Emaratiya Exposition

One of my most recent projects is co-curating an art exhibition in the Cube, The Arts Center with a good friend of mine, Fatema Al Romaithi. The exhibition we are creating aims to solidify and spotlight the intersection between the Emirati identity and feminine identity.  The exhibition analyzes works that reflect this sentiment in both contemporary and historical contexts. We would like to ask the question, “What does it mean to be an Emirati woman?” What does the ‘Emirati woman’, as an identity, represent, and what is she emblematic of?

Preparing for the exhibition not only requires a logo but a solid marketing and promotion plan. First, let’s start with the logo. Initially, we wanted to give it an intimate touch and perhaps have a handwriting and handmade element to it. So I started off sketching the word Emaratiya in Arabic, which turned out like this:

The purpose of this logo is for it to be vinyl on the Cube and on all our social media’s promotional content. But for us to easily achieve that easily and cohesively, we decided to have the logo digitally in Mishafi with the tracking increased:

The increased tracking is still readable and gives into one of the many notions the exhibition’s artworks tackle like tension connection. 

This is how our render looks like for the exterior of the Cube:

The Arabic and English boxes are intended to be the exposition’s curatorial texts that are going to be posters on the exterior of the cube instead of vinyl, since it will be easier to mount. With the help of my aunt, a Professor of Translation at UAEU, I was able to get the curatorial statement translated to Arabic. Then, I had both texts on Indesign, set on A1, in Gotham and Tajawal. They are planned to printed on heavyweight paper.

 

 

Now on to the promotional content for social media. We came up with a schedule that will be followed by the entire team, including the artists behind the Emaratiya exhibition and it entails:

May 1st: teaser instagram story
May 9th: promo video post
May 12th: exhibition opening

 

May 1st: The teaser instagram video that will only be uploaded on instagram stories will look like this:

 

May 10th: For the actual post that is planned to be posted onto the feed is a continued video:

Click to access the video   (Video is too long to an in-line attachment)

The names featured are the participating artist’s names in their own handwriting. This allows us to evoke that same intimate and handmade element we wanted to emulate in the beginning.

 

Now for the poster that is being planned to be posted around campus, we are planning to have a simple still from the promo video:

 

As for the artwork panels that are going to be attached by the artworks on the cube (describing the artwork’s title, size, medium) are planned to look like this. A mixture of Gotham and Times New Roman, the arabic is Tajawal. They were created on indesign and are planned to be printed on heavyweight paper.

 

Last but not least, we wanted a brochure that includes the information from the artwork panels + some information behind the concept of each piece written by the artists themselves.

Again, the concept of the girls including their names in their handwriting adds to that original element.

The exhibition is planned to be showcased from May 12th to June 9th, with an installation period from the 10th to the 12th of May, and a de-installation period from the 10th to the 12th of June. We believe it is a great idea to be joining the Pop-Up showcase in the Art Center as this will generate a lot more foot traffic for our show. This blog also acts as an open invitation to anyone reading this, as we would love to have you there. See you on the 12th at 5 pm!

Amplify Project

One of the many things I am proud to be a part of during my experience in this university is working as a Design Production Assistant in the Arts Center under Erin Collins. We work on projects like renovating some research centers and way finding signage around campus. A recent project I took up on is helping out a senior student with her capstone poster regarding an art performance happening on April 8 and 9 in the Red Theater. 

Her vision for her performance is as follows: “To amplify means to intensify, expand, to make greater, and to strengthen. Amplify is an interview-based dance theater piece that draws upon female-identifying dancers’ stories, journeys, and experiences to amplify their voices. Alongside myself as the creator/ director/ choreographer, the ensemble of dancers, who are interview subjects themselves, collaborated and co-created the work. It is a piece about connection, resilience, and the power of dance.”

We started off with a zoom meeting discussing if there are any fundamental requirements and the placements of the poster, is it going to be digital or physical? Are there specific dimensions? Is there a specific color scheme?

She then proceeded to send me the details of what she wants included in the poster and it is as follows: 

Friday April 8 and Saturday April 9 @ 8:30 pm

The Red Theater, The Arts Center

Choreographer and Director: Hana AlMakkawy

Dancers: Hana AlMakkawy, Amy Qian, Claudia Alcarra, Mandy Liao

She mentioned that she is looking for a minimalistic style for the poster. Additionally, she also mentioned how the color scheme of the poster is an interesting element that has been juxtaposed into the performance itself. She has informed me that the dancers (4) will each wear their favourite color as their leotard. The colors are lilac, deep red, peach and purple. This is such an amazing idea since it gives each of the performers an autonomy and a personal touch and to see that worked into the poster is very cool. She then proceeded to send me a photo of the fabrics she picked out for them:

 

 

 

 

 

During our meeting, we were brainstorming together. I was sketching and she was expressing. It was like I was translating her ideas into sketches and potential options. 

I then asked her to give me a day to accumulate a few options for her to choose from. Or more accurately, give her a something she can edit and alter, since this is a poster that she was to express a performance she directed and created.

 

(The capstone logo is essential, I just forgot to add it to the first option.)

