On the night of December 2, in the midst of the Reaganomic era, an explosion at an American-owned factory in Bhopal, India, released untold amounts of toxic gas on uncounted numbers of people, creating a human and environmental disaster of insurmountable proportions. Known as the Bhopal disaster, it once dominated international headlines, and is now barely remembered.
Yet Bhopal remains emblematic of all the many quickly forgotten disasters that followed, and of the permanent state of globalized disaster in which people now dwell. What does it mean when corporations instead of states control not only the means to create environmental disasters, but also the tools to bury them? How does one revolt against these unelected entities? How do the most private desires get shaped by this stateless horror? Jennifer Natalya Fink’s Bhopal Dance is an epic and epochal tale of such a horror and its buried consequences.
NYU DC faculty member, Victoria Kiechel, will serve as interlocutor for this evening of discussion.