Commlab

Visual Metaphor Documentation

Concept & Story Circles have long been perceived as an intuitive metaphor in Chinese culture, representing completeness, perfection, moderation, so on and so forth. We aim to visualize this particular shape through various objects, demonstrating its extensibility and conveying its spirits. The entire story consists of three stages. The first part can be understood as Continue reading Visual Metaphor Documentation

Memory Soundscape Documentation

Concept The memory I intended to capture was the experience of scuba-diving in Indonesia. As I dived into the water, where gravity seems to lose its grip and time slows down, the entire marine realm unfolded before me, revealing crystal-clear aqua blue water and shimmering schools of fish.The silence of this submerged world was punctuated Continue reading Memory Soundscape Documentation

The Five Obstructions (2004) by Jorgen Leth & Lars von Trier

obstruction1: no single edit may be longer than 12 frames (answers, Cuba, no set) obstruction2: a miserable place, don’t show it (failed to do so), Jorgen Leth is the man, the meal obstruction3: complete freedom (make a film with no rules from Lars Von Trier), or back to Bombay obstruction4: cartoon obstruction5: Lars Von Trier Continue reading The Five Obstructions (2004) by Jorgen Leth & Lars von Trier

The Uncertainty of Documentation Reading Response

According to Steyerl, “Unbroken belief” refers to the fact that it is self-evident for documentaries to reflect the reality. In other words, there is an objective criteria to judge whether a composition is authentic. However, Steyerl claimed that in the age of digital reproduction, increasingly abstract and out-of focus documentary images emerge, inflaming certain emotions without demonstrating Continue reading The Uncertainty of Documentation Reading Response

In Our Own Image Reading Response

1.What does Ritchin mean with the “fluidity of the digital”? Give an example of digital imaging/digital photography that exemplifies this. According to Ritchin, ‘fluidity of the digital’ means that as we are entering the post-photographic age, the architecture of images is shifted from chemically processed grain to discrete electronic pixels in order to make it Continue reading In Our Own Image Reading Response