Then, we had our second meeting. She let me know that the she is looking for a darker background and a clearer element that will show the “amplifying” effect, which is this:

She let me know that she really liked the effect above which I sketched up on procreate. And I ended up with these designs:

 

She was also looking forward to creating some banners:

 

 

 

 

 

 

 

 

 

And this is the final product in a banner form placed in the Arts Center:

 

Please make sure to support Hana and attend her performance which I am sure is going to be amazing! Remember, the Red Theater on April the 8th and 9th (this Friday and Saturday) at 8:30pm. See you there!

Logos of Art Institutes in the UAE

Looking into the brief for Al Reem Al Hosani’s Project has inspired me to look more into the multiple and contrasting logos of Art Institutes around the UAE. This can help me seek some sort of inspiration and analyze the different attributes each art logo has, the pros and the cons, and what is special about them. 

The Louvre Abu Dhabi

Starting off with the classic Louvre Abu Dhabi logo. Of course, I know now that the logo has been changed twice since the announcement of its presence in Saadiyat Island. The first logo was designed by Phillipe Apeloig.

Sketches by Phillipe Apeloig. “Louvre Abu Dhabi’s New Visual Identity.” Graphéine – Agence De Communication Paris Lyon, 4 Jan. 2020, www.grapheine.com/en/logo-news/louvre-abu-dhabi-s-new-visual-identity.

 

The typography is the creation of young Lebanese designer Kristyan Sarkis. “Louvre Abu Dhabi’s New Visual Identity.” Graphéine – Agence De Communication Paris Lyon, 4 Jan. 2020, www.grapheine.com/en/logo-news/louvre-abu-dhabi-s-new-visual-identity.

In my opinion, I can see the appeal of the subtle and simple design that is used to embody the Louvre. But I can also see why they would redesign it. In a way, it seems too minimalistic for a museum that doesn’t only caress minimalistic art. It is also home to renaissance, abstract expressionism, impressionism and romanticism just to name a few. Therefore, a lot can make sense when we see the new logo:

Instead, designed by an unknown designer, the Louvre Abu Dhabi decided to tie their identity to something more concrete, more personal and unique to their institution. Something that is not seen in the Louvre Paris or any other museum; their domed ceiling, much like a planetarium. Jean Nouvel, a Pritzker-prize winning architect, is responsible for the unique design of the Louvre Abu Dhabi.

 

 

 

 

 

“Louvre Abu Dhabi Sparking Light.” Inhabitat, 2 Oct. 2015, inhabitat.com/the-louvre-abu-dhabi-is-a-museum-that-is-its-own-work-of-art/louvre-abu-dhabi-sparking-light/.

Warehouse421

An art institute that sees that collaboration with local, regional, and international institutions is essential. It is a locally-based arts and design centre committed to exhibiting and supporting local creative talent. Warehouse421 is a locally based art and design centre committed to exhibiting and supporting local creative talent. Collaboration with local, regional, and international institutions is essential. Through learning, research, and commissions, it hopes to contribute to the growth of the UAE’s creative environment. Their logo seems to me like an excellent one and I will tell you why.

Because of its unique location to be one of the few functioning warehouses in Mina Zayed, there is some leverage where the design team took advantage of the number 421 as their selling point. It’s simple, straight to the point and unlike The Louvre Abu Dhabi’s first logo, the minimalistic element of this logo correlate with the type of artworks warehouse421 exhibits with most modern and contemporary expositions.  

However, one thing that I would want to point out is the inconsistency with the translation of the word “warehouse” where the Arabic word for that is “مستودع” not “معرض” which is Arabic for exhibition. Thus, in Arabic, it says “exhibition 421.”

AlQattara Arts Center

As someone who is originally from Al Ain, I have to rep an arts centre that I artistically grew up in. It is The Bin Ati Al-Darmaki House, a historic mud-brick tower and home that was transformed into the Al Qattara Arts Centre. The centre is built in a regional architectural style that combines well with the surrounding area, which includes a number of historic structures from Al Ain’s early heritage.

In Al Ain’s art and cultural landscape, the Al Qattara Arts Centre plays a distinctive role. It was founded in 2011 as a place for Emiratis to study, practice, and develop art and culture. The art gallery in the centre features works by expatriate and Emirati artists. There is also a permanent exhibition space for archaeology and heritage exhibitions, as well as art studios for students.

“Al Qattara Arts Centre.” Abu Dhabi Culture, 21 Feb. 2022, abudhabiculture.ae/en/experience/culture-centres/al-qattara-arts-centre.

This is an excellent logo because of the consistency of using “ال” in Arabic and having that mirrored in English with the “Al” before “Qattara.” Additionally, the space of the art institute is basically a revamped and renovated old palace, hence the multi-coloured forts that represent that artistic and developed element of the place. 

Sharjah Art Foundation

The Sharjah Art Institution, created in 2009 by Hoor Al Qasimi, is a contemporary art and culture foundation situated in Sharjah, United Arab Emirates. The Sharjah Art Foundation aims to encourage public education and engagement in artistic endeavours. Exhibitions of Arab and international artists’ work, performances, music, film screenings, artist lectures, and educational programs for a wide variety of audiences, from children to adults, are all part of the foundation’s programming.

