Author: Peter Terezakis
You are invited to submit your film to
The Fourth Annual NYU Global Climate Film Festival
The festival is intended to be a showcase of science-driven, climate-focused films promoting global awareness of the many facets of our changing climate, present solutions, and to promote positive change.
Submission Details:
Films must be 1 to 3 minutes in length.
Can be shot on a cellphone.
Open to currently enrolled students and alumni
from NYU and UArctic
Multiple entries permitted • Cash prizes are awarded!
Open to all genres, including documentary and experimental.
Winning entries from 2023, 2024 and 2025 are available as examples.

Dates:
Naomi Oreskes, guest speaker April 20
(Time and location to be announced).
Poster presentations
(Time and location to be announced).
Film submissions open April 1, 9 A.M. and
close 5 P.M. April 15th (EST).
Festival and Screenings: April 22, 2026
Location:
Eisner & Lubin Auditorium, 4th Floor
NYU Kimmel Center for University Life, 60 Washington Square South, NYC, NY
– This event will be livestreamed and a recording will be available.
Winning Films Will Also Be Screened At:
Icefjord Center, Ilulissat, Greenland – TBA
This entry link will become active on April 1, 2026
Join us in amplifying climate stories that matter:
We look forward to sharing your vision!
THIRD ANNUAL NYU
CLIMATE CHANGE FILM FESTIVAL AWARDEES:
FIRST PLACE

ZEFU CHEN
A DIAMOND THAT CUTS THROUGH ILLUSION
The Alchemy of Saving the Planet
An experimental travelogue coalescing contemporary spiritual malaise with climate anxiety, “A Diamond That Cuts Through Illusions” is filmed entirely on expired Super 8mm and 16mm film in the Elysian villages at the foot of the mythical Namchabarwa Peak in Eastern Tibet. The manifesto film traces its genesis in the revered Diamond Sutra, diagnosing the illusory solastagia (the grief from one experiencing an environmental crisis) of our time with ancient Buddhist wisdom. As the film’s author wander through the diamantine landscape in search of a ecological nirvana, the melancholic decay of the expired celluloid metaphorically paints by the frame a paradisiacal world besieged by Anthropocene destruction. The camera becomes a prophetic whisperer of our planet’s stoic threnody, transmitting its mighty powers and beauty with existential awe. Through this short cinepoem, the author experiments with his aesthetic and social theory of symbio-poeisis, which posits that the ecstasis of posthumanist freedom, the end goal of all sublimated art, will be at the instant of the full integration of man into Earth.
Beaulieu 4008 Super 8mm Camera, Beaulieu R16 16mm Camera,
Expired Kodak Negative Color Film, B&W Film, Super 8mm, 16mm
ZEFU (b. 2003, Canton) is a filmmaker, poet, and transdisciplinary artist based in New York working across all avant-garde media. Incubator of the meta-poiesis of a transhuman self, his mytho-autobiographical work aims to induce the state of ecstatis through generative enstatis. Adhering to the etymology of “poetry” as “to make, to create,” his often scientific-fantastical worlds are deeply informed by studies of antiquity, esotericism, existentialism, and posthumanist theory, while remaining faithful to his artistic roots in surrealism and mysticism. Centering his artistic nucleus in the power of the ancient poet equipped with modern technologies, his immaterial narratives aim to delineate an individual portal to a collective higher consciousness unbounded by historical spacetime.
Zefu’s motto is that life is greater than art. He is currently completing his BFA at New York University in avant-garde cinema with a concentration in philosophy. His next major project, SØMÄLGEBRA (the body’s algebra) is in the pre-production stage. The film will explore humanity’s future potentiality in transcending beyond the physical-temporal plane through the Ancient Greek myth of Narcissus retold with the knowledge of 20-century quantum mechanics. He is looking forward to collaborating with scientists, artists, and producers on the exciting project.
Instagram @zefustudios
SECOND PLACE
| Oh. That’s Sad by Alissa Hsu |
Oh, that’s sad.’ ‘Oh, that sucks.’ ‘Well, what can you do?’These are all phrases we’ve heard, maybe even said, when faced with devastating information about climate change. But brushing it off or feeling inconsequential only validates the small, everyday ways we unknowingly hurt the planet. This normalizes the damage we cause without even realizing it. But if small actions can hurt the planet, it can help it too and it starts with the recognition of those “small” things. Software: Procreate, Premiere Pro
Alissa Hsu is a director, producer and editor. She is a CAS student studying Computer Science with a minor in Web Development. She is passionate about the intersection of art and technology, constantly creating in different creative tech mediums. She loves New York, her family and friends, and her dear bunny (in no particular order). Portfolio (to see list of projects, click “project list” on top left corner in “tech + art” section): Github | Instagram | LinkedIn | |
The Children Were Taken from the Land,
Now the Land is Being Taken from the Children
by
Eriel Lugt and Carmen Kuptana
Carmen Kuptana and Eriel Lugt are Inuvialuit filmmakers from Tuktoyaktuk, NT, whose work centers on climate change, cultural resilience, and youth perspectives in the Arctic. Their debut film premiered at the Skábmagovat Indigenous Film Festival, and they’re now developing a new project that deepens their exploration of land, identity, and environmental justice.
You can read more about their journey and current work here:
Arctic Focus
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THIRD PLACE
Return to Sender
by
Kiran Arain
Plastic Trees
by
Evan Pan
HONORABLE MENTION:
STRATA
by
Tudor Ric Postolache
To escape a toxic surface, the remnants of humanity ascend within a flying mega-strucuture, but time continues to run out.

