DLTS’s Content Creation Group (CCG) has started an Instagram feed, featuring interesting images that they encounter during the digitization process. Check it out at www.instagram.com/nyuccg
We recently digitized some nitrate negatives from the Sylvester Manor collection. In addition to being fragile, this format can also be volatile, and so there’s an urgency to our work.
We’re pleased that these negatives are incredibly sharp (see picture of actual silver grains below):
Our Digital Content Manager, Melitte Buchman, writes: “For me these film negatives are particularly lovely in that they’ve had a hard life, many have abrasion scratches, and chemical stains that although not originally intended are a great reminder of the vagaries of film work. I find the image below particularly lovely. It’s nearly a spirit photograph with a horizontal band of movement (likely abrasions) and stars (chemical involvement?). At any rate it’s something we so rarely see anymore that it seems quite charming.”
Another image has a nearly demonic aspect:
We should be making these images available through the Sylvester Manor finding aid soon.
The camera made its way safely to Cairo, and the team at the American University in Cairo set it up, just as they had been taught by DLTS. They sent us a lovely document describing the process, with pictures to illustrate each step. Take a look!
We just completed a successful training session with photographers from the American University in Cairo. They learned the entire process of digitizing books for Arabic Collections Online. This week, we are shipping a camera to them so that they can begin digitizing books and sending them to us for long-term preservation and publication to the ACO Web site.
Here are some images from the camera packing process. It’s quite involved due to the quality, size, and weight of the camera.
We’re pleased to announce that a digital collection from Special Collections is now discoverable in Bobcat. Items from the David Wojnarowicz Papers from Fales Library can now be discovered and accessed right from the Library’s main catalog. The magic behind this feat is Ichabod, a joint project from DLTS and KARMS, which ingests metadata from heterogeneous sources, normalizes it, and sends it to Primo (the software that powers Bobcat). Now that we’ve made one collection available in Bobcat, we can work on others: Camp Kinderland, Gay Cable Network, the Washington Square Photo Collection, photography from the Arab world, and many others.
Making these digital collections available through our main discovery interface is the goal of Strategic Initiative 4.3, and we’re well on the way to fulfilling that promise. Special thanks to the Ichabod team (Carol Kassel, Corey Harper, Daniel Lovins, David Arjanik, Ekaterina Pechekhonova, Esha Datta, Joseph Pawletko, Mike Haag, Reed Shadgett, and Stephen Balogh) as well as ACM and Special Collections for helping us reach this milestone.
Earlier this year, we completed work on a massive renovation for our book viewer. The new viewer for books and other media uses scalable software and protocols, such as MongoDB and JSON, to deliver book information and book images efficiently. The new infrastructure also allows us to publish books more quickly, with less human intervention. We reduced our time-to-publish for Arabic Collections Online from 2 months for 200 books to about one week. This dramatic improvement has allowed us to scale our publication schedule from 200 books every other month to 400 books every month. As of this writing, ACO has almost 3,000 books, double the amount that we had earlier this year.
The site builds upon the base of our main open access books site, and was enhanced with funding from the MacArthur Foundation’s Digital Media and Learning project, sponsors of the series.
One major goal for this project was to create an “interactive” platform for readers. We added tools to the OA books platform to make it easy to share out to social media, and, with funding from the Mellon Foundation for our Enhanced Networked Monographs project, we’ll provide additional features–annotation, rich searching via the books’ indexes, and more.
To get a deeper sense of the project goals, see this happy message from Julian Sefton-Green, one of the series editors, this blog post by Henry Jenkins, co-author of By Any Media Necessary; and another by Sonia Livingstone, co-author of The Class.
This successful collaboration involved the following individuals:
At NYU Press: Adam Bohannan, Dorothea Halliday, Charles Hames, Mary Beth Jarrad, Sara Johnson, Alicia Nadkarni, Miguel Sandoval, and Eric Zinner.
At DLTS: David Arjanik, Laura Henze, Flannon Jackson, Carol Kassel, Monica McCormick, Joseph Pawletko, and Rasan Rasch.
NYU Press has launched a Web site for Keywords for Environmental Studies, with the goal to create a new “state of the field” inventory and analysis of the central terms and debates currently structuring the most exciting research in and across environmental studies, including the environmental humanities, environmental social sciences, sustainability sciences, and the sciences of nature. This new site utilizes the framework that DLTS originally created for the Keywords series. We are happy to report that NYU Press created the new book without any assistance from us – the framework has proven to be entirely self-service. Read more about the new book.