In the previous post, we examined the films featuring performer Kathryn Osterman (1883-1956) at the American Mutoscope & Biograph Company, starting with The Rose (1903), considering it as a precursor to the Edison company’s popular novelty film Three American Beauties (1906). This follow-up post points to some related primary research resources, motion picture catalogs. It also considers a contemporary … Continue reading New Subjects in Sprocket Films and Mutoscopes