The significance of this logo is exquisite in my opinion, it gives off a sense of regalness and power. Especially because this institution hosts the famous Sharjah Biennial. Eliminating the dots and dashes in the Arabic lettering, in this case, does not remove from its phonetic form. This can be tricky for some Arabic speakers, as I, did not even notice the Arabic lettering at the top and thought it was a random design.

 

Works Cited:

“Al Qattara Arts Centre.” Abu Dhabi Culture, 21 Feb. 2022, abudhabiculture.ae/en/experience/culture-centres/al-qattara-arts-centre.

“Sharjah Art Foundation.” Wikipedia, Wikimedia Foundation, 5 Feb. 2022, en.wikipedia.org/wiki/Sharjah_Art_Foundation.

Warehouse421, www.warehouse421.ae/en/.

www.louvreabudhabi.ae/?gclid=CjwKCAiAgvKQBhBbEiwAaPQw3EecfMCyFnvQE8Y4vS4sfRhNZGLvClFwCgXVcsxjLx-OdH6TUv1jthoC2vMQAvD_BwE&gclsrc=aw.ds.

 

The Golden Halo of EXPO

When I first learned about the Halo Effect from our first lecture, I wasn’t very surprised to know the extent of our mindless human nature to blindly imitate. Consumers will go out of their way to attain any symbol or attribute that can lead to a specific lifestyle. Schemes that would interpolate The Halo Effect onto their marketing and branding plans would usually associate their products with “influencers”. In turn, these influencers would encapsulate this specific lifestyle and drag consumers to think that if only they were to attain this product, they can be just like them. This can easily be transformed into a very toxic and endless loop of transfixion. Due to that fact, the marketing field has turned The Halo Effect into a weapon against their targeted audiences to heighten and strengthen the value of a product. 

A product that reminded me of this phenomenon is EXPO 2020. With an expectation to invite over 25 million visitors, they thrived to be associated with all these influencers that would grab consumers from all over the Emirates to experience this worldwide event just like they did. Other than hosting all international singers and celebrities to hold free concerts, they also invited celebrities and famous people to visit their pavilions like Lionel Messi and Bill Gates.  The logo was inspired by an antique golden ring in the sand discovered at the Saroug Al Hadeed, Al Marmoom. The ring was discovered in this archaeological site back in 2002 and the ring dated back to the Iron Age.

Sheikh Mohammed described the message of the golden ring, “The Expo 2020 logo represents our message to the world that our civilisation has deep roots. We were and will always be a pot that gathers civilisations and a centre for innovation. Over 4,000 years ago, the people who lived in this land had a deep creative spirit and today the people of this country are building the nation’s future for centuries to come. Dubai is the city of gold, but the minds and hands of our citizens are more precious than gold.” (New Expo)

I found this quote to be interesting since the city of Dubai always had this reputation (or halo effect) of being the city of gold. In my opinion, I found that it was smart for EXPO 2020 to play into that role or pre-perceived persona. It is like Dubai City is owning up to that image and unsurprisingly succeeding in it. The ring also has come to symbolise connectivity, resilience and heritage, which is what EXPO 2020 is really all about, especially as Dubai doesn’t look like it is pausing on developing or innovating more anytime soon. 

The logo was also designed through a competition in 2015, which of course helped a lot in terms of brand awareness where they had over 19,000 people submitting entries. This added to EXPO’s Halo Effect by adding creative power, competitiveness, and the concept of having and creating a vision to the entire event. They also took the chance to bring awareness and interactivity to EXPO 2020 before it was even ever a thing! And that’s why I think Dubai EXPO’s marketing team did its job and why their logo is a great logo!

Now, what if I were to do my own golden halo for my personal logo? We were to do this exercise in one of our classes and this was the thought-process:

First off, I wouldn’t go ahead a choose gold to be a colour in my colour scheme, I would go with something more simple and similar to my artistic work.

Above is one of my paintings that I have my colour scheme driven by. 

My work encapsulates the message of having imaginary elements in most of my artworks, so I am going to have to add some of that same element to my brand name. 

This is the final result, having that imaginary element be an illusionist play with my Arabic first and last name and my first and middle name is English. 

 

 

Works Cited:

Benjamin, Sharon. “Expo 2020’s Logo Was Inspired from a Ring in the Sands of Dubai’s Saruq Al Hadid.” Expo2020-Experience-the-Uae – Gulf News, Gulf News, 28 Sept. 2021, gulfnews.com/expo-2020/experience-the-uae/expo-2020s-logo-was-inspired-from-a-ring-in-the-sands-of-dubais-saruq-al-hadid-1.1620133847240.

“New Expo 2020 Logo Unveiled.” The First Group, www.thefirstgroup.com/en/news/new-expo-2020-logo-unveiled/.

“The Expo 2020 Logo: Not Just a Symbol, It’s a Part of History!” A Blog about Homes, Trends, Tips & Life in the UAE | MyBayut, www.bayut.com/mybayut/story-behind-expo-2020-logo/.