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Julius Hemphill : Composer

Editor

Twelve Gates

August 28, 2018 by Editor

Composition for two saxophones, known from a part in Hemphill’s hand for soprano saxophone. This composition may have been intended for the duo album Buster Bee (1978), as it appears in Oliver Lake’s manuscript with other pieces recorded for those sessions. No known recording.

From Marty Ehrlich: The melody for soprano saxophone is a version of the African-American spiritual “Twelve Gates to the City.” Hemphill indicates the melody is to be played “slowly” that theme is to be played twice, ad lib and “out chorus with liberties.”

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Filed Under: Compositions S-Z Tagged With: Oliver Lake

8464Z

August 28, 2018 by Editor

See “S464Z.”

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Filed Under: Compositions A-E

S464Z

August 28, 2018 by Editor

There is a manuscript in the Julius Hemphill Papers with 16 measures of chord changes, as well as an alto saxophone part in Hemphill’s hand. It may have been intended for the duo album Buster Bee (1978), as it appears on Oliver Lake’s manuscript of saxophone parts along with other pieces recorded at those sessions. On the alto saxophone part, the title appears to be written as “8464Z.” No known recording.

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Filed Under: Compositions S-Z Tagged With: Oliver Lake

M-5

August 28, 2018 by Editor

The archive includes a part in holograph for trumpet. No known recording.

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Filed Under: Compositions M-R Tagged With: Oliver Lake

Blood/Zodia/Lines

August 28, 2018 by Editor

Three-section composition for alto saxophone, clarinet, flute, trumpet, trombone, baritone saxophone, and drums. Holograph score is in a music manuscript notebook donated by Oliver Jackson. The score is untitled, but corresponds to a titled part in the “Blood/Zodia/Lines.” The part, donated by Oliver Lake, is for one performer who doubles on alto, flute, and clarinet, with markings and cues for baritone sax, trumpet and trombone, drums. There are also annotations indicating improvised solos by drums, trumpet, trombone, and baritone saxophone.  

From Marty Ehrlich: After consulting in 2019 with Malinke Elliott, Baikida Carrol, and J.D. Parran, I believe this work was written for “The African Continuum,” Hemphill’s interdisciplinary work, performed at Powell Symphony Hall in St. Louis. Ben Looker’s book, Point from Which Creation Begins: The Black Artists’ Group of St. Louis (Missouri Historical Society Press, 2004) speaks to this performance in detail. The manuscript includes parts designated for “FB,” soul and gospel singer Fontella Bass.

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Filed Under: Compositions A-E Tagged With: Oliver Lake

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Julius Hemphill : Composer

  • About the Project
  • Archival Audiovisual Material
  • Annotated Composition List
  • Timeline of Hemphill’s Career
  • Julius Hemphill Bibliography

Albums with Hemphill Compositions (by release date)

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About the Julius Hemphill Papers

The Julius Hemphill Papers is an archival collection at New York University. The collection contains scores, audiovisual documentation, and other material related to the life and career of composer and saxophonist Julius Hemphill. Materials are accessible by appointment. Click here to learn more.

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