STRATA is an sci-fi animated short film exploring an apocalyptic future brought to a final brink.
Created with Photoshop, Toon Boom Harmony, Blender
Tudor Ric Postolache is an acting graduate from Tisch Drama and multidisciplinary artist who pursues storytelling as a path to a more empathetic world. He created STRATA while taking Intro To Animation at the Kambar Film Institute and continues its development as an ongoing project. With its world-building he aims to highlight how the structures we inhabit must be reckoned with if any lasting and meaningful change can be achieved.
Connect with him @tudoric0
Thwaites Glacier
by
Aleka Agre
Thwaites Glacier, often referred to as “the doomsday glacier”, is melting faster and faster every year. What that means for us and our planet lies in the ice, with ground-breaking technology helping to decode what the future of Thwaites looks like.
Special Thanks to Prof. David Holland, narration
Aleka Agre is a Motion Designer and Illustrator. She’s a graduate of NYU’s Tisch School of the Arts and is currently working full-time as the Lead Animator at Mess Kit Inc.
Connect: Instagram, alekaagre.com
When the Fire Dies
by
Noah Lazar Abraham
A collage of archival and original footage, When the Fire Dies tells the story of humanity’s rise and fall.
Noah Lazar Abraham is an 18 year old artist and storyteller studying Film & Television at New York University. He is an alumni of the LaGuardia High School, the school that inspired the show Fame. There he specialized in technical theater with a focus on costumes and puppetry.

We Don’t Decompose.
A short musical stop motion animation about sustainable solutions that could be applied to disposing of art materials such as acrylic paint and markers that typically end up in landfills.

Julia is currently studying Cinema Studies and Urban Design and Architecture at Tisch School of The Arts. She is dedicated to filmmaking, production design and visual collage projects that represent Brazilian stories, intersectional womanhood, the feeling of double-conciousness in immigration as a third culture kid and sustainability. She is passionate about capturing stories through materials, textures, patterns, and powerful imagery onscreen. This film was an experimentation, in collaboration with the talented Akira Sky, that brought music, collage and stop motion together.
Instagram: @juuu.andrade.roz

We Don’t Decompose.
Music by Akira Sky
A short musical stop motion animation about sustainable solutions that could be applied to disposing of art materials such as acrylic paint and markers that typically end up in landfills.

