“I think this is the future,” he said. “Anybody going to see this movie who has no idea of the backstory to the production will have no idea this was shot on the phone. That’s not part of the conceit.”
The filmmaker has experimented with digital cinematography for years, going back to 2002’s “Full Frontal,” but found that the iPhone offered unparalleled quality. “People forget, this is a 4k capture,” said Soderbergh, who was long a passionate advocate for the high-end RED cameras. “I’ve seen it 40 feet tall. It looks like velvet. This is a gamechanger to me.”
Asked if he would commit exclusively to shooting on iPhones going forward, he replied, “I’d have to have a pretty good reason not to be thinking about that first… There’s a philosophical obstacle a lot of people have about the size of the capture device. I don’t have that problem. I look at this as potentially one of the most liberating experiences that I’ve ever had as a filmmaker, and that I continue having. The gets that I felt moment to moment were so significant that this is, to me, a new chapter.”
“People forget, this is a 4k capture. I’ve seen it 40 feet tall. It looks like velvet. This is a gamechanger to me.” — IndieWire
The program for our final class will be printed using your poster images and will have a barcode to bring people to web pages which will include your image, an artist statement/synopsis (optional paragraph or two), and a link to your film.
If you do not want your video to be viewed after the final class, let me know and be certain to change the permissions setting at stream to reflect your preference.
I will also design a poster announcing our group showing using your poster image.
Our screening room will be the Dean’s Conference Room. Since it can hold up to seventy-five people you may invite family and/or friends to attend.
Invited guests will include colleagues from the Tisch School of the Arts.
When inviting people you can use this page for directions and program information.
Popcorn will be served!