Table of Contents
Editor’s Note
by Jono Mischkot
Crossing the Line: Capitalist Critique and Artistic Hybridity in Parasite
by Lorena Campes | Writing the Essay
No Happy Endings Can Be Found in Hate
by Madisen Fong | The Advanced College Essay: Steinhardt
To Listen Is to Bind
by Yifan Gu | International Writing Workshop I
Cancel Culture, the Internet, and Trans Inclusive Feminism
by Liberty Guillamon | Freshman Seminar: Fiction, Feminism, and the #MeToo Movement
To Hear the Deaf
by Jessica Guo | International Writing Workshop II: Tandon
The Novel Strain of Anti-Asian Discrimination
by Anavi Jalan | Writing in Community
Plastic Shoes Unite
by Julia Kałużna | Writing the Essay: Art and the World
The Selfie: A Reinvention of Identity in Visual Self-Depiction
by Fatiha Kamal | The Advanced College Essay: Tandon
Dulce et Decorum Est: COVID-19 Health Workers and the Old Lie
by Jacqueline LeKachman | The Advanced College Essay: Steinhardt
Truth in Art(lessness)
by Alana Markel | The Advanced College Essay: The World Through Art
Power and Subversion
by Caitlin Mulvihill | Writing the Essay
The Machista Costa Rican Institute of the Woman
by Fabiola Sanabria | International Writing Workshop II
The Cost of Higher Education
by Ginger Semko | The Advanced College Essay: Steinhardt
Making America Holy
by Olympia Spivey | A Spectrum of Essays
What You’ve Been Calling Your Vagina Is Not Your Vagina
by Lydia Varcoe-Wolfson | Writing the Essay
Element of Surprise
by Mengyang Zeng | Writing the Essay