by Jeffery Rudell
I am in my car when I see her walk past: white knee-socks, the swish of plaid, and her blue coat with a hood. I want to walk up to her right then, but I wait. Not yet, I think, soon but not yet. I need to make a plan first. She slows at the light, goes one more block and turns on Oak for half a block more, then walks up a brick path: 12 Oak Street. I make note of it.
The next day I track her to the shop where she buys a tea. Then I go off to the store. I need to buy a pair of tree snips. I find a pair I like. They are green and black. The sharp ends shine and bright glints catch my eye. These will do fine, I think. I stand in the aisle and press my thumb to the blade and dream of the sound it will make: shhhunk.
The next day I go back to the place where she buys her tea and wait for her to come in. 1:10, right on time. As she stands in line and waits for her drink, I pass by her, so close I can smell the gloss that makes her lips look wet. Mint, just like her tea. I let my hand kiss the back of her hand as I hunch past. Her nails are matte pink. Did she do that for me? I think so. “’Scuse me,” I say as I sigh past, but she does not look up at me. Minx.
After she leaves, I head to CVS to buy a wool cap. The girl there gives me a germ mask. “You don’t want to catch it,” she says. I nod. When she turns, I sneak two more masks from the pile. Her nails are a dull gray color; they are long and curve down. I don’t like her nails. I pay for my knit cap. With the cap and mask on, my eyes are all she will see of my face.
I know I should do a run-through so I trap a cat, gold with dark spots, and kill it with a blow to the head. I don’t like to kill, but it must be done. I need to do a run through. With my tree snips I take each toe off the front feet. Fast and clean. Then I take each of the back legs whole. It is hard to cut clean through the bones, but I am strong. There is lots of blood. I will need gloves and a clean pair of pants. I don’t want a mess.
For three more days I wait and watch. She goes to class, then to work. She takes a break and sits on a bench out front. She reads a book. She licks the thumb of her left hand and turns the page. I see her lips, moist; her tongue to her thumb; her thumb to the page and right then, I make my choice. That one is the one I want. Soon it will be my thumb to put on my lips or in my mouth as I see fit: a gift from her to me. A gift we can share. She has it now, but I will have it soon. I smile as I walk by.
It’s dark, or near dark, and I am all set to go. She is not far from Oak Street. I will get what I came for. I will get it and go. We are close to her house. She can make her way there when I am done. She will be fine. I slip on my gloves – they are tight – and I feel, there at my side, for the snips in my coat.
I have thought of this for so long. Now that the time is here it is like a dream…a good dream…the best dream. I have seen her touch her hair, brush it from her face with a flip. Her pink nails at her neck, her pink nails at her ear. The pink tap, tap, tap, on her phone as she writes to some boy, I bet. I let her tease me but soon it will be time for her to pay. I have come to take what I am due.
When it all goes down it is not like you see in film. It is not smooth. I come up in back of her in my mask, safe from all the germs. But she is not a germ. I grab her and she swings. She hits me. She is strong. Gash. Her ring cuts my cheek. She grabs my mask. She sees my face. I did not plan for her to see my face. She broke the rules.
But I am strong, too. I will not let her stop me. I will have what I came for. I knock her down hard. She tries to crawl, but I am on her, my knee in her back, my hands on her throat. I choke and I choke and I don’t let up.
It takes so long. Life does not give up fast. Life keeps on and on and on for so long. When she is still, when it is done, I drag her to a bush, out of view. I slump down and rest with her, just us two, side by side on the damp grass. I am hot and wet with sweat and I hear the rasp of my breath. I can feel that sleep wants to come and take me. I can’t let it. I know I must get on with it.
I get to my knees. I take my snips and I lift her arm and hold it out from my pants, out from me. I take her thumb and hold it, just so…shhhunk. There is a small squirt of blood, then her hand falls to the grass and I have my prize. I get up and step back. I put the snips in my coat. I roll the gem in my hand and look at it: pink and red…and free of her. Mine. With care I make a loose fist, pull my glove down from my wrist, roll it off my hand and twist it shut: my prize slides back and forth in its small bag of blood.
I grab the mask from the lawn, fold it, and put it with the snips in my coat. Next time I will use a mask that won’t come off. I did not want to kill her. She made me do that. She was a bad girl. Bad. I did not want to kill her. I feel fear rise in my chest, so I reach in and I take my prize in my hand. I feel the hard, sharp tip of her nail on the soft pad of my own thumb and then I am calm. “Next time,” I say in my head, “Next time I will get it right.”
Nota Bene: This piece was written using only single-syllable words from a prompt in Professor Bret Gladstone’s class, Escape Artist.
Jeffery Rudell has written 68,833 emails mostly to other writers, lamenting the difficulty of finding time to write. He intends to donate this work to the Library of Congress where he hopes it will share a shelf with Nabokov’s letters to his wife, Vera. His donation is currently contingent on getting the Library to rescind its restraining order against him. He wishes he had begun writing stories sooner than he did. As a result, a vein of melancholy permeates the journal entries he most frequently re-reads. He owns a cat named Smokey Overton Fuzzybutt. He is gay-married and currently lives.