Response to Payne—Alessandra

The usual images of sustainable fashion conjured in the minds of the fashion consumer are brown/rough fabrics, ill-fitting and bland pieces, and generally unfashionable fashion. This is wholly uninspiring to the average consumer, leading them to ignore the sustainable fashion movement altogether. However, in her piece “The Life-Cycle of the Fashion Garment and the Role of Australian Mass Market Designers,” Alice Payne offers several solutions to correct the above assumption about sustainable fashion. Payne is not speaking to the consumers; she is focusing on the possibilities in sustainable design rather than simply blaming the consumer. She uses Australia as a case study, but it is clear that she is optimistic about her results if amplified on a worldwide scale. 

I found her ”Garment use” section the most interesting. I have often mentioned in class the importance of intent behind design in furthering the sustainable fashion movement. When intent is removed from the design process, fashion pieces become disposable. Payne elaborates that in Australia, clothing retailers are beginning to realize the potential of this intent behind design, from designing clothing that doesn’t need to be washed so often to involving “services” with the purchase of a fashion piece. I am also optimistic that this will work worldwide, but fashion companies will not adapt without the demand of a sustainability-conscious consumer. 

Response to Alice Payne – Xiaoyan Kong

When we talk about sustainable fashion in our first class, we discussed a lot of ways that people or the industry can use to make fashion more environmentally friendly and sustainable.  Yet, we didn’t connect all of them together, they are all almost separate with each other, being considered as one single solution. Reading this article written by Alice Payne makes me realize doing good on only one aspect or process is far less than enough. She uses bamboo as an example – from the material property perspective, it belongs to renewable sources and hence sustainable. However, from the product processing side, turning bamboo into fibre needs tons of energy and it does so much pollution. Life-cycle assessment – the tool Payne introduces to us, is a more comprehensive solution. It involves each progress of fashion production, from “fibre (cradle), moving through to textile production, garment design process, manufacture, distribution, retail, use phase and eventual disposal (grave)”. It just reminds me of a commercial application that launched by Infor. It is called the Infor Fashion Product Lifecycle Management (PLM) solution suite. The suite enables integration of all key aspects of product development with the company’s entire supply chain, from line planning to product design, development, procurement, processing, inventory management, customer information and distribution products. Though both Infor and Alice Payne use the same concept of life-cycle, we can see Infor’s intention is helping company making as much money as possible by saving them time then to focus on fashion design, while Payne tries to seek a way that life-cycle solution can exist in mass market to make it fairer and environmentally responsible. There’s no wonder, all businesses have to take profit into account. But it seems people are still not paying enough attention to the non-money part of life-cycle thinking. We still have a lot to work on.

Response to Alice Payne: Hope Myers

I thought this article was very readable and did a good job summarizing all the different points in the cycle and the steps that can be taken for sustainability at each. I’ve hear about mass brands knocking off high fashion designers but one point that I never thought about before was how Australia is a season behind so it can just take the patterns. It also makes me wonder whether there is less of an issue with excessive seasonal consumption in places where the climate is more stable year round. I feel like for me somehow I misplace clothes between seasons or see new trends that I want to try but I feel like if the weather didn’t change that much I wouldn’t buy as many new clothes each season and would wear the ones I have for longer.

For the retail/use side of things one thing I think could help is teaching basic sewing skills or having people in stores to do really basic things. Some fancier places offer tailoring or alterations but I’ve also heard of people saying that they threw away a perfectly useable garment just because they didn’t know how or couldn’t be bothered to sew a button back on. Things like this could reduce a lot of waste and are so easy to teach. One more issue is with the growing digital market people buy a lot of clothes on impulse. I know I’ve bought some things on Taobao that I don’t even end up liking but they’re so cheap that it’s easier to just keep them instead of returning them. Rather than buying cheap clothes they won’t wear people should spend that money buying better quality sustainable clothes.

Week 2: CSS Exercise – Murray Lu

http://imanas.shanghai.nyu.edu/~mwl323/week2/

So in the beginning, I struggled with this assignment a lot more than the last one. However, as I did more research on it and used the given resources to experiment with the code (primarily w3schools and YouTube), I realized that I was overthinking the assignment and it was a lot simpler than I had imagined. I decided to make a few differences to “My Portfolio” than the given example. For mine, I decided the change the color of the boxes into maroon instead of grey like the given example since maroon is one of my favorite colors. Furthermore, I wanted to experiment with the font so I used “Questrial” since one of my favorite music albums uses that font for the album title (The Drums – Portamento). Lastly, I personally didn’t like how for the example that was given, “Photo Title” in the boxes was on the left side. So instead, for “.content”, I made the “text-align: center” and that made the “Photo Title” be in the center of the boxes instead of being on the left side.

Response to Understanding Comics – Manal Masood

Before reading “Understanding Comics”, I had never even touched a comic book before. I’m afraid to admit that I did give in to the stereotypes which are mentioned in the beginning of the book. However, after reading this graphic novel, I now understand the complexity of comics and finally realize why so many people are invest so much time and energy into them.
Comics in this novel are described as “juxtaposed pictorial; and other images in deliberate sequence”. It’s really interesting how readings comics sort of like a two way street, the author gets to decide whatever form of style, line work, etc he wants to use and then it is all up to the reader to fill in those gaps. One thing that might seem small but really intrigued me was the idea of “gutter” and closure. Closure is what allows the reader to connect the events occuring in each panel, which eventually forms a story. This closure is what helps continue the story even when there’s a “gutter” between the panel. Another thing that caught my attention was the fact why most authors tend to keep their comics simple, and the reason for that is the universality. The idea of immersing yourself in the book and engaging all your senses while reading it is truly amazing.