a beautiful mess @ NYU site
Title Breathe in Sync Project Description The project explores the concept of breath. One’s life consists of all kinds of breaths, quick ones, long ones, deep ones. If a person’s life is visualized into music, the rhythm should be how they breathes throughout their life. The question is, do we really have the agency of … Continue reading RAPS Final Project Documentation
I first used jit.gl.model and read $1 to read a 3d object onto the screen named drawing, then I set some changeable parameters using @glparams (position, rotatexyz, and scale). Eric mentioned that by using jit.mo.sin, the frequency, speed, and scale would change based on the oscillator. By first activating tex_map and texture, I could … Continue reading Multi 3D Objects
VJing is a practice that mix visuals in a live/performance environment. It is understood inclusively beyond the club and the party context. Live cinema, on the other hand, is performed under mode specific contexts such as “a museum or theatre”. Instead of linear storytelling, the form of live cinema is preferably close to poetry or … Continue reading Live Cinema
Reading: https://drive.google.com/file/d/1r01HZ9wjj493ga_e8Z27ML59Y8dhb7yv/view Documentary Voice Out (2005): https://drive.google.com/file/d/1A-7Sk2YdjUDWOfkBUMJDKJ1hNg6IlZSE/view In Fischer’s VJing, she concludes four main characteristics of the concepts VJing, live cinema, live audiovisual performance, which are liveliness, intermediality, performativity, and cinematicity. Differing hugely from traditional art forms, VJing is much more tolerant of uncertainties, and it encourages VJs or visualists explore the moving images … Continue reading VJ Culture
Based on the starter patches we did in class, I rearranged the display size and locations of the video clips by dragging the sliders in Croppr (the first two inputs: x and y of the display size; the last two inputs: the location that the clip appears on the canvas). I found it expressive to … Continue reading Granular Synthesis Audio