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In the early to mid-20th century, “machine art” emphasized the application of machines in art and the reflection of industrialization and technological progress. As Andreas Broekmann’s introductory chapter, it is an art form that achieves beauty not through the artist’s intention and creation, but through the demands of functionality in industrial production, and without the influence … Continue reading Reading Reflection 2: Machine Art and Kinetic Art

The first two articles emphasized the combination of light and environment. Artists no longer only study how to emit distinctive light, but how the light echoes the surrounding environment, and how to use the environment to enrich the artistic effect of light. The audience is contained in a magnetic field composed of light and environment … Continue reading Reading Reflection 1: Light and Space