Malaika Neri
OTIV Alaotra Mangoro
Ambatondrazaka, Madagascar
Of course, I was thrilled.
Lôla gave me his number!
We had just finished watching the concert he had performed for over 2000 people, all of them Malagasy, save for the four of us – my three French friends, and I – the sole vazahas in the crowd.
The show was great – Lôla, one of Madagascar’s most popular musical artists, sang his heart out, and besides being a stellar performer, he seemed to put his whole heart into singing songs about taxi brousses (Madagascar’s inter-city bus transport that very thoroughly communicates a sense of what sardines must feel like, as they bounce along bumpy roads in metal canisters), ex-lovers, and joie de vivre.
With the sun setting in a red flame behind the blond hairs of Christophe (an intern an agricultural collaboration project between Agence France de Développement (AFD) and the Malagasy government), Lôla ended his concert, shouting “Veloma, tompoko (Goodbye, everyone)!” into the microphone, before he went offstage. People all around us began ambling towards the exit. Many of the men gave me a red-eyed leer as they sauntered past – a look usually accompanied by “Bonjour vazaha!” when the voyeur is sober.
Hélène, a française working on a collaborative agricultural development project between a French département and the region of Alaotra Mangoro to increase the productivity of milk-producing cows, grabbed my hand, whispering, “Tu penses qu’il va nous donner un autographe?”
But even as she asked, and as we consequently bounded towards the backstage area, where Lôla stood surrounded by a crowd of eager and inebriated Malagasy fans, we knew.
We knew we were assured of an autograph.
We knew that all Hélène had to do was to whip out her digital camera, and Lôla would bypass every other fan to come stand beside two excited foreigners, obliging us with a photograph and a smile.
We knew, because we are vazaha.
Lôla proceeded to ask me if I wanted his number (US tour, anyone?). Sure, yeah, why not!
It can be pretty cool, this vazaha business. I know that I can waltz into the Bank of Africa, and ask to speak with the directeur. Ten minutes later, we’re conversing in his plush office, and he’s saying almost-yes to my request for another meeting.
“I tried to apply for an internship there, but the secretary wouldn’t let me speak to the director,” a Malagasy friend complained to me. Narina is 27, and an Ambatondrazaka native.
“But I had no problem!” I said, eyes widening.
“That’s because you’re vazaha,” she said, matter-of-factly.
And even as I rushed to contradict her, wanting very badly not to let my sometimes burdensome privilege create any sort of rift in our relationship, I knew she was right.
Because even as I’m here to learn about development, to think about working in development, to make friends with other people working in development and ease my way into the ever-growing network of “development professionals,” development is still the domain of the vazaha, at least in Madagascar.
All of the country’s largest companies are owned by vazahas.
Because when the 1970’s socialist government sold of state-owned assets, only les étrangères had enough capital to buy them.
“Mais, Madame,” said Rivo, a gangly, seventeen-year-old standing up behind a rickety desk. I had been teaching his ingilisy class about finance and credit en anglais, and simultaneously promoting OTIV and its savings and loan instruments. “You tell us that ‘capital’ means a very large sum of money…if I take out a loan for capital, how will I ever pay it all back?”
But even as my colleague, Madame Naina, very quickly told Rivo that his borrowing amin’ny l’OTIV would be strictly confined to his capacité à rembourser, I wondered if Rivo would ever have a great deal of capital with which to play.
In America, we have venture capitalism. In Madagascar, they have dreams. And even though OTIV is development project hanging somewhere between the two polarities, it doesn’t seem adequate.
Today, every single development project (as far as I know) in Madagascar is externally-funded. The nickel and cobalt mines in Moromanga constructed with Japanese, Korean, and Canadian dinero. The French stagiaires who have become my friends, all working on their theses about agricultural credit. The Peace Corps Volunteers (PCVs) who live and work in small towns and villages teaching English and business development and nutrition and contraception, speak fluent gasy, and inform the locals that, no, we don’t have dinosaurs in America. Even CECAM, our microfinance competitor, is a UNDP baby.
“Moi, personellement, I thank you for your initiative,” said Monsieur Jocelyn, chef de l’exploitation at OTIV, to me, his honey-coloured eyes very serious. “Somehow, that initiative is missing at our office.”
Indeed, that initiative seems to be missing in Malagasy development efforts in general.
“You know, the [development] project starts out just fine when the vazahas come and set things up,” recounted the directeur-adjoint of OTIV, as we trundled along the route goudronnée between Toamasina, Madagascar’s premier port, and Moramanga, a transit town south of Ambato. “But then, the vazahas leave, and boof!” he exclaimed, hands flying apart in an explosive gesture, ironic laughter twinkling in his dark eyes.
Human rights are all very well and good. Heck, they’re incredibly exciting. But what if all the vazahas just up and left Mada? Would development continue?
“I fear for them,” Madame Lavine, a French transplant and directrice of the Alliance Française, said to me, shaking her head, looking out her office window at the soft, brown mountains in the distance. “The rest of the world is going to keep developing, and they’re just going to stay the same, and eventually they’ll fall so far behind that they’ll never be able to catch up.”
So then, is development a human right if it seems like only certain humans can make things right?