I have worked on various questions in aesthetics and the philosophy of art.
Expression
“Imaginative Understanding, Affective Profiles and the Expression of Emotion in Art”, Journal of Aesthetics and Art Criticism 75:4 (2017), pp.64-74.
Style
“Artistic Style as the Expression of Ideals“, with Nick Riggle, Philosophers’ Imprint 21:8 (2021), pp.1-18.
Epistemology & metaphysics of aesthetic value
“Beauty and Testimony” in Philosophy, the Good, the True & the Beautiful (Royal Institute of Philosophy Supplement 47) ed. A. O’ Hear, CUP (2000), pp.209-236.
“Kant, Quasi-Realism & the Autonomy of Aesthetic Judgement”, European Journal of Philosophy vol.9 no.2 (2001), pp.166-189.
“How to be a pessimist about aesthetic testimony”, Journal of Philosophy 108:3 (2011), pp.138-157.
Aesthetics, perception & doubles
“Aesthetics, Experience and Discrimination”, Journal of Aesthetics and Art Criticism 63:2 (2005), pp.119-133.
“Painting, History and Experience”, Philosophical Studies 127 (2006), pp.19-35.
The aesthetics of pictures
“Pictures and Beauty’, Proceedings of the Aristotelian Society XCVII, (1997), pp.177-194.
“The Spectator in the Picture’ in Richard Wollheim on the Art of Painting. Art as Representation and Expression, ed. R.Van Gerwen, CUP (2001), pp.215-231.
“The Aesthetics of Painting” in Routledge International Encyclopedia of Philosophy, electronic edition, and The Shorter Routledge Encyclopedia of Philosophy, ed.E.Craig 2005. A second, and radical, revision is forthcoming. Email me if you would like a copy.
“Inflected Pictorial Experience: Its Treatment and Significance” in Philosophical Perspectives on Picturing ed.s C.Abell and K.Bantinaki, Routledge (2010), pp.151-180.
Sculpture
“Sculpture and Space” in M.Kieran & D.Lopes Imagination, Philosophy, and the Arts, Routledge (2003), pp.272-290.
“Painting, Sculpture, Sight and Touch”, British Journal of Aesthetics 44:2. (2004), pp.149-166.
“Sculpture and Perspective”, British Journal of Aesthetics 50:3 (2010), pp.1-17.
“‘The Sculpted Image?” in Philosophy of Sculpture: Historical Problems, Contemporary Approaches ed.s F.Rush, K.Grisdal, I.Torsen, Routledge 2020, pp.187-205.
Photography
“Factive Pictorial Experience: What is really special about photographs?”, Nous 46:4 (2012), pp.709-731.
“The Real Challenge to Photography (as Communicative Representational Art)”, Journal of the American Philosophical Association 1:2 (2015), pp.329-48.
Film
“What do we see in film?”, Journal of Aesthetics and Art Criticism 66:2 (2008), pp.149-59.
“Cinematic Depiction” in Routledge Companion to Film and Philosophy, ed.s P.Livingstone & C. Plantinga Routledge 2008, pp.64-74.
“Moving because Pictures?” Midwest Studies in Philosophy XXXIV: Film and Emotion (2010), pp.200-218.
“‘Remember Leonard Shelby’ Memento and the Double Life of Memory” in Art, Mind, and Narrative: Themes from the Work of Peter Goldie, edited by Julian Dodd, Oxford University Press 2016, pp.89-99.
“Realism in film (and other representations)” in Current Controversies in Philosophy of Film, ed. Kate Thomson Jones, Routledge 2016, pp.76-96
“Sculpting in Time: temporally inflected experience of cinema” in The Pleasure of Pictures: Pictorial Experience and Aesthetic Appreciation ed.s J.Pellotier and Alberto Voltolini, Routledge 2020, pp.201-223.
Aesthetics of other artforms
“Speaking Through Silence: Conceptual Art and Conversational Implicature” in Conceptual Art ed.s E.Schellekens and P.Goldie OUP (2007), pp. 51-68.
“Architecture and Cultural Memory” in Heritage and War ed.s H.Frowe and D.Matravers, Routledge 2023, pp.153-73.
Guides for the perplexed
“How to Form Aesthetic Belief: Interpreting the Acquaintance Principle” Postgraduate Journal of Aesthetics 3:3 (2006).
Blackwell Companion to Aesthetics 2nd edition, edited with D.Cooper, S.Davies, K.Higgins and R.Stecker, 2009.