READING REFLECTION 1: LIGHT AND SPACE
The connections between the vein of art discussed in the first two readings. In the third reading, the author explores the phenomenology of light and space. All of these are insightful explorations of how light can be used not only as a medium, but also as an active participant in the creation and experience of art. In the readings, we can know that artists such as Robert Irwin and Doug Wheeler have pushed the boundaries of traditional artistic mediums to engage with light and space and change the way viewers perceive and experience art.
Robert Irwin’s transition from painting to site-specific installation art focuses on the light and space. His works, such as Natural Light Scarf Works, use simple materials to manipulate natural and artificial light within a space. The aim is to encourage viewers to be aware of their own sensory experience. This interaction with light and space also allows the audience to question the nature of perception and the construction of the artwork itself.
From painting to immersive light environments, Doug Wheeler’s work also illustrates the trend of using light as a primary medium. His “light wraps” and installations create environments that dissolve the boundaries between the art object and the viewer’s space and foster a deeply personal experience of light and space.
The phenomenology of light and space discussed in Robin Clark’s introduction underlies these explorations and emphasize the experiential and perceptual aspects of art as well. And the works of Irving, Wheeler, and other artists discussed in these readings show how light and space can be used to create art that transcends the visual to touch the psychological and emotional.
In general, the work of these artists exemplifies the potential of light and space in media art projects. They’re not just tools for creating visual effects, but some essential elements in reshaping the experience. Through their innovative use of light and space, these artists give us a new chance to rethink our understanding of art, perception, and our interaction with the environments.