ABOUT AKIRA:
Akira Sky is a versatile composer and artist whose work spans film, pop, and musical theater. She crafts emotionally resonant songs that reflect her ongoing interest in how music can deepen storytelling across mediums. Whether collaborating on visual narratives or writing for live performance, Akira is always exploring new ways for her music to come alive on screen.
Instagram: @akirasky
Lessons From Our Grandfather
by
Ashley Qilavaq-Savard and Jennifer Kilabuk
We are honored to welcome this evening’s keynote speaker, Dr. James E. Hansen. Dr. Hansen is an American climate scientist, political activist, devoted grandfather and often hailed as the “father of global warming.” Originally from Denison, Iowa, Dr. Hansen studied under astrophysicist James Van Allen at the University of Iowa before leading NASA’s Goddard Institute for Space Studies (GISS) from 1981 to 2013.
There, he pioneered new climate modeling methods, introduced the concept of Earth’s energy imbalance, and demonstrated how rising greenhouse gases heighten the likelihood of extreme weather—famously illustrating these shifts as “loaded climate dice.” Drawing on evidence from Earth’s geological record, he underscored the urgency of limiting fossil fuel emissions, producing influential research on black soot’s impact on Himalayan glaciers and documenting accelerating global temperature trends driven by greenhouse gases.
From his landmark 1988 testimony before the U.S. Congress to subsequent appearances in courtrooms and international venues, Dr. Hansen has championed policies such as carbon fees and dividends to spur meaningful emission cuts. He identified 350 parts per million of atmospheric CO₂ as a threshold for climate stability—a focal point for 350.org—and continued tracking temperature anomalies, revealing our planet’s rapid warming through detailed analyses of El Niño events and other climatic phenomena. Departing from NASA in 2013 allowed him to focus more intensively on climate advocacy, culminating in legal efforts to highlight government responsibility for safeguarding our atmosphere. In addition to being recognized by Time magazine as one of the 100 Most Influential People, Foreign Policy magazine named Dr. Hansen as one of the Top 100 Global Thinkers.
Dr. Hansen now serves as an Adjunct Professor at Columbia University’s Earth Institute, where he directs the Program on Climate Science, Awareness and Solutions, where he is inspiring a new generation of scientists and activists. His first book, Storms of My Grandchildren (2009), warned that only robust, science-based actions can preserve a viable future, reflecting his deeply held conviction that environmental stewardship transcends politics.
Dr. Hansen has consistently shared the truth about climate change — a truth validated by the mounting climate disasters we see today. While he acknowledges that our collective political and social responses remain dangerously inadequate, he remains optimistic. That optimism is born of his believe that young people, especially college age young adults, have the potential to drive the political change that is essential to achieve the actions that are needed to alter the course that we, the United States and the world, are on — and achieve a bright future for young people and all life on our planet. That is the topic he wants to discuss with you.
Prizes
First place: one (1) $1,500 prize
Second place: two (2) $550 prizes
Third place: three (3) $150 prizes
Honorable Mention:
Four (4) $100 cash prizes
2023
NYU GLOBAL CLIMATE CHANGE FILM FESTIVAL
AWARDEES:
First Place
FEEDING CLIMATE CHANGE
Eve Eismann
Second Place
I’M MAD AS HELL
Oriana Mejer
METHANEZILLA
Benny Rendell & Deborah Dossantos
Third Place
TRASH ISLANDS
Camryn Lipman
IGNORANCE IS NOT BLISS
Ahsen Saaim
THE SORRY PROJECT
Josh Zacher
Honorable Mentions
CLIMATE CHANGE
Zicheng Zhu
A PLANET TO BE SAVED
Pearl Marden
THIS IS NORMAL
Aidan La Poche
THE FUTURE IS CALLING
Audrey Kim Chung
CLIMATE CRUNCHER
Aishya Rannan Elysia
(in 2023, we had five fourth-place winners)
Second Annual
NYU GLOBAL CLIMATE CHANGE FILM FESTIVAL
FIRST PLACE $1000
HI EARTH
by
Leah Jiaxin Yu
SECOND PLACE $500
WE’RE NEXT
by
Antonella Cueva
•
MOROCCO
by
Dylan Nijankin
THIRD PLACE $150
CIRCA
by
Eric Jing
•
OUR SUSTENANCE DISCARDED
by
Jessica Berrios
•
WE WILL RISE
by
Camryn Lipman
HONORABLE MENTIONS $100
A LETTER FOR YOU
by
Razane Sakhi
•
HOME
by
Anna Pierson
•
FUTURES: NEW YORK CITY
by
Leonardo Del Toro
•
衣海
创作者
高芝蓉
(INTO THE SEA by Zhirong Gao)
Special Thanks to Our Judges
• Sheril Antonio • Karoly Bardosh • Jennifer Ruff •
• Annie M Stanton • Dean Allyson L Green •
Contact
If you are an NYU or UArctic admin, alum, faculty, or student and are interested in volunteering to work on the website or participate in judging, get in touch!
The Google sheet on this page will be added to as people sign up for the tabling event and Lightning Presentations at the Eisner and Lubin Auditorium, Kimmel Center, NYC:


Click here to learn more.
Oh, that’s sad.’ ‘Oh, that sucks.’ ‘Well, what can you do?’





