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The Rabbit Hole

A view of Manhattan during the clap at 7pm, April 11

By Becky Amato (Associate Director, Civic Engagement Initiatives and Urban Democracy Lab)

Photo of a view of the Manhattan skyline from my building with my neighbor Duane in the foreground. Taken during the 7pm clap on April 11.
A view of the Manhattan skyline from my building with my neighbor Duane in the foreground. Taken during the 7pm clap on April 11.
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The Rabbit Hole

If The Dancer Dances

Lise Friedman (Co-Producer, part time faculty)

On Amazon Prime and on Vimeo (there’s a 15% discount with the code “cunningham” on Vimeo On Demand)

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The Rabbit Hole

Same same – The Endangered Quartet

Roy Nathanson (Gallatin part-time professor), Same same by The Endangered Quarter Heart to be released May 2020.

Album cover with a drawing of a bird wrapped in flowers

The Endangered Quartet came into being through friendships that developed between musicians over a course of years, playing songs and sharing ideas outside of the context of the existing projects they were currently engaged in. They have developed this new quartet sound, a diverse chamber music blending classical, jazz, rock, and folk idioms. They are committed to a vision of honest and soulful expression — endangered but essential human values.

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The Rabbit Hole

Off the Roosie

By KC Trommer (Assistant Director of Communications)

Off the Roosie
After O’Hara

I get off the 7 and head home, past the Chase and the Jackson Heights penguin that,
          last week, someone dressed as a bunny, and I’m thinking
of Frankie’s I-do-this-I-do-that poems, and my phone is dead again and
          I can’t afford to replace it. All I want to hear is Spoon singing
got no regard for the things you don’t understand
          but maybe, as Lorna said, it’s a gift and there’s a poem across the street
waving Yoo hoo! Over here! and trying very hard to get
          my attention. I get onto 37th, near what’s left of the Brunson Building after
the fire on Easter Monday and I head past the Met (not that one)
          which they renamed Foodtown but which Honor and Joe and I will
always call the Met (not that one), and then a left onto 77th
          and past our coffee shop where Afsal stands outside, talking, but
for once does not say hello even though he looks
          straight at me, and it’s fine, I walk past the Berkeley and over 35th Ave., and
I guess I’m home, considering that my keys have opened
          the door even before I realized I had them in my hand, and everything is
where I left it, even in the bedroom where I keep waking alone quite
          suddenly to find—yes, I left you. You’ve never even been here.

“Off the Roosie” appeared in the March 27, 2019, Dispatches feature, “Dispatches from Queens,” from The Common and in We Call Them Beautiful, out now from Diode Editions.
Photo of a house in Queens, NY with a plane landing in the background.
Cleveland Hopkins International to LaGuardia, 2018 Photo by David Rothenberg. It appears in his book Landing Lights Park, published by ROMAN NVMERALS in 2018. Find more of his work at davidmaxrothenberg.com.

KC Trommer is the author of We Call Them Beautiful (Diode Editions, 2019) and the chapbook The Hasp Tongue (dancing girl press, 2014). She is the founder of the online audio project QUEENSBOUND. She holds an MFA from the University of Michigan, Ann Arbor, where she was awarded an Academy of American Poets Prize. Her poem “Fear Not, Mary” was selected by Kevin Prufer as the winner of the 2015 Fugue Poetry Prize. Her work has appeared in AGNIThe Antioch ReviewBlackbirdLitHubPrairie SchoonerThe Sycamore ReviewVIDA, and in the anthologies Resist Much, Obey Little: Inaugural Poems to the Resistance (Spuyten Duyvil, 2017) and Who Will Speak for America? (Temple University Press, 2018). She is the Assistant Director of Communications at NYU Gallatin and lives in Jackson Heights, Queens, with her son.

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The Rabbit Hole

Joy

A video by Jeff Yoon (Gallatin, BA ’20)

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The Rabbit Hole

On the Question of Joy eXcEpT tHeRe’S nO jOy

A video by Ashley Lai (Gallatin BA, ’22)