Table of Contents
Introduction
by Jenni Quilter
Editors’ Notes
by William Morgan and Katherine Carlson
The “I” in Tribe is Silent
by Mary Chen | Writing the Essay
Opening Our Eyes to History
by Elianne del Campo | The Advanced College Essay: Steinhardt
The Next Exit
by Ayslin Exum | Writing the Essay
Orwell, Trump, and Twitter: Reexamining the Relationship Between Politics and Language
by Melissa Bo-Ya Feng | International Writing Workshop I
Art Versus Artist: What’s a Poor Reader to Do?
by Stephanie Huang | Writing the Essay
Pussy Kayaks and Peach Pits
by Lillian Jacobs | Writing the Essay: Art and the World
Journeys to Belonging
by Mashrur Khan | A Spectrum of Essays
Beatitudes
by Jessica Kupillas | Writing the Essay: Art and the World
The Importance of Uncertainty in Solving The Problem with Everything
by Jamie Lee | Writing the Essay
Productivity or What We Will
by Ruofan Li | International Writing Workshop II
Sadism, Sontag, and Snuff in The Act of Killing
by Megan Maxfield | First Year Seminar: Literature and Film of Human Rights
Severing the String
by Sylvie Moran | Writing the Essay
Taking Up Space
by Brooke Nguyen | Writing the Essay
Pinterest: Inspiration or Manipulation?
by Jasmin Sabirin | The Advanced College Essay: Tandon
The War on People
by Devarshi Vasa | Writing in Community
Those Who Silence Us (VIDEO)
by Ilia Wayans | Writing the Essay: Art and the World
And All the Men Merely Players: Gender in the Classical Theater
by Ella Webb | The Advanced College Essay: The World Through Art
Stay Woke (VIDEO)
by Samantha Whitley | The Advanced College Essay: The World Through Art
The Rules of the Game
by Justin Yoon | The Advanced College Essay: The World Through Art