This chart tracks essays by the course in which they were written, genre/assignment, number of sources cited, and EWP Vocabulary/Key Moves, with the essay’s signature moves highlighted. (For video essays, paragraph indicated is in the published transcript).
| Essay | Course | Genre/ Assignment | Sources Cited | EWP Vocabulary/Key Moves by Paragraph # |
| Sanguine Intimacy: Male Friendship in the 21st Century
by Connor Elmore |
The Advanced College Essay: The World Through Art | Video Essay
Film Analysis/Review Personal Essay |
8 | Voice (1, 12, 13)
Signposting (2, 8, 10, 15) Analysis (4, 5, 6, 7, 10, 17, 24, 27, 28, 29) Idea (6, 11, 17, 24) Evidence (6, 8, 10, 11) Reflection: (17, 26-27) Voice: (21-23) |
| The Cost of (Digital) Living
by Shawn Harris |
Writing the Essay | Shorter Interpretive Essay
(1-3 sources) Lens/Deepening Essay Personal Essay |
2 | Problem (2)
Representation (3, 5) Conversation (4, 6, 7) Reflection (9) |
| Antepartum: An Exploration of Pregnancy, Ownership, and Disembodiment
by Ace Harvest |
Writing the Essay: Art and the World | Shorter Interpretive Essay (1-3 sources):
Art Review-in-Context Personal Essay |
2 | Representation (4, 8, 13)
Analysis (4, 6, 7, 8, 9, 13) Evidence (6, 9, 11) Problem (6, 14) Signposting (6, 9, 10) Voice (1, 6, 12) |
| The One Who Listens To Me
by Jia He |
International Writing Workshop I | Shorter Interpretive Essay (1-3 source)
Lens/Deepening Essay Personal Essay |
3 | Representation (2,5)
Evidence (3, 5, 6, 7, 8) Analysis (3, 6, 8) Problem (4, 6) |
| The Invisible Coup
by Andrew Hua |
Writing the Essay | Research + Inquiry-based Essay
Cultural Arguments/Conversation |
17 | Evidence (2, 6, 8, 9, 11)
Representation (1-3, 5, 8) Analysis (6, 7, 9. 11) Problem (4, 8, 10) Signposting (2, 4, 8) |
| A Woman Confused
by Camryn Loor |
Writing the Essay | Video Essay
Film Analysis/Review Cultural Arguments/Conversation |
50 | Representation (2, 5)
Conversation (9, 10) Problem: (8) |
| (Queer) Bait and Switch
by Mikah Mazza |
The Advanced College Essay: The World Through Art | Cultural Arguments/Conversation
Research + Inquiry-based Essay |
17 | Problem (3, 6)
Deepening (10, 13) Representation (5, 11) Analysis (4, 8, 10, 11) |
| On Aerial Photography and Secret Tunnels
by Iris O’Connor |
Writing the Essay: Art and the World | Shorter Interpretive Essay* (engages deeply with 1-3 sources)
Conversation/Reckoning Essay Cultural Arguments/Conversation Film Review-in-Context Personal Essay
|
4 | Representation (2, 3, 5, 8)
Problem (6, 7) Voice (1, 3, 4, 12, 16, 17) Analysis (3, 4, 6, 8, 10, 12, 11, 14) Idea (10, 17) Reflection (14) |
| Abortion! Honka Honka!
by Zahara Slovensk |
The Advanced College Essay: The World Through Art | Video essay
Cultural Arguments/Conversation Film Review-in-context Personal Essay
|
15 | Representation (5,6)
Analysis (9, 13) Problem (5, 7, 12) Deepening (14) Voice (7–8, 17) |
| Still Death
by Alexander Palmieri |
Writing the Essay | Conversation/Reckoning Essay
Cultural Arguments/Conversation Photography Review-in-Context |
7 | Voice (1)
Representation (2, 3, 5, 7) Problem (2) Conversation (4,5,6,8) Evidence (2, 4, 8) Conversation Analysis (4, 6, 8, 9, 10) Signposting (2, 5) Reflection (10) |
| I See: Between Earth and Sky
by Jingshan Wu |
International Writing Workshop I | Shorter Interpretive Essay* (engages deeply with 1-3 sources)
Lens/Deepening Essay Photography Review-in-Context |
6 | Representation (1, 2, 3, 4)
Problem (4) Deepening (7) Analysis (3, 7, 8) Voice (3) |
| Reclaiming the American West
by Bobby Zabin |
Writing the Essay | Lens/Deepening Essay
Cultural Argument/Conversation Photography Review-in-Context |
8 | Representation (1, 3, 4, 6, 10)
Problem (1, 7, 9) Analysis (5, 7, 11, 12) Argument (12) |