Bello, J. P., Rowe, R., Guedes, C., & Toussaint, G. (2015). Five perspectives on musical rhythm. Journal of New Music Research, 44(1), 1-2. [link]
Beltran, J., F. Liu, X., Mohanchandra, N., & Toussaint, G. T. (2015). “Measuring musical rhythm similarity: Statistical features versus transformation methods,” International Journal of Pattern Recognition and Artificial Intelligence, Vol. 29, No. 2, 2015.
Esparza, T.M., Bello, J.P., and Humphrey, E.J. From Genre Classification to Rhythm Similarity: Computational and Musicological Insights. Journal of New Music Research, 44(1): 39-57. March, 2015. [link]
Sethares, W.A., & Toussaint, G.T. (2015). Expressive Timbre and Timing in Rhythmic Performance: Analysis of Steve Reich’s Clapping Music. Journal of New Music Research, 44(1): 11-24. March, 2015. [link]
Toussaint, G. T.(2016). “Measuring the Perceptual Similarity of Middle-Eastern Rhythms: A Cross-Cultural Empirical Study,” Proceedings of the Fourth International Conference on Analytical Approaches to World Music, 8-11 June 2016, New York.
Toussaint, G. T.(2016). “Phylogenetic analysis of the ancient Greek paeonic rhythms,” Proceedings of Bridges Finland 2016: Mathematics, Music, Art, Architecture, Education, Culture, August 9-13, 2016, University of Jyväskylä, Jyväskylä, Finland.
Toussaint, G. T. (2016). “Phylogenetic tools for evolutionary musicology,” in Mathematical and Computational Musicology, T. Klouche, (Ed.), National Institute for Music Research, Berlin, Springer, 2016, in press.
Toussaint, G. T. Keynote Speaker, International Conference on Arts, Education and Interdisciplinary Studies, March 15-16, 2016, Dubai, UAE. Title: “Rhythm: A Tool for Interdisciplinary Studies.” Proceedings of the International Conference on Arts, Education and Interdisciplinary Studies, March 15-16, 2016, Dubai, UAE. (Abstract in Proceedings, p. 139.)
Toussaint, G. T. (2015) “The Euclidean algorithm generates traditional musical rhythms,” Interalia Magazine, Editor: Richard Bright, Issue 16, September 2015. (Electronic publication: http://www.interaliamag.org)
Toussaint, G. T. (2015). “Quantifying musical meter: How similar are African and Western rhythm?” Analytical Approaches to World Music Journal, Vol. 4, No. 2, pp. 1-30, 2015.
Toussaint, G. T. (2015). “Modeling musical rhythm mutations with geometric quantization,” Chapter 12 in Mathematical and Computational Modeling: With Applications in Natural and Social Sciences, Engineering, and the Arts, R. Melnik (Ed.), John Wiley & Sons, Inc., May 2015, pp. 299-308.
Toussaint, G. T. (2015). “Objective stimulus predictors of perceptual and performance complexities of temporal patterns,” Abstracts of the 15th Rhythm Production and Perception Workshop, Amsterdam, July 6-8, 2015, p. 74.
Trochidis, K., Guedes, C., Holzapfel, A., Anantapadmanabhan, A., & Klaric, A. (2016). Analysis-By-Synthesis of Rhythm in South Indian Art Percussion Performances by Means of Statistical Analysis. 4th International Conference of Analytical Approaches to World Music, New York. [link]
Trochidis, K., & Guedes, C. (2016). Rhythmic Analysis of Carnatic Style Percussive Music Using an Adaptive Time Domain Decomposition Method. 4th International Conference of Analytical Approaches to World Music, New York. [link]