relied on the Machine too heavily. As a result, I saw this as a similar situation to modern day technology as both Vashti and Kuno forget how to act as humans due to their reliance on the Machine. Similarly to humans in today’s society, we often immediately jump to our phones, computers, or whatever electronic devices we have in hopes of making our day to day communication easier. However, like Kuno and Vashti, too often do we wait until it is too late before realizing the dangers of technology as well as the benefits. Once the Machine is finally destroyed, Kuno and Vashti are freed from its imprisonment. However, their inability to separate true human interaction from technological interaction made me think of everything we as humans are doing today. While advanced programs and devices help us in amazing ways, I feel that it is quite easy to fall into a black hole like Kuno and Vashti’s society. I feel that the story demonstrates issues that may be presented as fictional, but in reality, relate to humans and technology today more than ever. Most of all, I viewed the story as both a message and a lesson. We cannot and should not abuse the privileges of rapidly improving technology. While it makes communicating easier,  I feel that it is important to be aware of situations like Kuno and Vashti’s. Therefore, I view technology as beneficial to create works of art and aid basic functions, but also feel that we should not rely on it in replacing our actions as human beings. 

Reflection on Kate Fletcher and Li Edelkoort – Hanna Rinderknecht-Mahaffy

Reflection on Kate Fletcher’s “Slow Fashion: An Invitation for Systems Change.”:  

In her article, Fletcher begins by defining fast and slow fashion and the inherent environmental, economic, and social problems caused by the fast fashion trend of today. She then discussed the way companies and society at large proposes solutions to the problem of fast fashion. She explains, “Slow culture, rather being allowed to seed a radical new approach, gets passed through the sieve of understanding and hierarchy of priorities and goals prevalent in today’s industry and becomes absorbed not as high-level systems change (where the rules and goals of the industry are transformed) but as a marketing angle or alternative distribution channel in the current model, a tweaked version of today’s practices.” (Fletcher 263). While reading this section of her article, I was struck with how this “tweaked version of today’s practices” plays out in fast fashion clothing stores I myself used to shop at. I recall one day shopping at H&M and seeing a sign behind the check-out counter advertising a clothing return/recycling system where customers could bring back old clothing to be reused/recycles and in exchange get a 10% off discount on their next purchase. I watched a documentary at another time about the fast fashion industry which explained this new marketing strategy. Stores such as H&M, Levi’s, Forever 21, etc are now offering incentives for people to return their old clothing. While this is marketed as a move to try to be more sustainable (i.e a solution to the fast fashion problems of today), the true purpose behind this advertising is to get people to come back and use their discount to buy even more fast-fashion items. Through this approach, consumers feel like they are being more sustainable, while in reality this clothing return system rarely helps sustainability efforts. Because so many fast fashion clothes are made from mixed fibers, it is often difficult for companies to actually turn many of the donated clothes into new products, and it takes a lot of energy to do so. Many of these companies also advertise that they are sending old clothing to poorer countries so they can be reused by locals, instead of being thrown away.  However in actuality, many of these clothes do not get bought by locals in these countries and just end up being thrown away in those countries instead of being thrown away by the company itself. It is clear to me that such marketing strategies are examples of the misconstrued Slow Fashion solution Fletcher discusses in her article. While companies act like they are providing a solution to the fast fashion problem, in reality they are providing solutions which only benefit their own sales and often do not offer any sustainable benefits along the way. This article makes me more determined to question “sustainability” efforts made by companies and provides incentive for me to simply not support these fast fashion companies in the first place, even if they claim to be focused on sustainability. 

Reflection on Li Edelkoort’s “Anti-Fashion: A Manifesto for the Next Decade”: 

As part of her talk, Li shows a movie about a weaving factory which exemplifies a local, slow fashion model. She argues the need for “Labeling the origin, content and labour of a product to better comprehend price” as a new form of marketing strategy that could change the future of fashion. I think such labeling would be a crucial step in encouraging consumers to make smarter, more sustainable fashion choices. As Li exemplifies in her talk, it is not possible to provide a 10 pound evening gown without there being some kind of unethical, unsustainable methods involved in its production.  While some may claim that it is the burden of clothing companies to employ sustainable methods in the making of their products, it is also, I believe, on the collective consumer to demand, through their purchasing decisions, sustainable, slow fashion products. However it can sometimes be difficult for every-day consumers to sort which companies and what fashion items are sustainable and ethical, and so labeling the origin, content and labor of a product would be an easy way for people to make better choices about what they are buying. I myself would find this labeling system extremely helpful when making purchasing decisions. 

I found Li’s talk interesting, because she discusses various ways to fundamentally change the fashion industry to have a “voice” for the 21st century. She doesn’t reject clothing and fashion outright, but instead claims that the current structure of the industry is out of date and inconsistent with our society’s current structure and values.  I think her approach is useful as a method to work with the system to create change, and perhaps it can be combined with other sustainability efforts to create positive future change. 

Reflection on The-Machine-Stops – Ziying Wang (Jamie)

While reading the first 2 episodes of this fiction, I was wondering about “the ideas” Vashti keeps bringing up. As a lecturer herself, Vashti comes up with ideas inside her machine, without communicating with creatures or natural creations, but she keeps stressing “there are no ideas” when she sees or hears nature. Section 3 mentions in Vashti’s mind, people should learn about “what I think that ” great people think, projecting “the ideas” are no more than what these so-called “advanced people” generate from what the machine chooses to present them with. The machine, the supreme leader, the god of this world, maintains the order of this underground society by restraining the humanity intercourse, in a way it is easier to control, but in another, it degrades people. This system reminds me of the book The Giver, in which the residents are born without feelings, every what we consider as normal human interaction is made into rules or even jobs (giving birth, for example). This system indeed simplifies governing process, for the minds of people are consolidated, but without noticing it themselves, human beings are becoming puppets of the system (in this case, the machine). “The ideas” Vashti considered free-will are planted into her mind beforehand.

This fiction from over 100 years ago projects a similar scenario nowadays. Here, we have the Internet as the machine. Desire communication? There’s no need to head outside, a simple Facetime solves the problem. There’s no denying that the Internet is essential for us and most of us wouldn’t survive a day without it, but judging from the extreme case in the fiction The Machine Stops, we are getting too dependent on the Internet. Think about the time you lost for exercising outdoors just because you got yourself a new iPhone. Put laziness aside, the power of mind control from the Internet can’t be neglected, how many of us are judging others just through online sources? We are not able to examine the authenticity of every source before bring out our “ideas”. The filter bubbles online are just like the knowledge the machine chooses to present the residents with, we are trapped in the filter bubbles created by our browsers every second. Yes, it simplifies our process of getting to the websites that interest us the most, but in that case, our mind can never go beyond the bubbles, we, who still think we are free-minded, are nowhere better than the residents in the machine whom we laugh at.