Sorry, no content matched your criteria.
The Art of Organizing in Kansas City
During my time with KC Tenants, I have been focused on data-analysis during most of my day-to-day work. While I have organized and canvassed across Kansas City, I am generally at my computer researching for the organization’s various campaigns and policy goals. However, particularly when at base meetings and while canvassing, it is evident that while such data analysis is important in the grand scheme of the organization and its goals, there is a human connection that cannot be replicated or displayed within data. The emotional toll that eviction, housing insecurity, displacement, etc. has on human beings is overwhelming. Yet, the hope, compassion, camaraderie, and love displayed while organizing is just as powerful if not more so.
These feelings come in waves at the organization. Organizers and leaders with KC Tenants feel anger and hope interchangeably, if not at the same time. KC Tenants prides itself on leaning into tensions and feelings after meetings in order to grow closer as a collective. This practice, particularly after heated discussions, can be enlightening on the human experience of tenants in Kansas City.
Art is a crucial part of the organization. Poetry, graphic design, murals, drawings, etc. all play a crucial role to the function of KC Tenants, and often, it is leaders and organizers within KC Tenants that provide such art. This can be found on the organization’s website and social media. However, following one meeting with KC Tenants, an organizer read out a poem that struck me as crucial to the work KC Tenants attempts to achieve.
The meeting addressed affordability in Kansas City and the hardships tenants were facing with rising rent and a lack of affordable options in the city. Following the meeting, the organzier read out a poem by June Jordan titled, “I Must Become a Menace to My Enemies,” which is displayed below.
“1
I will no longer lightly walk behind
a one of you who fear me:
Be afraid.
I plan to give you reasons for your jumpy fits
and facial tics
I will not walk politely on the pavements anymore
and this is dedicated in particular
to those who hear my footsteps
or the insubstantial rattling of my grocery
cart
then turn around
see me
and hurry on
away from this impressive terror I must be:
I plan to blossom bloody on an afternoon
surrounded by my comrades singing
terrible revenge in merciless
accelerating
rhythms
But
I have watched a blind man studying his face.
I have set the table in the evening and sat down
to eat the news.
Regularly
I have gone to sleep.
There is no one to forgive me.
The dead do not give a damn.
I live like a lover
who drops her dime into the phone
just as the subway shakes into the station
wasting her message
canceling the question of her call:
fulminating or forgetful but late
and always after the fact that could save or
condemn me
I must become the action of my fate.
2
How many of my brothers and my sisters
will they kill
before I teach myself
retaliation?
Shall we pick a number?
South Africa for instance:
do we agree that more than ten thousand
in less than a year but that less than
five thousand slaughtered in more than six
months will
WHAT IS THE MATTER WITH ME?
I must become a menace to my enemies.
3
And if I
if I ever let you slide
who should be extirpated from my universe
who should be cauterized from earth
completely
(lawandorder jerkoffs of the first the
terrorist degree)
then let my body fail my soul
in its bedeviled lecheries
And if I
if I ever let love go
because the hatred and the whisperings
become a phantom dictate I o-
bey in lieu of impulse and realities
(the blossoming flamingos of my
wild mimosa trees)
then let love freeze me
out.
I must become
I must become a menace to my enemies.”
I found this poem incredibly relevant to the work of KC Tenants. In order to win “safe, accessible, and truly affordable homes” in Kansas City to the tenants that deserve such life outcomes, tenants across Kansas City must become a menace and disrupt the system that continues to displace and evict them.